April 2021

Review: Star Wars: The Force Awakens (2015)

The Return of the Jedi It has been over 30 years since Return of the Jedi. Fans have waited decades for a true sequel. Finally, Star Wars: Episode VII – The Force Awakens is here. J.J. Abrams takes the director’s chair. He faces a massive challenge. Can he revive the magic of the original trilogy? The expectations are sky-high. Disney bought Lucasfilm and promised a new era. This film is the first step. Does it succeed? Yes, it largely does. A New Generation of Heroes The story introduces us to Rey (Daisy Ridley). She is a scavenger on the desert planet Jakku. We also meet Finn (John Boyega). He is a stormtrooper with a conscience. He flees the First Order in a TIE Fighter. Fate brings them together. They also team up with a familiar face: Han Solo (Harrison Ford). Ford slips back into the role effortlessly. He brings charm and gravitas to the screen. The chemistry between the new cast is excellent. Ridley and Boyega are instant stars. They carry the film with energy and heart. Oscar Isaac also shines as the daring pilot Poe Dameron. Read our review of the sequel The Dark Side Rises Every hero needs a villain. Kylo Ren (Adam Driver) fills that void. He is not just another Darth Vader clone. He is unstable, angry, and dangerous. Driver delivers a fantastic performance. He shows us a villain who is still conflicted. The First Order replaces the Empire. They are fanatical and terrifying. General Hux and Captain Phasma add to the threat level. The stakes feel real. Nostalgia vs. Originality Abrams leans heavily on nostalgia. The plot mirrors A New Hope in many ways. There is a droid carrying secret plans. There is a desert planet. There is a massive superweapon. Some fans might find it too similar. It feels like a “greatest hits” album at times. However, this familiarity helps ground the story. It reminds us why we love this universe. The practical effects also look amazing. Real sets and puppets replace the CGI overload of the prequels. Watch on Disney+ The Verdict The Force Awakens is a triumph. It washes away the bad taste of the prequels. It is fun, emotional, and visually stunning. J.J. Abrams has successfully rebooted the franchise. He sets up exciting mysteries for the future. We can’t wait to see what happens in Episode VIII. The Force is strong with this one. Score: 4.5/5

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Review – Ready Player One (2018)

Review – Ready Player One (2018) Directed by: Steven Spielberg Produced by: Steven Spielberg & Ernest Cline Written by: Zak Penn & Ernest Cline Starring: Tye Sheridan, Mark Rylance, Ben Mendelsohn and Simon Pegg Release Date: March 28th 2018 (UK) Writing a review for Ready Player one is a task that requires several viewings of the movie due to all of all of the references and Easter eggs etc that are present in the film to take in. So please take comfort in knowing that I had to suffer for the sake of this review. After watching the movie a couple more times and watching a bunch of Easter egg videos on Youtube, I now feel more equipped to discuss the film. First off, I have never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I went into this movie with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers. Let’s start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3D animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades. Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also didn’t like the character designs at all; Parzival looks like a rejected piece of Final Fantasy artwork and Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline. Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k’s weird, edgy, fantasy-based design didn’t fit his voice or the tone of the scenes he appeared in and Sorrento’s avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well at all. It also really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a small birthmark on Olivia Cooke’s character’s face. The way that they make her out to some sort of beast-like monster because of a minor skin-irregularity is ridiculous and also slightly offensive. Also, we are told during the movie’s opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins. Then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 3 years old at this point and it already feels terribly dated. I don’t see this movie ageing very well in the long term at all and this is both due to the CGI and the references that they choose to include. Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you’ll walk away satisfied, but the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it’s got Spielberg in the director’s chair, signifies that the filmmakers were intending for this to be this generation’s Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you’ve seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film more than five times now and still couldn’t tell you the real world names of any of the characters other than Wade Watts and Sorrento and that’s only because he has the same name in the real world as he does in the Oasis. I also don’t care if I never see any of these characters again if I’m being honest. Apparently there is a sequel movie to this already in the early stages of development, as the first movie made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn’t care if I never saw any of these characters again and I don’t care where the story is going either. In conclusion, upon revisiting Ready Player One for review, it

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Alex Paknadel

BGCP Interviews Alex Paknadel (Marvel, BOOM!, TKO)

BGCP Interview: Inside the Mind of Writer Alex Paknadel Writing for comics is one of the most competitive and creative fields in the entertainment industry. In this special episode of the BGCP podcast, hosts Massimo and Alan are joined by one of the most exciting voices in modern comics: Alex Paknadel. From gritty indie horror to massive Marvel superhero events, Alex has built an impressive bibliography that spans genres and publishers. Whether you are a long-time fan of his work or an aspiring writer looking for industry secrets, this interview is a must-listen. Who is Alex Paknadel? Alex Paknadel has quickly become a powerhouse name in the comic book world. He first burst onto the scene with the critically acclaimed sci-fi series Arcadia (BOOM! Studios), a high-concept story about a digital afterlife that immediately marked him as a writer to watch. Since then, he has penned scripts for some of the biggest properties in pop culture, including Ubisoft’s Assassin’s Creed and the Doctor Who universe. He is also a master of horror and social commentary, as seen in his work on Redfork (TKO Studios) and the giant-robot mystery Giga (Vault Comics). Episode Highlights: What We Discuss In this deep-dive conversation, Massimo and Alan explore the reality of working in the comic book business. Here is what you can expect from the episode: Breaking into the Industry: There is no single path to becoming a professional comic writer. Alex shares his personal journey, offering valuable advice for creators trying to get their foot in the door and get their pitches noticed by editors. The Immortal Hulk Connection: Marvel’s Immortal Hulk is widely regarded as a modern masterpiece. Alex reveals how a conversation with series architect Al Ewing led to Marvel loving his pitch for Immortal Hulk: Time of Monsters. He shares behind-the-scenes details on how that collaboration came to be. Indie vs. “The Big Two”: We discuss the creative differences between working on creator-owned indie titles like Turncoat and Giga versus playing in the sandbox of established universes like Marvel and Assassin’s Creed. Deconstructing Redfork: We take a closer look at Redfork, his dark and atmospheric horror graphic novel from TKO Studios, discussing the inspirations behind the terrifying mining town tale. Listen to the Interview You can catch the full interview right here on the Big Glasgow Comic Page. Don’t forget to check out the links below to pick up Alex’s books and support his work. https://www.youtube.com/watch?v=A_sNDkDSr-s&t=2202s Support the Creator If you enjoyed this interview, we highly recommend checking out Alex Paknadel’s bibliography. You can find his latest releases and collected editions at the links below: Follow Alex on Twitter/X: @AlexPaknadel Buy his books on Amazon: Shop Here Buy his books on ComiXology: Shop Here Want to discuss this episode? Join the BGCP family on our social channels! We are Scotland’s biggest community for geeks, gamers, and comic fans. Join the Discord: Chat with other fans and get exclusive updates. Follow us on Socials: Twitter, Facebook, and Instagram. Link to Next Interview: John Layman

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Review – Hawkeye (2012)

Review – Hawkeye (2012) Writer: Matt Fraction Primary Artist: David Aja Artists/Illustrators: Javier Pulido, Annie Wu, Alan Davis, Jesse Hamm, Steve Lieber, Francesco Francavilla Publisher: Marvel Comics Release Date: August 01, 2012 INTRODUCTION: Skilled archer, assassin, ninja, Avenger, all things that Clint Barton A.K.A. Hawkeye USED to be. After experiencing everything from the likes of leading his own Avengers branch in West Coast Avengers to death by Bendis in Avengers: Dissasembled, Barton has been through the ringer. But just because there’s a fresh new Hawkeye on the scene in Kate Bishop, that doesn’t mean good old Clint’s gonna get replaced…right!? Well… contrary to Barton’s track record with women, Clint Barton and Kate Bishop do make an excellent team as their archery skills are unmatched by anyone except for each other. Even though their lives aren’t exactly filled with all the glamor and pizzazz as your average Iron Man or Captain America, this duo of purple archers make a strangely perfect team. Yep! As for these heroes, their base of operations is none other than a busy city apartment building. Because nothing says teamwork like mysterious carpet stains and rooftop barbecues! In fact, due to a strange turn of events, Clint quickly finds himself in ownership of the building in order to keep rent from forcing the residents out into the streets. But things aren’t all sunshine and roses as Barton’s new trek into the world of being a landlord brings with it the attention of a particularly stubborn russian “tracksuit mafia.” And you know it’s gonna get crazy when a clown assassin knocks on that front door! STORY: This 22 issue story stars two purple-wearing personalities and their unique dynamic, but is in many ways about the community that revolves around the apartment they live in. Each resident of the apartment complex is a part of the building’s day to day life and provides meaningful relationships with Clint. A man seemingly stuck in-between the life of a superhero and the lives of the people, not being able to fully integrate into either group. Clint does however find himself a new friend in Lucky, the pizza-loving’ dog that he saves from the ever-persistent “bros” that make up the tracksuit mafia. Kate on the other hand is a hotshot newbie with everything to prove and nothing to do..except sit and bicker with Clint of course! So as she continues to show off her sharpshooting skills, she eventually decides to head out on her own and do some private eye detective work. Kate finds herself driving all the way across America to California with the heart and soul of the team, Lucky, at her side. Kate’s journey to California and her adventures, there are ones that both differentiates the character that she took her superhero name from as well as showing the importance and uniqueness of their relationship. Kate’s relationship with Hawkeye is in no way romantic and doesn’t follow the roles of a master and a pupil. But rather a dynamic that works off of each others best and worst aspects and they always know that at the end of the day they have each other as a shoulder to lean on. ART: David Aja primarily fills the role of artist throughout the series. But throughout the story, especially in Kate-centric issues, a variety of different authors take up the task. Aja does a great job at making his work unique and his art style is clearly a large part of what makes this book stand out. Aja is particularly excellent at visual storytelling and constantly finds unique ways to tell a story through his illustrations. In many ways, Aja’s work is the biggest treat of the entire book. His creative ideas translate perfectly to the characters. These noteworthy accomplishments include an issue seen entirely from the perspective of Lucky, using simplistic but instantly recognizable symbols that shifts the perspective of the story into the eyes of the fan-favorite dog. In the second half of the story, Fraction introduces a new element in the story for Barton’s character, leaving him temporarily deafened right after the introduction of his even more washed-up than him brother. This leads us to see how a current event relates to something in the Barton family past, and shows how much Clint has grown in that time. Aja uses this opportunity to show a completely unique type of storytelling, leaving out almost all dialogue in the entire issue except for the use of sign language throughout. Leaving the reader to try to understand the things that are being said purely through the gestures and portrayals within the art. All the other artists included also do a great job at contributing their own skills to the book. While I personally may be more keen to some art styles than others, each one shows a side of the characters in a unique way that usually depicts a brand new experience in a brand new landscape for Hawkeye and co. The changes to the artwork is mostly used when Kate Bishop is on her own adventures and really differentiates her story as a unique contribution to the overarching narrative. OVERALL: As a huge fan of the Hawkeye character, this series has been a real treat. Clint Barton specifically is a character that isn’t as prominent in the mainstream as many of his fellow Avengers. So when a series comes along starring the Avenging Archer, it’s gotta really stand out to reach the demographic it can reach when at it’s fullest potential. And this series has seemed to do just that. Hawkeye by Matt Fraction is a series that is hard for an avid Marvel comics reader to avoid considering how well received it truly has been. Ever since it’s release it has gained a large following and is known for being a modern classic among the Marvel fanbase. I believe that this praise is completely earned. And if anything is deserving enough to be considered a “character-defining run”, its Matt

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