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BGCP Comic Book Reviews

Welcome to the official hub for comic book reviews at BGCP Comic Con. Whether you are a lifelong collector or just getting into the hobby, our dedicated team of geeks and reviewers is here to break down the latest releases, graphic novels, and hidden gems from across the industry.

Honest Comic Book Reviews from Fans, for Fans

The comic industry is massive, and keeping up with weekly pull lists can be overwhelming. That is why we provide in-depth comic book reviews to help you decide which titles are worth your time and money. We cover the biggest superhero showdowns from Marvel and DC Comics, the best creator-owned titles from Image Comics and Dark Horse, and fantastic indie releases from the booming UK comic scene.

We look at everything from the writing and dialogue to the artwork, coloring, and lettering, giving you a comprehensive look at the quality of each issue.

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Browse our latest reviews below and let us know what you're reading this week!

Review – Batman: The Long Halloween, Part One

SUMMARY Gotham’s annual festivities turn to fearful nights of fright as a mysterious murderer known only as Holiday picks of the Falcone and Roman families one by one on each consecutive holiday. It’s up to Batman, Harvey Dent & Jim Gordon to put the pieces together and save Gotham from a year-long seasonal serial killing spree. VISUALS Firstly, character designs have been sucked clean of Tim Sale’s gorgeously noirish comic style for more generic and oddly unfinished looking appearances. As well as this, characters seem to be suffering from rigor mortis with a slow and jagged stiffness to their animation atop a gloriously smooth looking art deco backdrop. Not unlike the pop art style of the spy comedy series, Archer, but with more visual phrasing.  Joker says it best in this film, “Navy, navy, charcoal, black. Euk! Really Carm, is a splash of colour too much to ask?”. Despite the original comic’s dark and monochromatic appearance, the comic popped with a minimalistic festive colour palette; Halloween oranges, Valentine’s Day reds, New Year yellows, etc. Arguably, this was a large part of the comic’s charm and style. For a story gift wrapped in holiday spirit, the wide spectrum of bright holiday colours amongst the bleak backdrop of Gotham is sorely missing from this film adaptation. It’s very hard to tell what holiday we’re supposed to be celebrating. VOICEWORK & WRITING Let’s talk about the good in this adaptation. The voicecast, while nowhere near as iconic as the longstanding original voices, do a phenomenal job in recreating the beloved characters. Every voice is unique but unmistakably perfect for the variety of personalities throughout. Stand-out performances being Troy Baker’s return as the Joker with darker Hamillisms and David Dastmalchian as Calender Man with an uncomfortable monotone performance. Unfortunately, stellar impressions don’t make for a great performance as the dialogue and acting itself is both tonally inconsistent and awkward throughout, as if the actors had no frame of reference to work off of. Why the brilliant dialogue of the comic couldn’t be brought to life or at least replicated here is baffling to me. Remember in Batman: Mask of Phantasm when you got goosebumps from Shirley Walker’s tremendously grandiose choir filling the Gotham night air on top of an earthshattering orchestral ambience? Listen to it again if you can’t remember it…yeah. Batman: The Long Halloween, Part One is virtually devoid of music aside from a minimalistic pinch of ambience every now and again. There’s an entire chase scene with no music whatsoever and it is SO AWKWARD! Batman has some of the best pieces of music in cinema history and this here is an embarrassing disappointment. Annoyingly, events and details, bar the actual holidays themselves, are all out of place, altered or in some cases just omitted from the script with pointless padding in it’s place. This totally ruins the flow, suspense and drama of the original comic that makes it such a beloved entry in the mythos of Batman, as well as makes the twists painfully obvious. While I can’t say I like that Palmer is writing his own calendar for the monthly mayhem, it is intriguing enough to see where he goes with it and if he opts for an alternative ending to the comic. If the end result is the same however, what was the point in changing key details? OVERALL In conclusion, Batman: The Long Halloween, Part One honestly feels like a bootleg adaptation of the classic comic in every way. I wouldn’t be surprised if it came out that Palmer couldn’t secure the rights to the story so he had to make his own that loosely follows the original. Either that or he hasn’t read the comic! Everything from it’s cardboard cutout look and monotonous animation to it’s first take dialogue and story inconsistencies makes the film feel wholly unfinished. I hate that I have to write this review as it hurts me to my core. I was so excited to see my favourite Batman comic get the feature length animated treatment. There are sparks of the Batman spirit in the cracks of this film but the sheer amount of problems it has eclipse any semblance of hope for the adaptation. The only way I could see redemption for the film is if it leans into it’s askew recollection of the comic in order to produce a whole new take on the Holiday storyline, perhaps giving the adaptation a unique alternate reality edge with different results i.e. cementing it as it’s own story. However, if Batman: The Long Halloween, Part Two continues to stumble it’s way to the original finish line, this will be cemented in my mind as a colossal failure for DC. [yasr_multiset setid=4] [yasr_visitor_multiset setid=4] Let us know in the comments your thoughts on Batman: The Long Halloween, Part One, your thoughts on the original Jeph Loeb comic & be sure to check out Dan’s review of Batman: The Long Halloween comic and my recent comic reviews for Batman: The Detective! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Kingdom Come (1996)

Review – Kingdom Come Publisher: DC Writer: Mark Waid Artist: Alex Ross Letters: Todd Klein Release Date: May – August 1996 When I was asked to write a review for Kingdom Come, I decided that I had to try and ignore its legacy as one of the greatest comics ever written and instead read through it once more and critique the book at face value. That said, 25 years after its initial release, Kingdom Come still cements its place in history as one of the greatest comic book stories ever committed to print. The idea alone of this miniseries is a fascinating one. If superheroes were to ever reveal themselves in real life, it would inevitably change the world forever. Therefore, humanity’s future world look vastly different to how it would otherwise. Once these meta-humans start to appear and breed, with each generation becoming more and more powerful, where does it stop? However, even with a great concept such as this, you still need the talent working on the book to deliver. Thankfully that is the case here. Mark Waid was the perfect choice to pen this epic story, as he clearly understands these characters inside out. To even have a rough idea of what Batman, Superman and the rest of the Justice League would look and think like years down the line, you really need to know these characters as individuals. Fortunately, Mark Waid does. As he weaves this grand and complex story, he keeps all of the characters true to their individually established personalities throughout. This really makes a difference to the reader, as at no point are you taken out of the engrossing story due to an out-of-character decision. We are so used to seeing the Justice League at the top of their game, so to see these bitter, jaded versions of our favourite heroes living in a world that feels like it no longer needs them is captivating. To see the unwavering commitment of some heroes in contrast with those who feel that they no longer owe anything to Earth’s citizens is fascinating. The whole “deconstruction of the superhero genre,” theme was most famously explored in Watchmen, however seeing it play out within the Justice League is utterly fascinating. Seeing these versions of Superman, Batman and Wonder Woman is such a departure from how they are usually portrayed and yet it works, because Mark Waid has such a great understanding of these characters. The idea of a younger generation superheroes that deal a much more brutal brand of justice than their predecessors has been depicted across the comic book medium both before and since Kingdom Come. However, Kingdom Come does it exceptionally well in a way that really allows the reader to deeply relate to these fictional God-like beings. Alex Ross’ artwork in this book is possibly the best artwork ever seen in a comic book. Ross is notorious for his strikingly realistic paintings of superheroes, however his work in Kingdom Come is truly exceptional. Every panel on every page is utterly stunning and genuinely beggars belief at just how real these depictions of the Justice League are. Whilst I am sure that Ross could have employed any art style to use in this book and it would have looked phenomenal, the choice to go with gouache is a remarkable one. The opaque, slightly muted look that it gives adds such depth to the already stunning pencils. This book is a prime example of why Alex Ross is considered an artistic genius by so many. The colouring is also impeccable throughout. Even when there are complex aerial hand-to-hand battles unfolding, spread across multiple pages, your eyes are never lost anywhere on the page and the reader is always able to follow exactly what is going on. With how grand and intense several of the sequences in this book are, that is no easy feat. Overall, I am so happy that I got to revisit Kingdom Come for review. I was reminded why this book has cemented itself as a modern classic of the genre and it really is a book that everyone should make a point of reading. Kingdom Come should be a required piece of literature whether you are a comic book fan or not, because it truly is a masterpiece. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] If you enjoyed Dan’s review for Kingdom Come, you can check out what he thought of Watchmen here. Don’t forget to like us on Facebook, Twitter, Instagram, Discord and join our official Facebook Group. Check out our Podcast and subscribe to the channel on Youtube, Spotify, Apple and Google. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews and News from Glasgow, Scotland, UK and the US, HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – A Quiet Place 2

Review – A Quiet Place 2 Directed by: John Krasinski Written by: John Krasinski Produced by: John Krasinski & Michael Bay Starring: Emily Blunt, Cillian Murphy & John Krasinski Release Date: June 3rd 2021 (UK) Initially, when I saw A Quiet Place 2 for review, I wasn’t expecting to enjoy it anywhere near as much as I did because of how disappointing I found the first movie. However, sometimes I am very glad to be proven wrong and this is one of those times. A Quiet Place 2 does what all good sequels should do, in that it builds upon the foundation laid down by the first movie, whilst upping the stakes and increasing the intensity felt by the audience when watching the film. A parallel that I can’t help but draw a comparison to is the change in tone between Alien and its more action-based sequel Aliens. If the first Quiet Place movie strives to capture the suspense and slow burn slasher-inspired horror of Ridley Scott’s Alien, then A Quiet Place 2 nails the faster, more ferocious tone of James Cameron’s Alien’s. Whether this was intentional or not, I do not know, but the difference in tone is evident from very early on in John Krasinski’s sequel. While the film does star John Krasinski and Emily Blunt as their characters from the first film, Cillian Murphy’s Emmett and Millicent Simmonds’ Regan are arguably the main characters of the sequel. Whilst Krasinski appears as Lee via flashback, (SPOILER, because he died pretty unceremoniously in the first movie,) and Blunt features as Evelyn in what is pretty much a glorified side-quest, they definitely aren’t the main characters in part 2. The choice to focus on two different characters in the sequel is a welcome one as it help the film feel more fresh and when you have stellar performances from Murphy and Simmonds to wrap your movie around, that also helps. I really felt that Millicent Simmonds upped her game greatly from the first movie and although CIllian Murphy’s character was added for the sequel, he is a good enough actor to fit naturally into the plot without feeling shoehorned in. The writing also helps with this and whilst Krasinski’s script is obviously light on dialogue, (since the movie is called A QUIET Place,) it is fairly well-written and contains fewer leaps logic than part 1. The dialogue that is present in the script is decent and the movie also had a good flow that was able to build tension whilst still keeping things moving along at a good pace. Krasinski also returns as director for the sequel and does a good job in terms of getting the best possible performance out of the film’s limited cast members. I am curious to see what he tackles next, as I would imagine he would like to move beyond the horror genre and try something fresh. I would also like to see something different from him as a filmmaker. Polly Morgan’s cinematography was also enjoyable throughout the movie and really added to the intense tone that the film is striving to capture. Along with some slick editing techniques, a good use of lighting, a great instrumental score and brilliant sound design the technical aspects of the movie are solid and I can’t fault any of it. As someone with a background in 3D animation, sloppy CGI is always a major concern when I see any movie. Thankfully, the visual effects in A Quiet Place 2 are stellar and were sparse enough that I was never distracted by them or taken out of the movie at any point. Overall, I came away from A Quiet Place 2 very happy that it managed to surpass its predecessor in every discernible way. I really enjoyed this sequel and would recommend it to anyone regardless of whether you are a fan of the first Quiet Place movie or not. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of A Quiet Place 2, you can check out what he thought of Bad Times At The El Royale here. Don’t forget to like us on Facebook, Twitter, Instagram, Discord and join our official Facebook Group. Check out our new Podcast and subscribe to the channel on Youtube, Spotify, Apple and Google. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews and News from Glasgow, Scotland, UK and the US, HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Guardians of the Galaxy Volume 2

Review – Guardians of the Galaxy Volume 2 Writer: Al Ewing Artist: Juann Cabal and Marcio Takara Colourist: Frederico Blee Publisher: Marvel Release Date: 2021 Guardians of the Galaxy Volume 2 We continue Al Ewing’s revamped Guardians series and it simply gets better and better. If you haven’t read the first volume, go read it. Or have a look at my previous review here before continuing, a few spoilers appear below! Books 6-12 The first book in Guardians of the Galaxy volume 2 is book 6 “same time next week.” This one, for me, dragged along, I would have preferred something more punchy. However, I get it, it needed to bed the reader in and consolidate the action from the last volume. We find Richard Ryder talking to his therapist about the revelations from the last volume. It is a simple way to remind the reader what happened and to add any additional information we might have missed. For example, I had totally forgotten Marvel Boy and Hercules being a thing! “Let’s talk Politics” This is a diplomatic who dunit murder mystery! Talks between are not particularly constructive but they all kind of agree to disagree. An 80’s stylised Adam Ant esq Marvel boy ends up basically saying, cool, peace it is, happy days. Then heads off to the bog where he finds a dead diplomat and to the others it looks like he is the murderer. More especially when another diplomat enters, whose weapon shoots to kill Marvel Boy but somehow ends up shooting it’s own user! The other diplomats, alerted by the gun fire, find Marvel boy holding the gun… I wonder who will solve this mystery?!? “Business as Usual” Of course the mystery is solved, by none other than Rocket Racoon! With his investigative hat and coats reminiscent of 80’s detective series. With some clever thinking and great witty retorts he settles the matter and figures out the meeting was sabotaged! They discover the culprit or might that be culprits? Plus the reasoning behind it and manage to evade being blown up again! However….Knull is destroying worlds with his dragons and needs to be stopped. “I will make you Star Lord” At last some Peter Quill action, I knew he couldn’t be dead! We catch up to him in the aftermath of him choosing to blow himself up to save his friends in the previous volume. We find out what really happened and how he survived thanks to his boy hood weapon. He has to renew himself into whatever he would like to become as Star Lord, his old life washed away and a new one created in a land beyond, called Morinus. Quill spends hundreds of years there building himself up through various “houses” schooling him into being his true Star Lord self when eventually he accidentally released the gods out of his weapon and they threaten to destroy that universe. He decided they will probably follow him so, it is time to travel through the the sacred pool, back to his original reality. To protect Morinus and the friends that saved him. Review – Guardians of the Galaxy Volume 2 continues below. “I think I had this Album” Knull and his dragons are, in their mind cleansing the earth and making it a home for evil. The next target is SPARTAX. Of course the guardians can’t defeat him and his dragons alone, luckily for them Star Lord falls out of the sky just in time to blast a dragon in the face! “Here we make our stand” the Olympian gods are making a come back again! However, first Quill or Starlord manages to let the team know what’s about to go down whist Al Ewing let’s the characters deal with their emotions from the recent story arc. Ewing even makes time for references to the annihilation event written 15 years ago! Long term fans are going to appreciate this reference. It builds up for the final show down in book 12. As well as for later series leaving Knull for the next writer. “The Time of Mercy Is Past” The rag tag, odd ball group of mercenaries are reunited but will it last? Of course it will, or they wouldn’t have any more comics to write and sell! The story picks up quickly from where it left off, allowing the characters to realise they are worth more together than as separate individuals. Despite punches to the face by an angry Gamora. Zeus is put down by the team learning to work together.Groot is sadly destroyed but quickly bought back to life using his head and the power of the infinity stones. Now Groot can only utter those 3 little words and now we know why! GotG have def upped their game, I think Ewing’s writing has defiantly upped them to super hero status. Art and Writing This is Cabals last Guardians of the Galaxy series sadly. So yes, truly an end of an era, but what a great 12 books he has produced the art for along side Ewing who has really added some nice moments and character developments. These were well needed for a comic series that had stagnated, where the films have taken over. A lot of love is given to outsider characters, such as Nova.The writing is complimented beautifully by Juann Cabal’s artwork throughout the series. With the amazing colourist Frederico Blee, who gives the vivid blues, greens and pink colour clashes to the art which is truly a feast for the eyes and works an absolute treat with the galactic theme. Guest artist in Marcio Takara adds another new dimension, taking nothing away from Cabal. He adds a twist on Cabal’s designs, very subtlety but managing to stamp the books he worked on clearly as his own. As well as some of the other cover artists involved. Final Thoughts Overall I think Ewing and co deserve the hype they have garnered. They have pulled back this series, given it a twist and the kick

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Review – DOOM #1

Review – DOOM #1 Writers – Steve Behling & Michael Stewart Artwork & Colour Design – Tom Grindberg Publisher – ID Comics Released – May 1996 Intro We were first introduced to DOOM the video game in 1993 and in 1996, ID Comics decided to adapt the cult classic First Person Shooter into a graphic novel. As with the video game, the main character is a marine who battles demons. And you can expect heavy duty weaponry, carnage and gore aplenty. But 25 years later, how would this hold up against other video game adapted comic books? Would the visuals last the test of time? Read on to find on what I thought about this little slice of nostalgia. Writing I was going to touch on the storyline. But there isn’t one. At all. The main character battles monsters and let’s out comedic one-liners which were a backbone to the video game. I’m really at a loss as to what the purpose of this comic book was? Surely the writers could have put together some semblance of a story, rather than just putting 16 pages of carnage together and calling it a book. That being said, if you are looking for a short burst of full-on violence with a dash of nostalgia, this might be right up your street. Artwork Slightly better than the writing. But still not great. It has that recognisable 90’s comic book style which defined that decade of comic book artwork. Whilst I did enjoy the graphic violence, I felt that the detail on the artwork was lacklustre and lacking in detail. The colouring just feels very one-dimensional and the palette is quite limited. Thankfully the standards have improved in the last 25 years. Overall A comic adaptation of the cult classic 1993 FPS video game. Surely that’s a no-brainer for a successful book? How wrong you would be. Clocking in at a measly 16 pages, DOOM #1 leaves you asking, ‘what was the point of this?’. I loved the video game and thought this would be a bit of nostalgic fun. But it’s simply terrible. Die hard fans of the game may love it. Not for me unfortunately. If you enjoyed our review of DOOM #1 then leave a comment or rating below. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

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Review – Blacksad: Arctic Nation

Review – Blacksad: Arctic Nation SUMMARY Blacksad puts himself in the crossfire of a visceral race war within The Line, a decrepit district of New York. Being a black and white cat is a dangerous thing to be when stuck between the Arctic Nation and Black Claws gang, but Blacksad is willing to go the distance in order to save the life of a kidnapped child torn from childhood. Not for the faint of heart, Animal Farm meets A Time to Kill in Blacksad’s coldest case yet. ART Guarnido’s artwork throughout Blacksad: Arctic Nation is comparable to every detective noir novel cover you’ve ever seen; hyper detailed with an aged complexion of scarred stoicism and brooding nihilism. Simultaneously and in contrast, underneath this cold and dark exterior is hearty anthropomorphic artistry, comparable to early Disney animation with carefully crafted and exaggeratedly expressive characters. As if the subject matter itself wasn’t enough to earn this comic it’s R rating, Guarnido looks to offend your eyes with equally scarring imagery of white supremacy, among other things best left unsaid. Regardless of the subject matter, the artwork throughout is wholly and undeniably masterful. WRITING Canales, in my humble opinion, has cemented himself as one of the greatest noir writers of all time with Blacksad. With a deep understanding of the genre, he manages to poke fun at the clichés while maintaining his own brilliant brand of gritty detective allegories by pushing the envelope further than his predecessors; that is by putting anthropomorphic animals into the stained shoes of the human condition. Orwell would be proud! With the comic’s original publisher being the French company Dargaud, the English translation at times can be a little askew which is forgivable, though there is one speech bubble that is just totally in French for some reason. That being said, the dialogue and storytelling do not suffer one bit with it’s pure poetry and tragic realism burned into an unapologetic apologue. OVERALL In conclusion, Blacksad: Arctic Nation is a paragon in the world of comic books and even noir novels that is sure to fluctuate your core temperature throughout. Dialogue is dripping with poetic prowess and melodramatic magnificence while the artwork pulls your heart strings back and forth with it’s adorably industrious mythology eclipsed by a painfully relevant avalanche of reality. To reiterate, this is not for the faint of heart and has garnered a harsh R rating for it’s various subject matters. If you can brave the cold of Blacksad: Arctic Nation, you’ll be rewarded with a one of a kind comic experience that will stay with you forever. A brilliantly harrowing crime story worthy of your attention. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Let us know in the comments your thoughts on our Review of Blacksad: Arctic Nation and be sure to check out my reviews for Blacksad: Somewhere Within the Shadows & Blacksad: Under The Skin! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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