Tim Miller

Review – LOVE DEATH + ROBOTS: VOLUME 2

OVERVIEW Love Death + Robots: Volume 2 is the long awaited follow up to the shockingly dark animated anthology of short stories, brought to you by Deadpool’s Tim Miller and Seven’s David Fincher as well as Jennifer Miller and Josh Donen. The show is known for its masterful artistry, brutal violence, virtuosic genre diversity and very real ethical dilemmas of the future to be. Be sure to check out Dan’s review of Love Death + Robots: Volume 1! With that being said, let’s dig into this existential nightmare and get whimsically uncomfortable! AUTOMATED CUSTOMER SERVICE Like Wall-E meets Hal 9000, this introductory episode perfectly sums up what Love Death + Robots is all about. Eerily realistic but cartoony animation mixed with humorous tension and a dark commentary on household machines and customer service. You won’t be scarred for life with this one but you will be frightfully giddy and uncomfortable throughout.  ICE What does it mean to be a modded human being? Are you better or just different? One brother looks to prove himself as an equal amongst a gang of modded beings (including his younger brother) on a thrilling but beautiful race across the ice. The animation is sharp and cold to synergise with its gripping brotherly narrative. The only downside being some hoaky dialogue which I think is supposed to be cool.  POP SQUAD In a world of revolutionary evolution, overpopulation is a crime. The birth of immortality breeds inhumanity as one cop discovers. This is the “I can’t believe it’s not butter” of computer-generated animation in this series; with the exception of some artistic choices (characters would be right at home in the Dishonoured franchise), you could believe this was a live action Blade Runner spin off. Despite the heavenly possibilities of a futuristic utopia, the story is a dystopian abyss of the primal human condition that will pull on your heart strings.  SNOW IN THE DESERT Regenerative immortality is only a peaceful existence if everyone has it, otherwise you’ll be hunted down for what makes you tick. Did you like The Mandalorian but wished it could be Rated R? Here’s your episode! Once again, seamlessly computer-generated animation to the point where you might as well make it a live action story, brought down a little bit in its action sequences that can look somewhat rubbery at times. Otherwise, this is once again a perfect trifecta of love, death and robots.  THE TALL GRASS The distant lights of the dark don’t always lead to safety, stay with the train or risk not coming back. Usually I’m not a fan of the jittery shell shaded animation style but its utilization here blends impeccably with the creepy industrial age charm of this episode. In comparison to other episodes, this is the least impactful but no less thought-provoking in its themes and artistry.  ALL THROUGH THE HOUSE There’s a reason you need to be sleeping when Santa comes to town, these two curious kids will never forget to be good. This is the shortest but potentially the best episode of this volume. If you enjoy practicality in your stories such as stop motion animation and Pans Labyrinthian horror, I’m sure you’ll agree that this is a certified Christmas classic for all the family. Kids gotta learn to behave some way or another! LIFE HUTCH Never before has a pet playing with a laser tory been so stressful. Just the uncanniest of valleys in terms of life-like animation here, I’m unsure at times where the line between live action Michael B. Jordan and animation lands throughout this episode. You’ll feel every shot of pain, hopelessness and isolation in this space thriller. Welcome to Life Hutch! THE DROWNED GIANT Ending on a colossal note, we are invited to experience an Osymandian tale of woe and modern society in the face of the grandiose and gargantuan. Where there is no life or power, humanity dwindles and leaves only a materialistic carcass. While by no means a poorly animated episode, in fact it is suitably unbelievable how detailed and realistic the animation is, the crutch of this episode is the thought-provoking message of humanity’s eclipsing capacity for inhumanity and a commercialised circle of life.  OVERALL In conclusion, Love Death + Robots: Volume 2 is a solid and surprisingly easy watch. There are significantly less episodes than its predecessor and that loss is not entirely made up for with extremely diverse animation styles. The styles utilized however, bestow an uncanny valley of realism and a bouquet of beautiful colours and artwork to blossom the masterful short stories. In my opinion, less is more. I personally began to tune out towards the latter episodes of Volume 1. This volume lands a softer blow in comparison to the viscerally disturbing twists and menacing gore of Volume 1 but rest assured, that trauma is still present and is sure to keep you on your toes! If you enjoyed our Review of LOVE DEATH + ROBOTS: VOLUME 2 then rate or comment below. [yasr_multiset setid=4] [yasr_visitor_multiset setid=4] Let us know in the comments your thoughts on Love Death + Robots: Volume 2, your favourite episodes and be sure to check out Dan’s review of Volume 1 and Netflix’s Trese! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Love Death + Robots

Review – Love, Death & Robots (Season 1)

Review – Love, Death & Robots (Season 1) Directed by: Tim Miller & Others Written by: Tim Miller & Others Produced by: Tim Miller & David Fincher Starring: Samira Wiley & Nolan North Release Date: March 15th 2019 I decided to go back and review Love Death & Robots in the wake of the release of the trailer for the second season. L,D&R is an animated anthology series from David Fincher and Tim Miller, made up of 18 short films, with each one being utilizing a completely different animation style, ranging from stylistic 2D to hyper realistic 3D. I felt compelled to watch this series, not only as a fan of Fincher’s and Miller’s previous respective works, but as an aspiring animator myself. My favourite thing about this series is how brief each episode is. Even if there is a story that you aren’t enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, – if they are well received, – they could maybe go on to be developed into a longer more fleshed out feature length movie. The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled “Lucky 13.” It is based around a spaceship owned by a pilot played by Samira Wiley, who gives a phenomenal performance throughout the short film. If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that the second series is as creative and entertaining as the first and I am looking forward to anything else that comes in the future from this creative team. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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