Search Results for: Netflix

Here are the search results for your search.

Review – You Look Like Death – Tales from The Umbrella Academy

Review – You Look Like Death – Tales from The Umbrella Academy Writers: Gerard Way and Shaun Simon Art: I.N.J Culbard Publisher: Dark Horse Comics You look like Death If you haven’t heard of The Umbrella Academy, what rock have you been living under? It’s the wacky and wild tale about 7 of 43 super-powered babies born on the same morning. Whose mothers had no idea they were pregnant. These special 7 are adopted by Billionaire Industrialist and extraterrestrial Sir Reginald Hargreaves. They are given numbers rather than names by their adoptive father and taught to be a “family” of Heroes. Also there is a massive Netflix show which is brilliantly cast. One of said cast members who plays the lead character in this particular comic, is Robert Sheehan who plays Klaus or number 4 and gives a great description of his character in the introduction of this book. You Look Like Death is the first Umbrella Academy spin off and focuses on Klaus. He has seance abilities allowing him to talk to the dead and amalgamate his body with their spirit, taking on their abilities. What’s it all about? After a falling out at home, in the Umbrella Academy mansion, Klaus leaves to find his own way. He is broke and in need of his fix, his drugs, which allow him to go into the Void. The Void to me seems like a waiting room for heaven or hell where the ghosts learn to accept their death. After a ruckus at the drug dealers, Klaus finds himself in Hollywood making dollar for his talents. He is picked up by an agent who isn’t all she seems. He has a vampire drug lord chasing his tail. Not to mention the vast array of ghostly figures that make an appearance to help and hinder his progress to stardom. All of which, for Klaus is just a means to an end, in order for him to get his drugs. Klaus, actually being a really good guy, but reluctantly, soon uncovers a murder mystery. He manages to get hired by Hollywood’s controllers. Fends off a vampire drug Lord and gets vengeance for murder victims. Klaus manages to do all this, whilst being totally resistant to doing anything at all and on a plethora of drugs. You can almost hear him sighing! Writing and Art It is a great collection, a nice, easy read, but intelligent and challenging enough to keep the reader involved. Especially in its questioning of perceived human nature, often found in comic books to be just black and white. Let’s face it in real life there isn’t just good and bad. As a result, the writers have done a great job of creating multicoloured and multi dimensional characters. Ones that have a little of everything human nature can provide, even in the monsters! The Art work is very good. I liked at the end they showed their process of developing one of the characters with old Hollywood glamour. Over all it was a bit dark, gloomy and angsty, which for the majority of the time suited the subject. But I think, personally, the best art was often the really simple stuff, to be found between the pages. These had an almost 3D effect, like the green and red glasses gave you from the 90’s. The colour choice reflected this kind of throw back too. It just caught the eye so much, I just loved the effect Final thoughts Overall, it’s a good read and one that throws you straight back into the world of the Umbrella Academy. It was a good choice of character for the first spin off. Klaus is probably one of the most likeable characters, with his rogue like fashions and reluctance to do anything. But he always seems to make the right choice anyway, like he can’t fight his own nature. Which just makes him very loveable even if he can’t see it in himself. The volume fits together nicely and is well worth the read. The at times psychedelic art is fitting for the type of story we soo. find ourselves embroiled in.

Review – You Look Like Death – Tales from The Umbrella Academy Read More »

Review – Umbrella Academy Season 1&2

Review – Umbrella Academy Season 1&2 Directed by: Ellen Kuras, Stephen Surjik & Others Produced by: Gerard Way, Steve Blackman & Others Written by: Gerard Way, Steve Blackman & Others Starring: Elliot Page, Tom Hopper & Robert Sheehan Release Date: 2019 – 2020 A few years ago when I heard the guy from My Chemical Romance had written a graphic novel, it piqued my interest. However, after reading up on some reviews of the book, it came across as quite unoriginal and somewhat sounded like a rip-off of other properties like Watchmen and X-Men. There was also the fact that I found the obscure character designs and bizarre artwork slightly off-putting at a glance. I never got around to reading it after this as I was kind of put off by the accusations of unoriginality and the weird art. Then in late 2018, I read that there was a Netflix adaption of the comic being released and my curiosity was once again piqued. After reading some of the early glowing reviews from critics, I knew that I had found my next binge. This show is fantastic, which for the most part is owed to its well written and well acted characters. The members of the Umbrella Academy and their various odd relationships with one another, as well as the outsiders that interact with them throughout the show, make the character dynamics of this show as a whole pretty unique and exciting. The cast are all brilliant, with Robert Sheehan’s Klaus being the clear stand-out, – especially in the first season. He gets all of the best lines and nails the American accent that he speaks with in the show. The rest of the cast are also great, although I feel like David Castaneda deserves a special shout-out due to the how well he nails Diego’s brilliant character progression in the second season. It is cool to get an insight into the world that the show-runners have crafted, which is as odd as it is charming. It is similar to our own world, with a few pretty drastic changes that change the dynamic of the universe in a oddly interesting way. There were points while watching the show that I was reminded of other superhero stories like Watchmen and X-Men, but instead of Umbrella Academy blatantly ripping off these other stories, it instead takes some of the best parts from its respective influences and adapts them to suit the narrative that is unfolding. It comes off as more of a wink and a nod than just a lazy copy/paste job. I also feel like the amazing CGI work on Pogo the chimp, – who is highly intelligent and serves as the family’s butler in the first season, – deserves a shout-out. It is quite possibly the best CGI that I have ever seen in a TV show and is almost on the same level as the CGI on Caesar in the Planet Of The Apes movies. Overall, The Umbrella Academy is a stellar example of what happens when a show embraces its influences and presents them in a coherent way in collaboration with the original story that the show itself is telling. It is probably not the greatest superhero story ever filmed, but it is an extremely entertaining and satisfying ride that the show takes you on over its first 20 episodes and it is well worth your time. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] Speaking of X-Men, if you enjoyed Dan’s review of Umbrella Academy, you can check out what he thought of X-Men: Apocalypse here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

Review – Umbrella Academy Season 1&2 Read More »

Paul Amos Interview

BGCP Interview Paul Amos (Jupiter’s Legacy, Assassin’s Creed)

https://www.youtube.com/watch?v=Uw7S3CKpTPU&t=2129s More from BGCP   Did you enjoy this interview? Don’t forget to subscribe to our YouTube channel and leave a like to support the team. We are constantly bringing you new content, reviews, and interviews with the biggest names in geek culture. Join the Community: Want to discuss this interview with other fans? Join our Discord and follow us on socials. Get Tickets: Come see us in person! Buy tickets for the next BGCP Comic Con in Glasgow and across Scotland.

BGCP Interview Paul Amos (Jupiter’s Legacy, Assassin’s Creed) Read More »

Review – LOVE DEATH + ROBOTS: VOLUME 2

OVERVIEW Love Death + Robots: Volume 2 is the long awaited follow up to the shockingly dark animated anthology of short stories, brought to you by Deadpool’s Tim Miller and Seven’s David Fincher as well as Jennifer Miller and Josh Donen. The show is known for its masterful artistry, brutal violence, virtuosic genre diversity and very real ethical dilemmas of the future to be. Be sure to check out Dan’s review of Love Death + Robots: Volume 1! With that being said, let’s dig into this existential nightmare and get whimsically uncomfortable! AUTOMATED CUSTOMER SERVICE Like Wall-E meets Hal 9000, this introductory episode perfectly sums up what Love Death + Robots is all about. Eerily realistic but cartoony animation mixed with humorous tension and a dark commentary on household machines and customer service. You won’t be scarred for life with this one but you will be frightfully giddy and uncomfortable throughout.  ICE What does it mean to be a modded human being? Are you better or just different? One brother looks to prove himself as an equal amongst a gang of modded beings (including his younger brother) on a thrilling but beautiful race across the ice. The animation is sharp and cold to synergise with its gripping brotherly narrative. The only downside being some hoaky dialogue which I think is supposed to be cool.  POP SQUAD In a world of revolutionary evolution, overpopulation is a crime. The birth of immortality breeds inhumanity as one cop discovers. This is the “I can’t believe it’s not butter” of computer-generated animation in this series; with the exception of some artistic choices (characters would be right at home in the Dishonoured franchise), you could believe this was a live action Blade Runner spin off. Despite the heavenly possibilities of a futuristic utopia, the story is a dystopian abyss of the primal human condition that will pull on your heart strings.  SNOW IN THE DESERT Regenerative immortality is only a peaceful existence if everyone has it, otherwise you’ll be hunted down for what makes you tick. Did you like The Mandalorian but wished it could be Rated R? Here’s your episode! Once again, seamlessly computer-generated animation to the point where you might as well make it a live action story, brought down a little bit in its action sequences that can look somewhat rubbery at times. Otherwise, this is once again a perfect trifecta of love, death and robots.  THE TALL GRASS The distant lights of the dark don’t always lead to safety, stay with the train or risk not coming back. Usually I’m not a fan of the jittery shell shaded animation style but its utilization here blends impeccably with the creepy industrial age charm of this episode. In comparison to other episodes, this is the least impactful but no less thought-provoking in its themes and artistry.  ALL THROUGH THE HOUSE There’s a reason you need to be sleeping when Santa comes to town, these two curious kids will never forget to be good. This is the shortest but potentially the best episode of this volume. If you enjoy practicality in your stories such as stop motion animation and Pans Labyrinthian horror, I’m sure you’ll agree that this is a certified Christmas classic for all the family. Kids gotta learn to behave some way or another! LIFE HUTCH Never before has a pet playing with a laser tory been so stressful. Just the uncanniest of valleys in terms of life-like animation here, I’m unsure at times where the line between live action Michael B. Jordan and animation lands throughout this episode. You’ll feel every shot of pain, hopelessness and isolation in this space thriller. Welcome to Life Hutch! THE DROWNED GIANT Ending on a colossal note, we are invited to experience an Osymandian tale of woe and modern society in the face of the grandiose and gargantuan. Where there is no life or power, humanity dwindles and leaves only a materialistic carcass. While by no means a poorly animated episode, in fact it is suitably unbelievable how detailed and realistic the animation is, the crutch of this episode is the thought-provoking message of humanity’s eclipsing capacity for inhumanity and a commercialised circle of life.  OVERALL In conclusion, Love Death + Robots: Volume 2 is a solid and surprisingly easy watch. There are significantly less episodes than its predecessor and that loss is not entirely made up for with extremely diverse animation styles. The styles utilized however, bestow an uncanny valley of realism and a bouquet of beautiful colours and artwork to blossom the masterful short stories. In my opinion, less is more. I personally began to tune out towards the latter episodes of Volume 1. This volume lands a softer blow in comparison to the viscerally disturbing twists and menacing gore of Volume 1 but rest assured, that trauma is still present and is sure to keep you on your toes! If you enjoyed our Review of LOVE DEATH + ROBOTS: VOLUME 2 then rate or comment below. [yasr_multiset setid=4] [yasr_visitor_multiset setid=4] Let us know in the comments your thoughts on Love Death + Robots: Volume 2, your favourite episodes and be sure to check out Dan’s review of Volume 1 and Netflix’s Trese! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

Review – LOVE DEATH + ROBOTS: VOLUME 2 Read More »

Review – Kingsman: The Golden Circle

Review – Kingsman: The Golden Circle Directed by: Matthew Vaughn Written by: Matthew Vaughn & Jane Goldman Produced by: Dave Gibbons & Mark Millar Starring: Taron Edgerton, Colin Firth & Pedro Pascal Release Date: September 20th 2017 In the wake of the release of Jupiter’s Legacy on Netflix, I decided to revisit Kingsman: The Golden Circle for review. When I first saw this movie back in 2017, I was extremely disappointed at how much of a let down it was in comparison to its predecessor. I thought that now we are a few years separated from that initial disappointment that it would be a good time to look back and see if I still feel the same about the sequel to Kingsman. You can look at this movie from two different perspectives. If you choose to see it as a dumb, switch-your-brain-off spy movie and are only going for the crazy, insane action scenes, then you will have a good time. If you are looking for a decent comic book movie that serves as an adequate sequel to the first movie and sets up a potential future franchise, then you will probably leave feeling similar to how I did; pretty disappointed. The first movie was released with no hype behind it and for most people was a pleasant surprise. This film had a lot more to live up to and unfortunately it never quite gets there. Although the movie does feel like a sequel, (and not a great one,) it still isn’t the worst sequel I’ve ever seen to a comic book movie. Julianne Moore plays the antagonist in the movie and whilst her motivations for what she is doing are questionable, you can clearly tell she is having a lot of fun with the character and that results in a fun performance to watch. The action scenes are as fast paced and as fun as you would want them to be and although they do feel cartoony, there are a few crazy set pieces that you can not help but grin at. This movie also introduces the Statesman, an American version of the Kingsman who work out of a whisky factory rather than a tailor’s shop. Jeff Bridges and Halle Berry don’t get much screen time, which is fine, but Channing Tatum is hardly in the movie at all. All of this despite him appearing on a lot of the marketing for the film prior to release. I think he is onscreen in Hateful Eight for longer than he is in this! Also, the decision to bring Colin Firth’s character back from the dead is still a jarring one due to the explanation for this being sort of anti-climactic. Essentially, The Statesman have came up with a cure to gunshot wounds to the head and any other fatal wound that you may sustain. The process involves wrapping the wound in a gel strip and then inflating it with two syringes. Sure, you can argue this is a heightened reality where crazy stuff like this is entirely possible, but my problem with it, is that it immediately lowers all of the stakes. If anyone can be brought back from the dead, then how is there any peril left for the characters in the franchise? After this whole revelation, they kill off Merlin, the character played by Mark Strong. His death is really pathetic and something that could have easily been avoided. Eggsy accidentally steps on a landmine, (even though they specifically point out that they are using a minesweeper,) then Merlin sprays the mine with a freeze gel so that Eggsy can step off of the mine and Merlin takes his place, then he distracts some guards and gets blown up. What I’m left wondering is the limit of what can be fixed with the regeneration strip. Surely if a bullet to the head can be walked off, then getting blown up by a landmine is fair game? Could they not have tried piecing him together like a jigsaw a wrapping him in the magic gel strips? I guess they could bring him back in the next movie and I’m sure if they do, we will know when the first trailer for Kingsman 3 is released, since Colin Firth’s resurrection was spoiled in the trailers for this movie. Overall this isn’t a bad movie, it’s just disappointing. There are some entertaining action scenes, but rubbish dialogue and ridiculous plot elements make this inferior to the first Kingsman movie and pretty mediocre overall. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of Kingsman: The Golden Circle, you can check out our review of Jupiter’s Legacy here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

Review – Kingsman: The Golden Circle Read More »

The Haunting of Hill House

Is The Haunting of Hill House Overrated? An Honest Review

The Haunting of Hill House Review: Masterpiece or Lazy Horror? Review – The Haunting of Hill House Directed by: Mike Flanagan Written by: Mike Flanagan & Jeff Howard Produced by: Mike Flanagan & Jeff Howard Starring: Carla Gugino, Henry Thomas & Oliver Jackson-Cohen Release Date: October 12th 2018 Being a fan of Mike Flanagan’s other work and having missed this series when it first released, I decided that it was time to go back and review The Haunting of Hill House. I went back to watch the series in preparation for the release of The Haunting of Bly Manor and was extremely let down by this series. Flanagan is capable of producing great horror, we know this from 2017’s fantastically creepy adaption of Stephen King’s Gerald’s Game and 2019’s fantastic Doctor Sleep. Hill House features some of the same cast members as Gerald’s Game in Carla Gugino and Henry Thomas, whom I both really like. Before diving into Hill House for the first time, I thought that this show was going to be tailor made for me, with a brilliant cast and the same subtle but terrifying horror that Flanagan used in Gerald’s Game. However, after watching the first couple of episodes, I was struggling to get into it. Due to the massive amount of hype and praise that this show received I decided to stick with it. By the time I got to episode 6, I was done, but then my girlfriend guilted me into watching that rest of the series because she wanted to see it and she was, “too scared to watch it alone.” What a huge waste of time that turned out to be. Is Alien: Earth Good? The 2026 Spoiler-Free Verdict If you have read any of my other reviews of horror-based media, you will know that I have a love/hate relationship with the genre. There are very few horror movies or shows that I feel indifferent about. I hate lazy, formulaic bad horror and that is exactly what Hill House is. Every single episode consists of a jump-scare at the start of the episode, then a hard cut either forwards or backwards in the timeline. Then about 15-20 minutes of very poor acting and boring dialogue. This is followed by another cheap jump-scare, usually a woman screaming at an obnoxiously loud volume at the camera. Then we get another hard cut back to the other timeline. The main issue with this structure, (other than being extremely lazy and repetitive,) is that when the hard cut is made to the other timeline, the audience knows that it is done by an editor and that we are now being asked to focus on a part of the story within the other timeline. However, for the characters within the show it makes absolutely zero sense. For example, two people are having a conversation when something creepy happens. They go to investigate and a screaming woman comes launching towards them or is standing at the edge of a bed or doing basically any other ghost story cliché you can think of. Then the show cuts away to show the characters as children being haunted by a different ghost, but then when we cut back to the present, we never find out how the last jump-scare was resolved. What was the aftermath of that screaming lady at the end of the bed you ask? How was that resolved? How are the character’s mentalities after this happened to them? Who cares?! Say the writers, let’s just move on to the next cheap jump-scare. The script is extraordinarily lazy and the child actors are horribly bad. This is an issue that I feel that there isn’t really any excuse for anymore after the brilliant child performances in shows like Stranger Things and Season 2 of the Sinner. If you judge the quality of something based on what it sets out to do versus what it actually does, then The Haunting Of Hill House is the worst show that I have had the displeasure of ever sitting through. The scares are pathetic, the acting is atrocious in places, the script is diabolically cheesy at times, there is hardly any originality present for an, ‘original series,’ and the show is overflowing with clichés. Not once did a jump-scare actually scare me, because they were all either laughably predicable or they would be totally out of place just for the sake of shock value and would merit a heavy sigh rather than an legit scare. The most egregious, offensively bad example of this was when two characters were having a conversation in a car in episode 6 and a ghost randomly screams from the backseat. Please do not waste your time with this series. The last few years has had a plethora of brilliance to offer on the small screen and despite what you might have heard from big publications, this show should not be included in that list.

Is The Haunting of Hill House Overrated? An Honest Review Read More »

Review – Mindhunter

Review – Mindhunter Directed by: David Fincher & Tobias Lindholm Written by: Liz Hannah & Tobias Lindholm Produced by: Liz Hannah & David Fincher Starring: Jonathan Groff, Holt McCallany & Anna Torv Release Date: October 13th 2017 Mindhunter is a Netflix series set in the late 70’s. It follows two FBI detectives as they embark to learn more about serial killers and why they do the things that they do. One of the detectives, Bill Tench, actually coins the phrase, ‘serial killer,’ at one point and the team do seem to be making progressive steps into understanding a disturbed psyche, even if some of the methods they use along the way are fairly questionable. The series is produced by David Fincher, who also directs 4 episodes of the first season and 3 in the second season. If you are a fan of Fincher’s other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn’t be a further departure from Glee if it tried, which makes Groff’s already electric performance even better. McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden’s girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen. The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher’s direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout. Overall, this is a brilliantly made, psychological thriller. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can’t wait to see where this endeavour takes them next. I really hope that Netflix can come to some sort of a deal with Fincher to make more seasons of Mindhunter. I genuinely think that this is one of the best TV shows from the past five years and it would be a real shame if we never got any more from this story. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review for Mindhunter, check out his review of Love, Death & Robots S1 here, which David Fincher also produced. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

Review – Mindhunter Read More »

Love Death + Robots

Review – Love, Death & Robots (Season 1)

Review – Love, Death & Robots (Season 1) Directed by: Tim Miller & Others Written by: Tim Miller & Others Produced by: Tim Miller & David Fincher Starring: Samira Wiley & Nolan North Release Date: March 15th 2019 I decided to go back and review Love Death & Robots in the wake of the release of the trailer for the second season. L,D&R is an animated anthology series from David Fincher and Tim Miller, made up of 18 short films, with each one being utilizing a completely different animation style, ranging from stylistic 2D to hyper realistic 3D. I felt compelled to watch this series, not only as a fan of Fincher’s and Miller’s previous respective works, but as an aspiring animator myself. My favourite thing about this series is how brief each episode is. Even if there is a story that you aren’t enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, – if they are well received, – they could maybe go on to be developed into a longer more fleshed out feature length movie. The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled “Lucky 13.” It is based around a spaceship owned by a pilot played by Samira Wiley, who gives a phenomenal performance throughout the short film. If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that the second series is as creative and entertaining as the first and I am looking forward to anything else that comes in the future from this creative team. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

Review – Love, Death & Robots (Season 1) Read More »

Scroll to Top