Scarlett Johansson Suing Disney
Scarlett Johansson Suing Disney. After the mediocre box office takings for Black Widow, the Avengers star is reported to have lost almost $50m so far
Review – Avengers Vs X-Men
Review – Avengers Vs X-Men Written by: Brian Michael Bendis, Matt Fraction, Jason Aaron, Ed Brubaker, Jonathan Hickman Pencils by: John Romita Jr, Olivier Coipel, Adam Kubert Release Date: 2012 Introduction Avengers vs X-Men is the definition of an event book. It gives us an epic crossover and a superstar lineup both on the creative side as well as in the 616 storyline itself. Released in 2012, Avengers vs X-Men features some of the biggest artists and writers of the time tackling the biggest characters in the Marvel Universe dealing with one of the biggest ideas in comics- the Phoenix. The Phoenix is coming and everyone has opinions about it, so begins Avengers vs X-Men. What better device to pivot our beloved heroes against each other than one of the most popular cosmic forces in the 616 universe! Avengers vs X-Men is a culmination of a half dozen events that had been happening in recent years. The biggest influence, being House of M and the actions Scarlet Witch took in that book. You needn’t read those other books to appreciate Avengers vs X-Men though. They do add extra context and appreciations but the writers do their best to fill us in on what happened. Story The story is massive. It delivers on the name, Avengers vs X-Men, by giving you a plot that justifies their conflict as well as an abundance of fights that you expect from a book like this. They do a decent job at giving breathing room to a lot of characters, and even spreading out smaller moments for other characters. It’s very fun to watch new relationships get some play, like Hope and Spider-Man, or to see old dynamics come to a head like Xavier and Cyclops. There are legit great character beats hidden in this book, particularly with folks like Spider-Man, Cyclops, and Nova. Spider-Man has a scene that I won’t likely forget. The Phoenix is one of those things in comics that risks being played out. It’s used and referenced so much that it’s easy to almost cringe in fear when it’s brought up. They tow the line pretty well in using it in Avengers vs X-Men. At some point, after the Phoenix has chosen a host, they do start to lose the thread of why the X-Men are after Hope. There’s a scene where Cyclops is uber-powered and shows up demanding they hand over Hope that made me put down the book and try to remember why. It’s at this point that they’ve transformed the world for better and are only left chasing Avengers. It’s a big event comic though, so I let it go and kept enjoying the ride. I only need so much motivation to watch superheroes beat each other up. Review – Avengers Vs X-Men continues below That said, the story does stretch a bit long. If it weren’t for what I imagine is a publisher’s mandate, I could see this as more of an 8-10 issue story. 12 issues left it feeling a little bloated. At points it felt like we were nearing the climax, only to have a couple more issues. However, the climax was a rare feat for a Marvel event. It didn’t feel rushed or wrapped up too cleanly. Satisfying compared to other events of the era, perhaps a result of the superstar lineup of writers. I couldn’t help but wonder if this story, contained to an X-title instead of a crossover event, might not have been a bit stronger though. It would have had less publisher influence, more focus on the mutant side of the story, and maybe a more organic fit in the history. I wouldn’t have minded a little less defined lines in who chose what sides too, like what we got in Civil War. Less about teams and more about ideology, especially through a 2021 lens, but I guess that would take away from the title of the book. Art The book features gorgeous superhero art. Narrowing the selection down for this review got particularly difficult. There’s constantly action scenes packed full of characters or cool moments across multiple panels. It takes full advantage of the comic format as a visual medium, giving the reader page after page of fantastic art. They utilize the crossover nature of an event book like this to fill in the background with other characters or details that make the world feel real. Having multiple artists with different styles telling the story in chunks could have been distracting but ultimately it flows pretty smoothly and I enjoyed the changes in style. Review – Avengers Vs X-Men continues below Avengers vs X-Men delivers intimate, close up, character moments as well as the giant, action packed splash pages you expect in a bombastic crossover book. The Phoenix storyline itself lends itself to epic, colorful pages full of fire and screaming faces. We even get some new character designs, as a result of the aforementioned Phoenix and they’re mostly great. From covers to layouts to splashes, the art compliments the story and event pretty brilliantly. Overall The biggest disappointment with this book is the same with a lot of big hallmark events… it doesn’t mean anything. It has no consequences, it has no staying power. The status quo returns pretty quickly after. It’s not like Crisis where you felt it’s impact for 20 years. The book happens, it spikes sales, then after a few months they erase the effects. Heck, this very book exists to erase the effects of House of M. The Phoenix will come back or all of the improvements to the world by The Phoenix Five will be gone. Cyclops will be a normal part of the team again, despite murdering someone. That makes it hard to sink your teeth into. So if you want to enjoy this as a fun 12 episode arc of superhero fights, dive in! If you’re hoping for an impactful, important story of why two of the biggest teams in comics would
Review – New Avengers: Breakout
Review – New Avengers: Breakout Publisher: Marvel Comics Writer: Brian Michael Bendis Penciller: David Finch Inker: Danny Miki Colourist: Frank D’Armata Letterer: Albert Deschesne Release Date: August 17th 2005 When I was asked to go back and write a review for New Avengers: Breakout, I was initially excited by the prospect of getting to revisit this book. When I first read the TPB, I really enjoyed what Brian Michael Bendis did with the story and appreciated the way that he gave the Avengers comics a much-needed soft reboot. Seven years down the line from when I first read it, it unfortunately has not aged particularly well. Upon reading it for the first time, my favourite part of the story was the titular breakout sequence that takes place across the first two issues included in the book. This is still the case today upon re-reading the TBP. Whilst it is a fairly contrived situation, with the obvious foreshadowing of Foggy Nelson worrying about a breakout coming across as painfully obvious foreshadowing, the breakout sequence is fun. The action that takes place in this segment of the book is well-written and the rap-sheet style character briefs that are shown alongside the appearance of each major villain are cool. It is also a fascinating situation to see Matt Murdoch to be caught in, as a prison is a very bad place for a prosecuting lawyer to be during a prison break. Unfortunately, this is the only part of the book that I enjoyed re-reading for a second time. After the prison break takes place, the pace of the story grinds to a halt and then crawls very slowly to the end of the sixth issue. It felt so aimless and meandering whilst reading through it and I was constantly checking how much longer I still had to go before the book was done. This is never a good sign for a comic book story. The plot following the straightforward breakout sequence is also far more unnecessarily convoluted than it ever had to be. This is even referenced in the dialogue, when Spiderman quips at one point that he has “no idea what is going on, more so than usual!” Pointing out how overly confusing and messy your story is doesn’t make up for writing a convoluted mess of a plot Bendis. There is also an unfortunate section of the book where the male members of the team gawk at Spider-Woman after she suits up for the first time. It is fairly brief, but in a post me-too era, the panels haven’t aged particularly well at all. The lingering panel on Spider-Woman’s detailed physique in her skin-tight costume feels particularly off-putting and sleazy. In terms of the book’s artwork, I enjoyed David Finch’s pencils for the most part. I thought that the way that Jigsaw was drawn looked awesome, there was a particularly striking splash page of Carnage appearing behind foggy during the breakout sequence that I enjoyed and I thought that the Quinjet looked really cool in this book. That being said, there were certain panels where I was not a huge fan of how Steve Rodgers’ face was drawn. Some of his expressions looked somewhat goofy and even when he wasn’t being overly expressive, I wasn’t into the way that his features were drawn. Some of his poses also bend the laws of what is biologically possible. I also felt that there were some questionable colour choices on Frank D’Armata’s part. I usually enjoy D’Armata’s work, but not so much in this book. There was one page in particular that showed Daredevil in his full red costume standing in front of a red sky that was a very similar shade of red to The Man Without Fear’s costume. This meant that the character didn’t really stand out on the page, as the background colour was so similar to the costume’s colour. Overall, I was fairly disappointed upon revisiting New Avengers: Breakout for review. I wish that this wasn’t the case, but unfortunately this book simply did not stand up to the test of time in my eyes. It felt very dated at points and confusing and boring in others. This is probably my least favourite Brain Michael Bendis story that I’ve revisited recently for review.
Tom King’s Vision Review: Best Marvel Comic of the Decade?
Review: Tom King’s Vision – A Masterpiece of Synthetic Horror Tom King doesn’t just write superhero stories; he writes existential crises. In The Vision, King and artist Gabriel Walta take a character known for being a stoic Avenger and turn him into the lead of a suburban nightmare. If you loved the reality-warping tension of WandaVision or are looking forward to the upcoming Vision Quest series, this comic is the essential blueprint This character was once obscure. Now, he is a household name thanks to the MCU and WandaVision. King’s series explores heavy topics across twelve complex issues. It asks what it truly means to be human. It also examines how we handle family trauma. The Vision Builds a Nuclear Family The premise of this story is simple yet chilling. Vision wants to understand humanity. He also wants to distance himself from his “father,” Ultron. To do this, Vision builds his own family. He creates a wife, Virginia, and two teenage children, Vin and Viv. They live in a house with a white picket fence in Virginia. Vision even takes a job as the Avengers liaison to the White House. He tries to live a normal, suburban life. Every night, the family sits at the dinner table. They do not eat food. Instead, they beam recorded experiences of their day to each other. This attempt at a “normal” life feels intentional and uncomfortable. It is a robotic approximation of human happiness. Trauma and the Catalyst for Chaos Very quickly, a dark event sends their lives spiraling out of control. Tom King uses this catalyst to explore the humanity of these artificial beings. He effectively portrays PTSD in life forms that barely understand feelings. The children begin to change. Vin develops obsessive traits and acts out passages of Shakespeare. Virginia begins repeating words and tells lies to protect her family. These quirks create a fantastic contrast to their robotic behavior. King’s greatest strength is his dialogue. He makes the family seem both cold and logical, yet deeply loving. You will find yourself rooting for the Visions even as they become horrifying. Defining Humanity Through Artificial Life Does a person need flesh and blood to be human? Does a soul require a biological heart? King does not provide easy answers. However, he shows that the Visions are one of the most human families in comics. Virginia lies to protect her children like any human mother. Viv develops a crush on a local boy. She replays the memory of their conversation over and over. She feels things she cannot fully name. The style echoes King’s later work on Mister Miracle. He places boring family life right next to life-or-death superhero drama. If you enjoyed that book, you will love this one. You will feel for this family, but you will also learn to fear them. The Visual Style of Gabriel Walta Gabriel Walta’s artwork is the perfect match for this drama. His panels are big, clear, and very colorful. He makes these robotic characters incredibly emotive. Their facial expressions and body language clearly show the high stakes of the story. The coloring by Jordie Bellaire is equally impressive. The hues are warm during everyday scenes. They switch to cold, desolate tones when the story turns morbid. This shift highlights the loneliness growing within the characters. Michael Walsh takes over the art for issue seven. While a change in artists can be jarring, it works here. This issue is a flashback to Vision’s time with Wanda. The sketchy, cartoon style fits the look of an earlier era. NEW AVENGERS BREAKOUT REVIEW Our Final Verdict on Tom King’s Vision This is a dense book with layers of meaning. You might need to read it twice to catch everything. The story is both sad and hopeful. It is also terrifying. You should definitely read this book. This is especially true if you are a fan of the MCU version. This Vision is more robotic and less empathetic than the movies. However, you will see exactly where the film inspiration started. We give this series full marks. It deserves a spot on every comic fan’s bookshelf. BGCP SUGGESTS: The Vision Collector’s Guide If our review has you ready to enter the suburbs of Arlington, Virginia, here are the best ways to experience this masterpiece and the stories that inspired it. 1. The Definitive Edition: Vision: The Complete Collection 👉 Buy Vision: The Complete Collection on Amazon Why it’s a must-own: This collects all 12 issues of the Eisner Award-winning run. It’s the perfect “one-and-done” graphic novel for your shelf. 2. For the Hardcore Collector: The Visions (Marvel Premier Collection) 👉 Pre-order The Visions Premier Edition on Amazon Why it’s a must-own: Releasing in June 2026, this high-end oversized format features bonus sketches and behind-the-scenes notes from Tom King and Gabriel Walta. 3. The Retro Inspiration: Vision & The Scarlet Witch – The Saga of Wanda and Vision 👉 Buy The Saga of Wanda and Vision on Amazon Why it’s a must-own: See the 1980s “suburban” roots that Tom King subverted. This collection features their wedding and the birth of Billy and Tommy. 4. The Spiritual Successor: Mister Miracle by Tom King 👉 Buy Mister Miracle Deluxe Edition on Amazon Why it’s a must-own: If you loved the trauma-focused writing in The Vision, King’s work on Mister Miracle is the perfect follow-up.
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