Film Criticism

Is Thor: The Dark World the MCU’s Lowest Point? A Retrospective Review

Thor: The Dark World Review – MCU’s Worst Movie?

Is Thor: The Dark World worth watching in your MCU marathon? We review the flawed sequel, analyzing its forgettable villain, tonal issues, and why it is often ranked as the worst Marvel movie. The Verdict at a Glance Introduction: The MCU’s Identity Crisis In the grand tapestry of the Marvel Cinematic Universe (MCU), Thor: The Dark World (2013) occupies a difficult spot. Sandwiched between the Shakespearean drama of the first Thor and the psychedelic comedy of Thor: Ragnarok, this sequel struggles to find its footing. While it was a financial success, critical and fan reception has soured over the years. Is it simply a skippable chapter, or is it a fundamental misstep in Marvel history? This review breaks down why the God of Thunder’s second solo outing is widely considered the franchise’s “black sheep.” The Plot: A Generic Fantasy Slog The story picks up post-Avengers, with Thor (Chris Hemsworth) bringing order to the Nine Realms. However, an ancient enemy returns: Malekith (Christopher Eccleston) and his Dark Elves, who seek a weapon known as the Aether (the Reality Stone) to plunge the universe into eternal darkness. When Jane Foster (Natalie Portman) accidentally absorbs the Aether, she becomes a target, forcing Thor to bring her to Asgard and eventually team up with his treacherous brother, Loki (Tom Hiddleston). Where It Went Wrong Malekith: The “Who?” of Marvel Villains The film’s fatal flaw is its antagonist. Christopher Eccleston is a fantastic actor, yet he is buried under prosthetics and given zero character depth. Malekith has no relatable motivation—he simply wants to destroy the universe because he likes the dark. In an era of complex villains like Thanos or Killmonger, Malekith is shockingly one-dimensional and entirely forgettable. A Tonal Mess The Dark World tries too hard to be “Game of Thrones” in space. It abandons the fish-out-of-water charm of the first movie but lacks the bold, colorful humor that Taika Waititi would later bring to the franchise. The result is a movie that feels gray, dreary, and overly serious without the emotional weight to back it up. The Wasted Talents of Natalie Portman Jane Foster is reduced to a plot device. Rather than an active participant, she spends the majority of the film as a living vessel for the MacGuffin (The Aether), fainting or being carried from room to room. It is no surprise that Portman took a long hiatus from the MCU after this entry; the script gave her nothing to do. Boring Exposition Much of the dialogue consists of characters explaining fantasy pseudoscience to one another. The pacing drags significantly in the second act, making the 1 hour and 52-minute runtime feel much longer. The Saving Graces It isn’t all bad. Here is what keeps the movie watchable: Final Thoughts: Essential Viewing Only for Completionists Thor: The Dark World is a film that checks boxes rather than telling a compelling story. It introduces an Infinity Stone (The Aether), but fails to make us care about the journey. If you are doing a full MCU rewatch, you might feel obligated to sit through it. However, if you are looking for entertainment value, this is easily the most skippable entry in the Infinity Saga. It is a harsh reminder that even Marvel Studios isn’t invincible. Pros: Tom Hiddleston’s Loki; High production value; Important for Avengers: Endgame context. Cons: Forgettable villain; Dull color palette; Weak script; Wasted supporting cast. Where to Buy & Watch If you need to complete your collection or want to see the introduction of the Reality Stone, you can purchase the film below.      

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hellboy (2019)

Review – Hellboy (2019)

  Directed by: Neil Marshall Produced by: Martin Bernfeld Written by: Andrew Cosby Starring: David Harbour & Ian McShane Release Date: April 11th 2019 (UK)                                            Review – Hellboy (2019) Whilst taking notes for my review for Hellboy 2019, I realised that if the movie actually has one thing going for it; it’s that it’s impressive. It is impressive in the sense that it actually made me question the futility of time and why I was wasting my short time on this earth re-watching this atrocious piece of trash. There were several times whilst watching the film that I actually couldn’t quite bring myself to believe how bad what I was witnessing onscreen really was. This might be the worst film I have ever seen. It without a doubt took the crown of the worst superhero movie ever made from Fan4stic when it was released and is frankly downright insulting to Hellboy fans. I still cannot believe that they chose to make this trash over another movie with Ron Perlman and Del Toro. Almost every single aspect of this movie is garbage and there are hardly any redeeming features. Let’s talk about the main character; this movie’s version of Hellboy. We all knew going in that David Harbour had some pretty big shoes to fill, as following Perlman’s take on the character was never going to be easy. In Harbour’s defence, pretty much the only slightly positive aspect of this version of the character is the fact that you can tell that Harbour is doing the very best with the extremely poor material he has been given to work with. Most of his lines are awful and the way that his character is written as a moaning, whiny teenager is actually insulting to the character. Also, the excessive makeup he is wearing means that he is hardly able to emote with his mouth. When he is talking, his mouth simply opens and closes like a puppet and it is painfully obvious that the dialogue has been dubbed in later and even that has not been done very well. The other slight positive in this movie was getting to see Hellboy in his full demonic getup with long horns and donning the flaming crown and sword. While this sequence was pretty cool, unfortunately this is the only fleeting glimpse of coolness we get before we are right back to the crap. One of the most memorable elements of the Del Toro Hellboy movies were the cast, unfortunately they have been substituted with an insufferably annoying lot of replacements. The actress playing Alice may give the worst performance that I have ever seen in a comic book movie, (and I saw Polar!) Every single line that she uttered was extremely cringe-worthy and poorly delivered. Daniel Dae Kim was almost as bad as Hellboy’s other sidekick. Again, a lot of his lines were ADR’d in later and really shoddily done. Ian McShane plays Broom, the scientist that found Hellboy and adopted him and he is clearly sleepwalking his way through this role for the sake of an easy paycheck. As is Milla Jovovich, who plays a stereotypical villainous witch and does absolutely nothing new here that we haven’t seen her do before in other movies. Over my years of watching almost every comic book movie that releases, I have seen my fair share of cheap, cartoony looking CGI, but this takes the cake. Almost every scene in the movie features some kind of CGI creature and they are all on a similar level of quality to an unfinished student project. One moment where it really stood out was the fight with the giants, – where we were subjected to not only one bad CGI giant, but three of them. The scene is also shot in broad daylight, which really does the bad CGI no favours. Not once did anything in this movie look better than the effects in the Del Toro movies which came out 10+ years ago. At this point in my Hellboy review, I’ve decided that I’m going to spoil the end of the movie, because seriously who even cares at this point? The absolute worst part of CGI in the entire movie, is during one of the final scenes where Ian McShane comes back to speak to Hellboy as a ghost. The CG in this scene is genuinely on par with the Rock’s CG in in the Scorpion King. Yes, it really is that bad. The soundtrack is so misused here also. The songs featured themselves are all half decent songs, but they do not work in the context of this film and they add absolutely nothing to the scenes that they are used in. The editing is also horrible. There were several times that I was reminded of the cheap editing in shows like Buffy The Vampire Slayer. The last thing that I want to talk about is the tone and humour, (or lack of,) present throughout the film. The movie opens with a flashback scene showing King Arthur chopping up the witch. The scene is being narrated by Ian McShane and it is chock-full of diabolically awful dialogue and insufferably cheesy line delivery. Whilst watching it I thought, “Oh they are really hamming it up here and going for a really corny tone for these flashback scenes.” I then swiftly came to the soul-crushing conclusion that no, – this was how the next 2 hours of this movie was going to go. The awful sense of humour is actually comparable to that in a poor quality kids film, with gross out burp and kiss jokes to boot. What happened to the darker, more horror orientated tone that we were teased with when the movie was in pre-production? Any semblance of that is sorely lacking here and it is a real shame because I would have quite liked

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