Fantasy

Star Wars: The Destiny Path

Review – Star Wars: The Destiny Path Written By Charles Soule Illustrated & coloured by Jesus Saiz & Arif Prianto Published by MARVEL Comics Released in November, 2020 SUMMARY Star Wars: The Destiny Path is a 2020 tie in comic set between the events of The Empire Strikes Back & Return of The Jedi, filling in the gaps and answering the questions of a galaxy far far away. Written by Charles Soule and illustrated by Jesus Saiz. With the Rebels on the run from Darth Vader on Cloud City, leaving behind a hand and a Han, it’s up to Luke, Leia & Lando to locate Han Solo and strategize their next move against the Empire. With power and confidence not on their side, there is only hope for our ragtag Rebellion and the intel of one Lando Calrissian.  ART Firstly, Saiz’s art style is bombastically classic looking, especially in dog fights. Conversely, his work during the more sombre and expositional scenes gives the titular characters emotional depth and focus, really capturing the likeness of each beloved character. Solid work! Equally, Arif Prianto and his team of colourists throughout present a galaxy of colour variations and combinations that allow each new planet, setting and character to shine independently with identifiable palettes.  WRITING What could just as easily serve as simple filler between episodes, instead unexpectedly opens up a whole new dynamic dimension within the saga. With interesting character developments for fan favourites as well as brand new characters, there is so much to love about this comic!  The most notable of these character developments is the internal conflict of Luke as he reflects on the shocking revelation of his relation to Daddy Darth Vader. It’s a primary story beat that is surprisingly brushed over by Lucas.  With it being a 2020 release set during the original trilogy, fans will be happy to see some recent additions to the story from Star Wars Jedi: Fallen Order and The Mandalorian, as well as some PTSD flashbacks to Order 66. It’s incredible how many surrounding plot strings Soule binds together! Crucially, the balance of light and dark is more akin to a pendulous potentium as we learn more about the aftermath of the Death Star’s destruction and the remnants of its humanity within the Empire. In a never-ending war of two factions, there is no peace. OVERALL In conclusion, Star Wars: The Destiny Path is an exciting and audacious addition to the old saga that bridges the dominant favourite film to the first finale through new and expansive lore. Outside of the main story itself, the comic makes for a dramatically fresh take on the deeper Hero’s Journey. Some minor details disrupt the continuity of the films but hell, if Lucas can take leaps in the plot between films, then Soule can take liberties when trying to fix them! Furthermore, a benefit of Lucas leaving out a lot of detail between films is that these gaps can be filled by a wealth of new writers, more often than not with a blissful nostalgia for the galaxy before them. This destiny is far from fulfilled but the path is clear and promises a masterclass in balancing the new and old. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Let us know in the comments your thoughts on Star Wars: The Destiny Path, what your favourite episode of the franchise is and of course, May the Fourth be with you! Also check out my review of Star Wars Doctor Aphra: Fortune & Fate from earlier today! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

Star Wars: The Destiny Path Read More »

Review – Fantastic Beasts and Where To Find Them

Review – Fantastic Beasts and Where To Find Them Directed by: David Yates Written by: JK Rowling Produced by: JK Rowling Starring: Eddie Redmayne, Colin Farrell & Johnny Depp Release Date: November 18th 2016 It is that time again. That time that I decide I hate myself enough to revisit one of the worst movies I have ever seen for review. This time I decided to go back and review Fantastic Beasts and Where To Find Them, (AKA: JK Rowling and the Never Ending Quest for More Money.) Full disclosure going in; I have never been a fan of the Harry Potter franchise. I’ve read a few of the books and seen a few of the movies and it just hasn’t ever been my thing. Honestly, I’m not even a fan of fantasy in general. I think that Lord Of The Rings is garbage and the worst parts of Game Of Thrones were the fantasy elements, (well that and the ending!) The last Harry Potter movie I saw was the fourth one I think? However, I was willing to go into this movie with a clean slate and hopefully have it win me over and unfortunately it didn’t. Also this review will contain spoilers if you care about that sort of thing. This film is a prequel to the other Harry Potter movies, this time set in America rather than Britain and telling the story of the events that led to the great wizarding war between Dumbledore and Grindlewald. These films did have potential in that sense; to see what would have essentially been WWII fought with magic could be really cool. Unfortunately all we get here is setup and when we get to the sequel it was an even bigger let-down. Fantastic Beasts opens with Eddie Redmayne’s character, Newt Scamander going to New York from London to set free one of the beasts that he keeps inside his Tardis-like brief case. Then he ends up in a bank and meets a ‘Nomaj,’ which is this film’s lazy version of a ‘muggle,’ who we learn is a simple lonely guy that just wants to open his own bakery and that’s another character cliché ticked off the list. We now have the double act of the nerdy, snivelling protagonist and the overweight, sympathetic sidekick. Also, for the rest of this review I will be referring to the baker character as fat bloke. This isn’t to be derogatory, but is purely because the script relies on the, ‘fat, jolly, sympathetic, pathetic loner’ stereotype and passes it off as a character arc. If the script isn’t treating the character with any respect, then why should I? So fat bloke it is then. Of course, the two of them have the exact same briefcase and after some cartoony looking CGI animals escape from Redmayne’s case in the bank the suitcases predictably get mixed up. Then the fat bloke gets his bakery loan declined and returns home with Redmayne’s suitcase. This is followed by more bad CGI animals open the case and attack the fat bloke. Redmayne’s character then gets arrested by some wizarding inspector for letting the, ‘Nomaj,’ (urgh) get away after seeing the animals in the case and is taken to the New York Wizards base, I guess? Then it’s revealed that the wizarding inspector that arrested Redmayne is a pretty subpar inspector and she is trying to redeem herself in the eyes of her superiors. So in front of this high wizard council she confiscates the case from Redmayne and opens it only to reveal a bunch of cakes inside. Yes, really… Who writes this garbage? What Rowling is doing to Harry Potter is worse than what Lucas did to Star Wars during the prequels at this point. So Redmayne gets set free and he goes to fat bloke’s house to find him lying on the floor, then some more bad CGI later the inspector turns up and they take him back to her house to meet her sister? Friend? Does it matter? She ends up becoming the love interest for fat bloke. Then, for no apparent reason Redmayne and fat bloke enter the case and he shows fat bloke all this crazy stuff that apparently humans aren’t supposed to see. Then Redmayne does some more snivelling and decides they have to sneak out of the girls’ apartment and recapture the animals that escaped in the bank and from fat bloke’s apartment. They get a couple of the beasts back then they go to central park to find Redmayne’s horny rhino and they dress fat bloke up in a leather rhino costume and use him as bait then they ice skate for a bit and capture the rhino. Again, really… I am not making this stuff up for satirical reasons. After this, we see real life bad guy Ezra Miller playing some sort of weird emo child who is beat by his mother and is working with Colin Farrell to find a big bad dark spirit that is killing people around New York. Colin Farrell is definitely the best thing about the film at this point. After this a bunch of other stupid crap happens, such as Ron Perlman and John Voight coming into the movie, showing a ray of potential and then being totally wasted. The movie drags in the middle, but eventually after some more fat jokes, bad CGI and snivelling, all of the creatures are captured and Ezra Miller turns into a black death cloud or some such nonsense. Then he boosts around New York, ruining everyone’s day as he goes and so Redmayne and Farrell follow him down to the subway to stop him. Redmayne seems to be talking him down and then Farrell shows up and essentially tells him to join the dark side. Then there is a CGI wand battle and the council from earlier show up out of nowhere and kill the black cloud of death. Then Colin Farrell gets annoyed and in the

Review – Fantastic Beasts and Where To Find Them Read More »

Review – Monstress Volume One

SUMMARY Monstress Volume One: Awakening, is the beginning of your new favourite horror fantasy series written by Marjorie Liu (comic book writer of Black Widow, Dark Wolverine and Astonishing X-Men) and illustrated by Sana Takeda (former designer for SEGA and illustrator for Ms. Marvel as well as X-23 alongside Liu). Game of Thrones meets Princess Mononoke meets Shadow of the Colossus meets Legend of Korra meets Dark Souls. All are limbs, mechanically Frankenstitched to a steampunk body to create something uniquely organic and memorable.  In the aftermath of the war between the Cumaea, a council of power hungry humans and the magical hybrids known as the Arcanics, the Known World has become a wasteland for the inhumane with slavery and segregation at the helm. Maika Halfwolf, a half-breed girl and survivor of the war, hunts down the answers to her forgotten past and seeks to avenge her dead mother with a mysterious and gruesome entity by her side and a monstrous voice of reason in her mind.  ART Firstly, Takeda has created the Western steampunk metropolis of Zamora, set against a gorgeous East Asian inspired backdrop. Think Legend of Korra but waaaaay darker! The artwork strikes a balance between supernatural levels of gritty realism– both in flesh and machine, and prophetic panels of menacing mythological minimalism. A masterclass in visualizing emotion on the surface in addition to the loose cogs of an industrial city. In contrast to the beautiful scenery and characters, this is a visceral and ugly story. I don’t know where Takeda gets her violent and horrifying inspiration from but it never ceased to contort and twist the nerves. As a well-seasoned veteran of bleak imagery myself, I appreciate the maturity especially when it is important and necessary…but good Goddess there is an abundance of darkness and terror here! WRITING It should be noted, with the comparisons to Game of Thrones and Tolkien’s Middle Earth in its ambitious worldbuilding, it is immediately daunting to intake yet another realm of characters, conflicts, races and rules. Thankfully however, much of the background history is explained through several lectures from the esteemed (and adorable) Professor Tam Tam.  Review – Monstress Volume One continues below Truly, the worldbuilding as a whole is brilliantly executed, one line of dialogue in particular gave me chills with an inspiring and idealistic world view that I have never considered before. Perfectly descriptive of the history of this realm and how the current state of things has changed said history. All I’ll say is that it’s on page 96!  Most importantly, with a generation changing rise in empowerment for our society, Monstress offers a heartwrenching journey that encapsulates the hardships and inner turmoil of all walks of life. Most notably in its overarching matriarchy and relatable diverse cast of characters as well as the bleak shadow of segregation. Additionally, its more subtle subtexts of mental health and the LGBT+ community offer a new chapter in the Hero’s Journey of inspiration to those battling their own monsters. Furthermore, there’s talking cats if you need a breather from the serious stuff. BALANCE! OVERALL To conclude, have you ever experienced something so visceral yet so versatile in its message that you are convinced you are in the presence of something monumental? That is the experience of reading Monstress Volume One: Awakening. This volume shoots high and breaks through the stratosphere of storytelling with a fiery sky of atmospheric artwork left in its trail. A masterpiece all on its own, that isn’t finished yet. Again, like The Hobbit and Lord of The Rings, this is a household treasure for fantasy fans that demands your annual immersion and guarantees itself to be a timeless classic. In a time of sharing the spotlight with ethnic minorities, empowering feminism and overall evolving as human beings, this comic is in a word, essential. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Let us know in the comments your thoughts on our Review of Monstress Volume One the series as a whole with as little spoilers as possible please and if you’d like to see a TV or Film adaption of the series! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

Review – Monstress Volume One Read More »

Scroll to Top