Magneto

Review – X-Men: Apocalypse (2016)

Review – X-Men: Apocalypse Directed by: Bryan Singer Produced by: Bryan Singer & Stan Lee Written by: Bryan Singer & Simon Kinberg Starring: James McAvoy, Michael Fassbender & Oscar Isaac Release Date: May 18th 2016 I remember when this movie first released and received very mixed reactions from both critics and fans. At the time, I fell on the more positive side of the fence and actually kind of enjoyed this movie for what it was when I saw it for the first time in the cinema. It is amazing how things change… I revisited X-Men: Apocalypse for review last night and found it very difficult to get through. The year is 1983, 10 years after the last X-Men movie, Days Of Future Past; as in the kind of 10 years where no one ages a day. We know that it is 1983 because some of the young mutants go and see Return Of The Jedi in the cinema. The hairstyles and fashion statements are suitably 80’s, which is actually a very appropriate motif to choose as it adds a more comic book feel to the movie and forces it to stick to a brighter colour palette than some of the previous X men outings. Another positive is the return of Quicksilver, who has another grandiose slow motion scene in the film, but unfortunately it is not as well choreographed as the one in DOFP and somewhat falls flat in comparison. The design of Apocalypse in this movie is something that I just could not get behind. There were points where it took me out of the movie entirely and although Oscar Isaac is a great actor and he does his best with this portrayal of the ancient mutant even he can’t make this film palatable. The other major downside to his character is that he is significantly nerfed in terms of his powers here. He does feel mildly powerful at points, but never overwhelmingly so and when the final confrontation does take place, it feels like he is holding back. This could be explained in a contrived manner by saying that he doesn’t want to kill mutants, because they are all his children, but if the success of his plan depends on it then he shouldn’t even hesitate, he should just wipe all the X-Men out in an instant like we know that he can. The tone is another issue I have with the movie, it is extremely inconsistent throughout and never reaches the level of threat or peril that it is aiming for. However, this isn’t the fault of the cast or the performances they give. MacAvoy and Fassbender stand out here as you would expect, their relationship also remains one of the most interesting parts of the plot. Isaacs’ performance is also suitably threatening and sinister, the only thing lacking in his character other than the odd design choice, is how short he is next to the other mutants. He doesn’t have to be huge like in the comics and cartoons, but making him a little bit more physically imposing with clever camera tricks would have went a long way in adding to the character. Jennifer Lawrence is fine here as usual, even if it does seem like she doesn’t want to be there in certain scenes. Young Cyclops and Jean Grey are perfectly serviceable, although Sophie Turner’s American accent does come and go in certain scenes. Even Peters does his best as Quicksilver and the actress who plays Storm here is also pretty convincing, as is the young English actor who plays Angel. Nightcrawler is also a welcome addition to the roster as I feel that he has been criminally underused since the second X-Men movie and his power set is definitely one of the most interesting in all of the X-Men movies, also the actor playing him here does a good job throughout the film. The special effects are noticeably shabby throughout the film, especially when you remember that this movie came out in the same year as Captain America: Civil War. This was also the last X-Men movie directed by Bryan Singer and knowing what we know now, good riddance. The direction in this movie certainly isn’t anything to write home about anyway and the cinematography is also pretty lazy and by-the-numbers. Overall, upon re-watching X-Men: Apocalypse for review, it has not aged well at all. I don’t often say that about movies that are only five years old, but here we are. If you remember this one being okay back when you first saw it in the cinema, then please don’t do what I did and revisit it because you will only be disappointed. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] Check out Dan’s review of Captain America: Civil War here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – House Of M

Review: House of M (Marvel Comics) – The Day Mutants Died

Review: House of M – A World Without Heroes? Publisher: Marvel Comics Writer: Brian Michael Bendis Artist: Olivier Coipel Release Date: June – November 2005 House of M asks a dangerous question. If you could have your heart’s desire, would you take it? Even if it meant living a lie? In this massive 2005 crossover, Brian Michael Bendis explores this existential dilemma. Following the chaos of Avengers: Disassembled, the Avengers and X-Men must decide the fate of the Scarlet Witch. Her breakdown threatens reality itself. But before they can act, the world changes. A Perfect World? The story drops us into an alternate reality. Mutants are the dominant species. Humans are the minority. Everyone has what they always wanted. Peter Parker is a celebrity married to Gwen Stacy. Wolverine is a high-ranking SHIELD agent. Magneto rules the world. Bendis handles this setup brilliantly. He uses the medium to make the reader question their own desires. Would you accept a fake paradise to escape real pain? This concept is fascinating. We see a world where Magneto has won. Yet, in the early panels, he shows striking regret. He repents for dragging his children into his war. This adds depth to a villain who is usually unwavering. Wanda’s Mental State The emotional core of this book is Wanda Maximoff. The slow build-up of her anguish is heartbreaking. She carries the baggage of losing her children and her husband, Vision. Bendis presents these ideas much better here than in Avengers: Disassembled. The execution is less heavy-handed. The narrative flows naturally toward the inevitable conclusion. We know where it is going, but that knowledge makes the journey more somber. The heroes work hard to fix reality, unaware that they are racing toward a tragedy. The Art of Reality Olivier Coipel’s art is a highlight. His pencils capture a phenomenal level of detail. In a story filled with grief, facial expressions matter. Coipel delivers. I also appreciated the costume design. In this alternate universe, the heroes wear different outfits. The attention to detail in these new designs is impressive. It makes the “House of M” world feel lived-in and distinct from the regular Marvel Universe (Earth-616). However, there is one small issue. The cover art often displays costumes that don’t match the interior panels. This is a common issue in comics, but it is distracting here. For a major event from a company like Marvel, you expect better consistency. Why It Matters This story changed everything. It ends with three simple words: “No More Mutants.” This single moment decimated the mutant population. It changed the dynamic of X-Men comics for nearly a decade. Revisiting it now, the stakes feel just as high. It is also fascinating to view this through the lens of the MCU. With WandaVision and Doctor Strange in the Multiverse of Madness, we see live-action adaptations tackling similar themes of grief and reality warping. Final Verdict I am glad I revisited House of M. It remains one of Brian Michael Bendis’ best works. The artwork complements the story perfectly. The themes of PTSD and trauma add weight to the superhero action. There is a reason fans remember this book so fondly. It is arguably one of Marvel’s best crossover events. If you want to understand the modern history of the X-Men, you must read this book. Score: 5/5 More Reviews from BGCP Review: Avengers Disassembled Review: Watchmen

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