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BGCP Comic Book Reviews

Welcome to the official hub for comic book reviews at BGCP Comic Con. Whether you are a lifelong collector or just getting into the hobby, our dedicated team of geeks and reviewers is here to break down the latest releases, graphic novels, and hidden gems from across the industry.

Honest Comic Book Reviews from Fans, for Fans

The comic industry is massive, and keeping up with weekly pull lists can be overwhelming. That is why we provide in-depth comic book reviews to help you decide which titles are worth your time and money. We cover the biggest superhero showdowns from Marvel and DC Comics, the best creator-owned titles from Image Comics and Dark Horse, and fantastic indie releases from the booming UK comic scene.

We look at everything from the writing and dialogue to the artwork, coloring, and lettering, giving you a comprehensive look at the quality of each issue.

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Browse our latest reviews below and let us know what you're reading this week!

Review – Defenders #1

Review – Defenders #1Storytellers: Al Ewing & Javier RodríguezInks: Álvaro López & Javier RodríguezDesign: Cory Petit & Jay BowenLetters by Joe CaramagnaPublisher – MarvelVariant Covers: Marcos Martín, Rob Liefeld, Ron Lim & Israel Silva, Peach Momoko, Peach Momoko & Dean White , Carlos Pacheco w/ Rafael Fonteriz & Rachelle RosenbergAvailable for purchase now on Amazon SUPERSTARS AL EWING & JAVIER RODRÍGUEZ REUINITE FOR A COSMOS-COLLIDING JOURNEY! When existence itself faces extraordinary threats, it needs an extraordinary defence! That’s when you call… THE DEFENDERS! Doctor Strange and the Masked Raider take a non-team of Marvels weirdest, wildest heroes on a mission that will uncover the hidden architecture of reality itself! This cosmos was not the first to exists… but if the DEFENDERS can’t track Marvel’s oldest villain through the deepest trenches of time – it might be the last. Storytellers: Ál Ewing & Javier Rodriguez Defenders #1 begins with an upside-down, meditating Steven Strange doing his daily tarot reading, only to be knocked back to reality by a gun pointed at his head. After a short-lived scuffle, the Master of Magic finds himself face to face with the Masked Raider who brings with him a warning. Dark magic has been let loose with the power to alter history itself, it must be contained. It is up to our heroes to assemble an unusual cast of Defenders to move through time, chasing and containing the threat before it causes lasting harm to the world as they know it. With the help of his tarot deck, the good Doctor calls Defenders of the past to his side with every card pulled. Enter: the Silver Surfer, Harpy & Cloud. The introductions of the story and characters in shorter runs can be a tricky line to walk. This issue leans heavily into the introduction, choosing to get the exposition out of the way early to allow a greater focus on the threat further down the line. This trade-off can feel sluggish at times, padding most of the pages with information-heavy monologues and an explanatory flashback. This is not to say the book isn’t well written. I do feel like the story was explained rather than taking me along for the ride. Despite this, this issue is a great choice purely based on the art. Inks: Álvaro López & Javier Rodríguez This book is STUNNING! The design of each page deliberately defies the usual formula, carrying the story through intricately detailed panels, spread in interesting layouts that add to the off-kilter nature of Strange’s home. As expected with anything involving the Sorcerer Supreme, every piece is larger than life. The colours are expertly applied, keeping even the most shadowy of panels lit in an enchanting glow. This is the best-looking comic I’ve read in quite some time. Everything is so stylised and eye-catching making even the slower, exposition-heavy pages worth the read. Overall Thoughts…. Defenders #1 is interesting but doesn’t unfold naturally, making some of the dialogue a drag to read. Although, It is a joy it is to look at. The concept isn’t anything we haven’t seen before but sometimes tried and true is a comfort to read.Ultimately, this issue didn’t have me chomping at the bit for more. that aside, I have high hopes for this run and will grab the next issue for the art alone. Let us know if you enjoyed our Review of Defenders #1 if you read the book or rate it yourself. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Look out for this comic at your Local Comic ShopBuy tickets for BGCP Comic-Cons in and around Glasgow Scotland – BUY TICKETSCheck out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HEREIf you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Free Guy (2021)

SUMMARY Ever wondered when you’re playing Grand Theft Auto just what that NPC you just ran over with your car and robbed is up to these days? Well his name is Guy. He lives in the Free City, works at a bank, has a goldfish named Goldie and he’s about to change the gaming landscape and the world all in the name of love! Groundhog Day meets Grand Theft Auto with Ryan Reynolds as a concept being the magnetic pull between them. CINEMATOGRAPHY The cinematography is versatile throughout the film, offering an array of shooting styles for whatever the occasion requires. There is perhaps an overdependency on slow motion which is used quite indifferently all over the film, like a throw it at the wall and see if it sticks mentality. An interesting but sure to be divisive element of the CGI is the perception of the video game in the real world. When the scene is within the game it’s characters are fully live action and appear as if they are from the real world, however from the outside looking in, Free City becomes computer generated like that one Red Hot Chili Peppers music video. As I say, this will divide viewers but I believe it is is justified. WRITING Not even a minute in we are presented with a Tim-Milleresque sandbox of nihilistic chaos while the dissonant and unforgiving innocence of Ryan Reynolds monologues about the film your now laughing hysterically at. To say this is the whole plot would be correct but inaccurate as laced throughout this certified action comedy is Levy’s brilliant satire on AI and modern society. With it’s setting based in the world of video games both literally and professionally, there are a tonne of fan service with references to games like Halo, Half-Life, Portal and Grand Theft Auto as well as real world gaming culture like Let’s Players, technological advancements and loads of appropriate terminology, all treated and delivered with passion and understanding. If you don’t know what an NPC is however, those references will be lost to you. Fear not as there is more than enough fun to be had throughout the film. OVERALL In conclusion, Free Guy is a tremendously fun and excitingly wholesome film. What the film lacks in gripping dramatic stakes is made up for with insane action set pieces and blisteringly accurate social commentaries all delivered by a top notch cast just having fun with each of their roles. What could have been a throw away Non Replayable Film turned out to be the hero we need and the the video game film we deserve! It was a surreal experience walking out of the cinema and into the real world again, all I could think about was that I was in Free City without sunglasses! It takes a special kind of film to change your perception of the real world. It’s not a good film…it’s a GREAT film! [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] Let us know in the comments your thoughts on Free Guy (2021), your favourite video game adaptation and don’t have a good day…have a GREAT day! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Suicide Squad: Get Joker #1

Suicide Squad Get Joker! Issue #1 Writer: Brian Azzarello Artist: Alex Maleev Colours: Matt Hollingsworth Letters: Jared Fletcher Publisher: DC Black Label Release Date: 4th August 2021 Variant Cover Artist: Jorge Fornés The Joker Must DIE Tasked with ending the trail of broken, bloody bodies left in the Clown Prince of Crime’s wake, Amanda Waller’s Suicide Squad – now led by the Red Hood – must hunt down Batman’s greatest foe in the hopes of putting him six feet under. The former Boy Wonder and current Red Hood, Jason Todd, agrees to help track down the Joker out of both duty and a lust for revenge against the monster some think killed the second Robin. Now side by side with some of the world’s most ruthless villains – including Harley Quinn, Firefly and Wild Dog – the Red Hood must decide who he can trust and who’s really pulling the strings of the Squad once the Joker turns the tables on Task Force X. Writer: Brian Azzarello With the recent release of James Gunn’s “The Suicide Squad” in cinema’s, DC Black Label has decided to add another layer of marketing in comic form with Suicide Squad: Get Joker! I’m a sucker for an anti-hero and Suicide Squad has always filled that niche nicely. It calls out to the deep, hidden caveman section of the old reward pathway. Now, pair that with what some would consider the most tragic of anti-heroes, Jason Todd and you can count me in. This issue sets the scene nicely, leaving the majority of the violence for the last quarter and opening with a 10-page monologue that helps fill in the gaps for new readers without overstaying its welcome. I’m under the impression that pacing can make or break a comic and even though this isn’t as action-packed as some might hope, every panel has a purpose and Azzarello is tying the strings to make the marionettes dance later down the line. The issue concludes with some good old DC Black Label ultraviolence, a foreboding cliffhanger and a rather strange realisation that the Clown Prince of Crime has the words to Milli Vanilli’s 1989 hit “Blame It On the Rain” memorised… weird. Art/Colour: Alex Maleev/Matt Hollingsworth Alex Maleev’s art in this book is very clean and easy to follow. Coupled with Hollingsworth’s colouring, it helps pull readers into Gotham City with the familiar cold and grimy aesthetic. There is one section in particular, with a neon-lit bar and a little mindless violence that shines through. The dreary backdrop of the city streets steps back, allowing vibrant colours and a more bombastic, stylised few panels that help portray the intensity of the situation the Squad find themselves in. All in all, this is a Gotham story. Darkness and shadows are key, but they can get a little depressive and monotonous. I had hoped for more flashy, colourful segments in future issues to keep the eyes entertained. In Conclusion… If you are looking for a book that will have you pondering life’s big questions, this may not be for you. Suicide Squad has always been about having fun with the characters and this seems no different. Although there is nothing out of the gate that has me wowed, it’s been absurd enough that I’m interested to see where Azzarello’s Squad end up and I’ll be picking up issue #2 when the time comes. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Look out for this comic at your Local Comic Shop Buy tickets for BGCP Comic-Cons in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Fear Street Trilogy

Review – Fear Street Trilogy Directed by: Leigh Janiak Produced by: Peter Chernin, Jenno Topping and David Ready Screenplay: Phil Graziadei, Leigh Janiak, Zak Olkewicz and Kate Trefry Cast: Kiana Madeira, Olivia Scott Welch, Benjamin Flores Jr., Julia Rehwald and Fred Hechinger Release Date: July 2021 Based on the source material of R.L. Stine’s Fear Street books, the Fear Street Trilogy of moviesis the latest offering from Netflix to combine angsty teenage characters with horror, gore and ameshing of subgenres which will delight and potentially frustrate fans alike. Let’s take a deepdive into the three films and find out what everyone’s talking about. I’ll talk about eachinstallment and then give you a wider overview of themes and where it could go next, bewarned this may contain some spoilers – I have tried to avoid this but it’s tricky so if youhaven’t seen all three be aware! Fear Street Part One: 1994 We begin with a brutal murder in the town of Shadyside, where centuries of horrific eventscaused by a witches curse have plagued the town’s residents and affected everyone’s lives forgenerations. Locals believe they are to blame in some way for the bad happenings, and are atodds with the folks living in neighbouring Sunnyvale, who prosper with their white mansionsand manicured lawns. Our Scooby-like gang is soon drawn into the murders, when Sam (OliviaScott Welch) has a vision of the witch Sarah Fier and becomes a target for all the previouskillers spawned by the curse who are apparently indestructible and out for her blood, literally.Sam’s brave girlfriend Deena (Kiana Madeira), her brother Josh (Benjamin Flores Jr.) and theirfriends scramble to escape the killers, hatch a plan to end the curse and save the town. Ithoroughly enjoyed this, from the gory killings we get to see onscreen (you’ll never look atsliced bread the same) to the chemistry between the cast – this is a great homage to 90’s greatssuch as Scream and there’s a lot of nostalgic fun to be had in revisiting 90’s internetconnections, sensibilities and soundtrack. Director Janiak knows exactly when to nod and winkto the audience with jet black humour and when to take a step back and allow the actors toprovide us with emotional moments to invest in the characters. The plucky teens soon realisethe witches curse will not be lifted so easily and it’s up to them to continue the fight and solvethe mystery. Review – Fear Street Trilogy continues below Fear Street Part Two: 1978 Having survived the events of the previous movie and with noted casualties, the remainingmembers of the group discover that there was a survivor to a massacre in the 70’s and seek herout to try and find out what to do next, as Sam is possessed by evil. The first large chunk of thefilm is told in flashback by C. Berman, who we discover survived at summer camp using herwits and with a little help. The film presents us with new characters, a psycho killer who givesthe actual creeps and ties in some more background story linking one of the killers from the1950s. Two bickering sisters at camp try to get along when the killings strike, but just who ifeither of them survived? Who is C.Berman? We also get to meet a younger incarnation ofSheriff Goode and the first hints for those paying close attention, that the curse is not all itseems. Taking horror tropes from movies like Halloween and 70s slashers this was myabsolute favourite of the three. At one point, 3 female characters sit together to problem solvetackling the killer and this might not seem something significant, but it’s so rare to see thiswithout the discussion being about boyfriends or makeup and it definitely passes the Bechdeltest. The female characters really give us strong heroines to root for and plenty of tension infollowing who’s slaughtered next. Let’s just say those virginal pure types are not necessarilyrewarded over the teens who decide to partake in drugs and sex! The ending leaves us with yetmore questions as Deena scrambles to use what she learned about camp nightwing. Fear Street Part Three: 1666 In attempting to reunite Sarah Frier’s hand with her remains, Deena is on a quest to help Sam(who’s still thrashing against a radiator Exorcist style) and finally lift the witch’s curse forgood. Transported back in time to, yes you guessed it :1666, Deena experiences what happenedto Sarah and the events that lead up to her being put to death by the townsfolk. Actors reappearto play additional roles and have great fun with this, although the period accents are more thana little ropey from some. Is that meant to sound Cornish? Welsh? Shakespearean?. A visceral,immersive world is created and you can practically smell the horse manure, (everyone’s) BOand the local drunk/conspiracy theorist ‘Mad Tom’ – played with absolute relish by McCabeSlye. After being caught making out in the woods with the local pastor’s daughter, Sarah isaccused of witchcraft as the homophobic and pitchfork weilding locals think she hassummoned the Devil and caused the contamination of the water supply and farm animals toturn cannibalistic. As Sarah is hanged from a tree (now the site of the Shadyside mall), shevows never to forgive those responsible and haunt them forever. As the truth unfolds, itbecomes clear that the history of Shadyside is all connected by Satanic rituals and an obsessionwith power. A classic team up at the mall brings us the final showdown. Keep watching for themid credit scene that gives us a glimpse of how the story could continue. Overview of the trilogy & themes At the heart of all the movies is teenage life and all the self-discovery, angst and difficulties weall remember. A strong theme of oppression and overcoming prejudice is there too with thecentral queer love story perfectly framing idea that being ‘different’ can be dangerous & evendeadly. Director Janiak provides us with a feminist perspective and this is very satisfying, thereare no final girls or damsels to be rescued here and the female characters are all fleshed outand given their own motivations for their

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