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BGCP Podcasts and Comic Con

 

BGCP Comic Con was started as The Big Glasgow Comic Page back in July 2012 mostly out of boredom and trying to find more Comic Fans to speak to, The Scottish Facebook Page gathered likes extremely fast as there wasn’t anything like it at the time and eventually this led to a Comic Book Group, Pub Quizzes, Tournaments and eventually a Comic Book Market  based soley in Glasgow.  We organized BGCP Comic Markets for several years until we had outgrown the smaller venues in Glasgow City Centre so set out to run Comic Cons in and out of Glasgow and further over Scotland including East Kilbride, Rutherglen, Loch Lomond, Dunoon, Aberdeen, Bathgate, Edinburgh, Glenrothes, Kirkcaldy and countless more towns and cities. 

BGCP Comic Con is a series of Scottish Conventions that happen in and around Glasgow, Fife and Aberdeen. BGCP also publish articles, reviews and news.

Previous Convention Guests have included Frank Quitely, Al Ewing, Alan Grant, Gary Erskine, Monty Nero, Yishan Li, David Baillie, Grant Perkins, David Bishop, John Lees, Jim Stewart, Tom Foster and Neil Slorance

We cover Comic Books News, Articles and Reviews from Marvel Comics, DC Comics, Image Comics, IDW Publishing, BOOM Studios, Dark Horse Comics and many more. We also provide the same for movies, television and video games.

Here are some of the main companies and characters that BGCP covers – Marvel Comics, DC Comics, Image Comics, IDW Publishing, Dark Horse Comics, Dynamite, BOOM Studios, 2000AD, Titan Comics, Legendary Comics, Millarworld, Aftershock Comics,Valiant Comics.

BGCP Podcasts

BGCP launched the BGCP:Disassembled Podcast in February 2021 and release weekly episodes featuring the latest comic book news and reviews, we also run weekly interviews and have also featured many writers and writers from Marvel, DC, Image and more.

Review – Orwell

SUMMARY ORWELL: The Graphic Novel, is written by Pierre Christin with illustrations by Sébastien Verdier and follows the life of the prophetic author and deity of dystopia, George Orwell. Born into a self proclaimed lower-upper-middle class, Eric Blair travels the world in search of humanity and its societal secrets. Along the way he finds himself; his true self that we know now as one of the most influential writers, George Orwell. This is the real-life story of how the world changed a man, and how that man changed the world.  ART The minimalistic use of colour by Verdier is ironically Orwellian by design; making what colour there is stand out amongst the overall black and white. Only utilized when significant or interesting items are in show, like seeing a wonderful world of culture in a bleak existence through Orwell’s eyes. In contrast to but within the same vein, colour floods the pages when artists illustrate the fictional worlds in which Orwell created. The imagining mind needs colour.  Furthermore, the graphic novel has a variety of art styles from a variety of different artists which can be dissonant and confusing at first. As one progresses however, you’ll be overjoyed to find a Monet-like pastel buried between the monotony. WRITING From what I gather, Orwell would take a boring and bleak existence and imagine it to be more exciting or interesting, simply through the use of visceral characterisation as opposed to any fantastical or otherworldly ideas. A coping mechanism for the times surely, that coincidentally proved in the end to be groundbreaking in its real-world sociology.  With both Christin’s summation of the life of Orwell and the typewritten word of Orwell himself, we are presented with a seamless and simultaneous third and first person narrative. Moreover, the details while not wholly accurate in some cases, are a testament to how dedicated Christin is to recreating the life of Orwell.  Orwell’s style of writing is a reminder that even through all his bleak storytelling and dystopian nightmares, he is a man of revolutionary change and beauty.  OVERALL In conclusion, ORWELL is a fantastic and big brotherly look into the life of a child once known as Eric Blair, becoming the man that will be fondly remembered, George Orwell. I’m familiar enough with the more notable of his works such as Animal Farm & 1984, in most cases I was shockingly more attuned to them than the real-world politics laid out here in black and white that inspired them.  Despite the small liberties taken to maintain cohesive storytelling, this is a truly inspired memoir dedicated to the Orwellian life of George Orwell.  Leave a comment or rating if you agree with our Review of Orwell. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Let us know your thoughts on ORWELL: The Graphic Novel, your favourite George Orwell book and who’s journey you’d like to see explored in a biographic novel! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – We Only Find Them When They’re Dead #1

Review – We Only Find Them When They’re Dead #1 Publisher – Boom! Studios Writer – Al Ewing Artwork – Simone Di Meo Color assists – Mariasara Miotti Letters – AndWorld Design Introduction Interesting is the first word that comes to mind when reading We Only Find Them When They’re Dead #1. In fact, for his first creator owned series, author Al Ewing presents an interesting idea; What if the gods were real, but they were…well you get the idea from the title. The premise was definitely enough to attract my attention and this first volume may be one of the most interesting comics I have read this year. Story and writing Like many sci-fi epics, this story takes place in the future. Humanity has colonized space but resources are depleting and the human race is close to dying out. Of course, the gods are here to save us, but not through divine action. Instead, their large celestial bodies are left drifting through the cosmos so that humanity can harvest their bodies just to stay alive. I’ll admit, it’s a unique take on the overdone ‘gods and humanity’ trope. At the heart of this story is the crew of the autopsy ship, Vihaan II. Led by captain Georges Malik, who is obsessed with being the first human being to set eyes on a living god, even if it means putting his crew in danger. Malik is willing to travel to the farthest reaches of space to achieve his dream, all while a rogue agent with a personal vendetta hunts him down. It’s an interesting premise and their is a lot to juggle. Nevertheless, Al Ewing is in his element with a story as grand as this. Ewing, a star writer for Marvel, brings his distinct style to create a melancholic and deeply beautiful tale that tackles larger themes such as god, religion and death. Even with such large themes, Ewing manages to deftly interweave a narrative that also focuses on world-building to make a grand Jack Kirby-esque space opera that pushes the boundaries of its own genre. For such a bold story, this first volume is so close to being perfect. While it rightfully focuses on world-building and introducing us to the characters, it unfortunately leaves little room for character depth. By the end of the volume, you know very little about these characters, with the exception of Malik. Granted, the characters are the least interesting part of this story, but I would have liked to have understood the crews motives more. Art With a story as grand and cosmic as this one, the art work really needs to match. Luckily, Simone Di Meo absolutely delivers. In fact, it’s not wrong to say that his illustrations are the biggest stand out of this first volume. With color assists from Mariasara Miotti, the vibrant art work pops off the page and will easily grab your attention. Di Meo creates immaculate designs for the details of the ships and gives some awe-inspiring illustrations of deceased celestial bodies floating among the stars. I also adore the use of color in this story. Di Meo and Miotti work with striking neons and pastels that really match the cosmic tone of the series. Honestly, from start to finish, the look of this book is stunning and polished. Final thoughts Overall, We Only Find Them When They’re Dead #1 is a fantastic read. The writing, art, and colors are a powerhouse that brings to life this grand cosmic story. It’s a top notch story that showcases the talent of Al Ewing. Now if future installments focus on the characters as much as the premise, then WOFTWTD might shape up to be one of the best modern sci-fi comics. If you enjoyed our review of We Only Find Them When They’re Dead #1 then leave us a comment below. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

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Star Wars: The Destiny Path

Review – Star Wars: The Destiny Path Written By Charles Soule Illustrated & coloured by Jesus Saiz & Arif Prianto Published by MARVEL Comics Released in November, 2020 SUMMARY Star Wars: The Destiny Path is a 2020 tie in comic set between the events of The Empire Strikes Back & Return of The Jedi, filling in the gaps and answering the questions of a galaxy far far away. Written by Charles Soule and illustrated by Jesus Saiz. With the Rebels on the run from Darth Vader on Cloud City, leaving behind a hand and a Han, it’s up to Luke, Leia & Lando to locate Han Solo and strategize their next move against the Empire. With power and confidence not on their side, there is only hope for our ragtag Rebellion and the intel of one Lando Calrissian.  ART Firstly, Saiz’s art style is bombastically classic looking, especially in dog fights. Conversely, his work during the more sombre and expositional scenes gives the titular characters emotional depth and focus, really capturing the likeness of each beloved character. Solid work! Equally, Arif Prianto and his team of colourists throughout present a galaxy of colour variations and combinations that allow each new planet, setting and character to shine independently with identifiable palettes.  WRITING What could just as easily serve as simple filler between episodes, instead unexpectedly opens up a whole new dynamic dimension within the saga. With interesting character developments for fan favourites as well as brand new characters, there is so much to love about this comic!  The most notable of these character developments is the internal conflict of Luke as he reflects on the shocking revelation of his relation to Daddy Darth Vader. It’s a primary story beat that is surprisingly brushed over by Lucas.  With it being a 2020 release set during the original trilogy, fans will be happy to see some recent additions to the story from Star Wars Jedi: Fallen Order and The Mandalorian, as well as some PTSD flashbacks to Order 66. It’s incredible how many surrounding plot strings Soule binds together! Crucially, the balance of light and dark is more akin to a pendulous potentium as we learn more about the aftermath of the Death Star’s destruction and the remnants of its humanity within the Empire. In a never-ending war of two factions, there is no peace. OVERALL In conclusion, Star Wars: The Destiny Path is an exciting and audacious addition to the old saga that bridges the dominant favourite film to the first finale through new and expansive lore. Outside of the main story itself, the comic makes for a dramatically fresh take on the deeper Hero’s Journey. Some minor details disrupt the continuity of the films but hell, if Lucas can take leaps in the plot between films, then Soule can take liberties when trying to fix them! Furthermore, a benefit of Lucas leaving out a lot of detail between films is that these gaps can be filled by a wealth of new writers, more often than not with a blissful nostalgia for the galaxy before them. This destiny is far from fulfilled but the path is clear and promises a masterclass in balancing the new and old. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Let us know in the comments your thoughts on Star Wars: The Destiny Path, what your favourite episode of the franchise is and of course, May the Fourth be with you! Also check out my review of Star Wars Doctor Aphra: Fortune & Fate from earlier today! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Star Wars Doctor Aphra: Fortune & Fate

SUMMARY Star Wars Doctor Aphra: Fortune & Fate is MARVEL’s recent addition to the outer-rim lore of Star Wars, following the adventures of titular character, Doctor Aphra. Written by Alyssa Wong and illustrated by Marika Cresta. Professor by day, Smuggler by night. Indiana Solo? Han Jones? Either way, Doctor Aphra is embarking on her next job with her team of smugglers as well as new and old colleagues. What lies before them comes with the promise of infinite riches, eternal life and the highest price of all; a maddening suicide mission in the depths of an ancient temple.  ART Firstly, the dialogue depicts some of the archaeological sites and artefacts as grander or more intricate than they appear which is a little disappointing given the subject matter. On the other hand, a diverse colour palette throughout by Rachelle Rosenberg allows for a balance between the setting and our main characters. This combined with Cresta’s exceptional illustrative expressions and designs give the reader a clear visual narrative to accompany the story.  WRITING Fittingly, with the Indiana Jones franchise being synonymous with Lucasfilm, it makes perfect sense to have an Indiana Jones type storyline within the Star Wars mythos! Not only as a nod or homage to another of Ford’s badass thrillseekers, but as a welcome extension to a galaxy far, far away. We’ve rarely been introduced to the academia or archaeology of Star Wars.  Apparently, some of the characters are well known within the comic lore of Star Wars and as a fanatic, I’m ashamed to say I don’t recognise any of them. As my official introduction to these existing characters, I think they are neat. Inventive and interesting while remaining familiar and funny.  For an archaeological adventure story, not unlike the Sith academy trials in Knights of The Old Republic, Wong’s writing is for the most part solid but rudimentary. Where the story shines is in its characters, both in their personalities and in motives. The inclusion of an LGBT relationship is also a nice touch that is treated respectfully and realistically.  OVERALL In conclusion, Star Wars Doctor Aphra: Fortune & Fate is a harmlessly engaging comic. I say harmless because the storyline, aside from its prologue, is wholly distant from the original saga in which it is set. This story could stand on its own easily in any era of Star Wars which is neither a good or a bad thing, as is the way of a rogue smuggler.  With no prior knowledge of this spin off comic series or its characters, I recommend this for a quick standalone Star Wars adventure with interesting ideas and a homage to the Indiana Jones franchise. Something familiar but new for your May the Fourth! [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Let us know in the comments your thoughts on MARVEL’s Star Wars Doctor Aphra: Fortune & Fate, your favourite Star Wars spin off and how you’ll be celebrating May the Fourth! I’ll be watching The Bad Batch premiere, expect a review later today! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

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Review – Resident Alien Vol 1

Review – Resident Alien Vol 1 Writer: Peter Hogan Artist: Steve Parkhouse Publisher: Dark Horse Comics Release date: May 2012 Resident Alien Volume 1, Welcome to Earth, is the first in a successful series of comics that has been a huge hit. So much so, Syfy have picked it up and turned it into a TV show. The second season is confirmed and due out in 2022 on Sky for U.K. viewers. The comics were the brain child of Artist, Steve Parkhouse and Writer, Peter Hogan. Parkhouse wanted to create an Alien comic. Having collaborated with Hogan on the likes of The Dreaming, wanted his involvement. Hogan went away and thought up the twist to the “traditional” Alien narrative. As a result, the Alien in this comic is not the usual bad guy, nor is he a predator. He is the hero of the story, with yet another twist; he also likes to dabble in a little murder mystery. The Resident Alien Meet Dr Harry Vanderspeigle, resident of Patience, a small town in Colorado where nothing bad ever happens… Or does it? Our Doc is dragged out of “retirement” to replace the local doctor. The original doctor’s murder is being investigated! Of course he isn’t really a doctor, he is an Alien who crash landed and is awaiting rescue. Three years he has been keeping himself to himself, in an attempt to keep his true identity hidden. He of course has some super duper, alien abilities to mask his true form. Ingeniously, he is drawn as an alien throughout the comic. I am going to dig into my Classics A-Levels here. In Greek tragedy, this method is used to allow the audience to see something which the characters living the scene, do not, it’s called dramatic irony. This is oddly, so much fun, seeing an alien sitting in ordinary human settings. For instance, one of the opening pages to the book, there is cafe setting. A waitress is taking the order from a couple of scruffy locals, all perfectly ordinary, except for the alien sat at their table. Resident Alien is a brilliant concept, clever, fairly intelligent and funny in parts. *Spoiler alert* The naked murderer is very different! Annoyingly, the naked part needed explaining. I will forgive the story for that because it just added a bit of humour into what is an already wacky scenario. The murder mystery is secondary to work the main story of Harry, that’s the facinating story and makes me want to read more in the series. It also makes me wish I had Sky TV so I can watch the show. Art and Final Thoughts The Art is interesting, quite different. For instance, it has a small town Americana feel, perhaps it looks a little dated, but it’s meant to be. The re use of similar pastel colours in the background, I really liked, Parkhouse’s ability to draw expression is exemplary. My favourite scenes were the alien landscapes and the vivid, almost nuclear green colourings, which I have added in the gallery below for your viewing pleasure. Overall the comic works, it has a solid storyline, as a result, it makes readers want more. A plus it is a cool concept. Sadly, for me, the murder mystery part was definitely secondary to the Harry story. Will he or won’t he, get caught out? I am fascinate by it enough to want to read on in the series. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

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