Thomas Jane

Review – 1922

Review – 1922 Directed by: Zak Hilditch Written by: Zak Hilditch (Screenplay) Stephen King (Novella) Produced by: Zak Hilditch & Sammie Astaneh Starring: Thomas Jane, Molly Parker & Dylan Schmid Release Date: October 20th 2017 Earlier in the year, I wrote a review for the Netflix adaption of Gerald’s Game by Mike Flanagan. 1922 was another Stephen King story adapted for Netflix, released just a month after the surprisingly phenomenal Gerald’s Game adaption. This meant that although 1922 is a very different movie to Gerald’s Game it was inevitably compared to Mike Flanagan’s surprise triumph upon its release. Going back to revisit 1922 for review four years later, it is in no way a bad film and it is unfortunate that it was released in the shadow of Gerald’s Game. The movie is set up nicely, showing an older, shaken man writing out his confession in hopes of appeasing the guilt that has plagued him since he murdered his wife Arlette. We then see a younger version of the man. His name is Wilfred and we learn that he is very protective of the three things that he feels, ‘belong,’ to him; his son, his wife and his land. Arlette professes a desire to sell the farm and move to the city, an idea that Wilfred outright refuses to go along with. The land that the farm is on belonged to Arlette’s father and so it is now in her name, meaning she has the final say officially on selling the land. Wilfred tries to bargain with her, saying that he will buy the land from her in instalments, but Arlette knows that she can get a better price elsewhere and won’t have to wait years to receive the payment. This leads Wilfred to start planning his wife’s murder. Wilfred knows that his son wants to stay on the farm as well and so he manipulates him into helping him carry out and cover up the murder. From this point on we have our ghost story. I’m actually rather hesitant to call it a ghost story, even though strictly speaking, it is one. This is more a tale of how guilt haunts a man beyond carrying out the heinous deed and how no bad deed goes unpunished. I don’t want to spoil too much here for those who reading who still have yet to see the film, but what follows is a relentless and depressing tale of regret and loss. The cast in this film are great, Thomas Jane does a great job in the lead role of a man willing to go to any morbid lengths in order to retain what he believes belongs to him. Molly Parker and Dylan Schmid also do well in their roles as Arlette and Henry, respectively. The supporting cast is also solid. The other stand out thing in the movie for me was the set design. I found the farmhouses and barns to be extremely believable and felt that the sets really added to the overall tone that the movie was going for and sold the era effectively as well. My main complaint of the movie is the lack of any significant scares. The movie sets up a fairly creepy atmosphere at times, but never capitalises on it. A Stephen King ghost story that released the week before Halloween should be way scarier than this. Back when the film first dropped in late 2017, I thought I was getting a truly chilling movie to sink my teeth into. Instead I got a movie showing a desperate man’s fractured psyche and the guilt he has to deal with in the aftermath of a despicable deed. Sure, all of that still makes for an interesting idea for a movie, it just isn’t exactly what I wanted out of this movie. Overall though, 1922 is a very well made movie and for what it is it is great. Although it didn’t quite meet my personal expectations that I had for it back when it released that is my own problem rather than the movie’s. Four years separated from the trailers and build up to this film’s release, I actually feel like I can appreciate the film more and would even go as far as to say it is a hidden gem. As with any Stephen King story, the plot of 1922 makes for an interesting adaption and takes you on a dark journey and leaves you wondering about you own moral decisions in life. The film is no doubt successful in what it sets out to do. I just wish that it had scared me slightly more. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of 1922 and are into your Stephen King stories, you can check out our review of It: Chapter One here. Don’t forget to like us on Facebook, Twitter, Instagram, Discord and join our official Facebook Group. Check out our new Podcast and subscribe to the channel on Youtube, Spotify, Apple and Google. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews and News from Glasgow, Scotland, UK and the US, HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

Review – 1922 Read More »

Review – The Predator (2018)

Review – The Predator (2018) Directed by: Shane Black Written by: Shane Black & Fred Dekker Produced by: John Davis & Bill Bannerman Starring: Boyd Holbrook, Sterling K. Brown & Olivia Munn Release Date: September 12th 2018 (UK) Introduction Recently, I decided to go back to go back re-watch Shane Black’s The Predator for review. This is a film that you can look at in a couple of different ways. You can either look at it and take none of it seriously; in which case this is a fairly fun, if extremely dumb action sci-fi romp. Or you can take a bit more seriously, – which I think the moviemakers want you to; – in which case it is an all-over-the-place mess that is unbearably cringey at times. Direction The main problem here is that I am not sure how the director wants us to take this film because the tone is all over the place. Some of the film’s characters play it totally straight and other are clearly just having a laugh with the ridiculously cheesy material they have been given to work with. Cast The cast are generally okay, but it is as if they are all working on totally different movies. Boyd Holbrook, Alfie Allen and Olivia Munn are taking the whole thing pretty seriously and playing it straight, Meanwhile, everyone else around them plays it comically and the clash of tones never really sits well throughout the movie. On paper, I should have loved this film. I am a long time Predator fan, I love the original and I think that Predators is a solid sequel too, (let’s not mention Predator 2.) I am also a fan of Shane Black and you are telling me that the guy responsible for the Lethal Weapon movies, Kiss Kiss Bang Bang and The Nice Guys is making a Predator movie? That sounds awesome! Unfortunately though, it really isn’t. VFX Additionally, the VFX in the film is also pretty inconsistent. At times some of the effects look okay, but at others the CGI is painfully obvious. Strangely, it is particularly poor on The Predator himself. The CGI makes him feel really weightless and oddly light and floaty, which is kind of the opposite of how the Predator is supposed to look as he moves around onscreen. The whole ‘hunter becomes the hunted,’ trope used in the movie actually serves as an appropriate metaphor for what this series has become. The once king of action sci fi is now on the back foot and being outdone by bigger, stronger competitors. Thus, try as he might, by comparison the OG hunter can’t stand up to it’s superior successor. Conclusion In summary, this not the best Predator movie by a long shot, but it’s definitely not the worst either. There are some laughs to be had and some cool kills sprinkled through the film. However, there are definitely better action/sci fi movies that have dropped in the last few years that are far more worthy of your time. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of The Predator, you can check out what he thought of Fantastic Beasts here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

Review – The Predator (2018) Read More »

Scroll to Top