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Review – Kingdom Come (1996)

Review – Kingdom Come Publisher: DC Writer: Mark Waid Artist: Alex Ross Letters: Todd Klein Release Date: May – August 1996 When I was asked to write a review for Kingdom Come, I decided that I had to try and ignore its legacy as one of the greatest comics ever written and instead read through it once more and critique the book at face value. That said, 25 years after its initial release, Kingdom Come still cements its place in history as one of the greatest comic book stories ever committed to print. The idea alone of this miniseries is a fascinating one. If superheroes were to ever reveal themselves in real life, it would inevitably change the world forever. Therefore, humanity’s future world look vastly different to how it would otherwise. Once these meta-humans start to appear and breed, with each generation becoming more and more powerful, where does it stop? However, even with a great concept such as this, you still need the talent working on the book to deliver. Thankfully that is the case here. Mark Waid was the perfect choice to pen this epic story, as he clearly understands these characters inside out. To even have a rough idea of what Batman, Superman and the rest of the Justice League would look and think like years down the line, you really need to know these characters as individuals. Fortunately, Mark Waid does. As he weaves this grand and complex story, he keeps all of the characters true to their individually established personalities throughout. This really makes a difference to the reader, as at no point are you taken out of the engrossing story due to an out-of-character decision. We are so used to seeing the Justice League at the top of their game, so to see these bitter, jaded versions of our favourite heroes living in a world that feels like it no longer needs them is captivating. To see the unwavering commitment of some heroes in contrast with those who feel that they no longer owe anything to Earth’s citizens is fascinating. The whole “deconstruction of the superhero genre,” theme was most famously explored in Watchmen, however seeing it play out within the Justice League is utterly fascinating. Seeing these versions of Superman, Batman and Wonder Woman is such a departure from how they are usually portrayed and yet it works, because Mark Waid has such a great understanding of these characters. The idea of a younger generation superheroes that deal a much more brutal brand of justice than their predecessors has been depicted across the comic book medium both before and since Kingdom Come. However, Kingdom Come does it exceptionally well in a way that really allows the reader to deeply relate to these fictional God-like beings. Alex Ross’ artwork in this book is possibly the best artwork ever seen in a comic book. Ross is notorious for his strikingly realistic paintings of superheroes, however his work in Kingdom Come is truly exceptional. Every panel on every page is utterly stunning and genuinely beggars belief at just how real these depictions of the Justice League are. Whilst I am sure that Ross could have employed any art style to use in this book and it would have looked phenomenal, the choice to go with gouache is a remarkable one. The opaque, slightly muted look that it gives adds such depth to the already stunning pencils. This book is a prime example of why Alex Ross is considered an artistic genius by so many. The colouring is also impeccable throughout. Even when there are complex aerial hand-to-hand battles unfolding, spread across multiple pages, your eyes are never lost anywhere on the page and the reader is always able to follow exactly what is going on. With how grand and intense several of the sequences in this book are, that is no easy feat. Overall, I am so happy that I got to revisit Kingdom Come for review. I was reminded why this book has cemented itself as a modern classic of the genre and it really is a book that everyone should make a point of reading. Kingdom Come should be a required piece of literature whether you are a comic book fan or not, because it truly is a masterpiece. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] If you enjoyed Dan’s review for Kingdom Come, you can check out what he thought of Watchmen here. Don’t forget to like us on Facebook, Twitter, Instagram, Discord and join our official Facebook Group. Check out our Podcast and subscribe to the channel on Youtube, Spotify, Apple and Google. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews and News from Glasgow, Scotland, UK and the US, HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – The Joker Presents: A Puzzlebox

Review – The Joker Presents: A Puzzlebox Writer – Matthew Rosenberg Artist – Jesus Merino Colourist – Ulises Arreola Letterer – Ferran Delgado Publisher – DC Comics Release Date – 9th June Intro It’s story time! The G.C.P.D. discover a mysterious corpse, a magical box, and a murderer’s row of the city’s most dangerous villains sitting in a jail cell.Now all they need to figure out is what exactly happened. Fortunately, one suspect is willing to talk. Unfortunately, it’s The Joker. Now, superstar writer Matthew Rosenberg, magnificent artist Jesus Merino, and a multitude of rising-star artists invite you to spend a night in the Gotham Central interrogation room for a dozen tales of murder, mayhem, and mystery as told by the Clown Prince of Crime himself. Can you solve this puzzle before the sun comes up? Writing Although there are many Joker titles out there, this is still a fresh take on the Clown Prince of Crime. Matthew Rosenberg gives us an enjoyable storyline, although not as overly action packed as you might expect. Instead we have an intriguing mystery told in the way of a back and forth between the Joker and Commissioner Gordon. The dialogue is fantastic and the way Rosenberg portrays the Joker’s recollection of events is comical. His portrayal of the Joker and his twisted sense of humour really shines in this book and he captures the lunacy of the character perfectly. Artwork The pairing of Jesus Merrino and Ulises Arreola combine to great effect. And as a result the artwork compliments Rosenberg’s writing perfectly. I especially like Merrino’s depiction of the Joker, which draws similarities to his portrayal in the 70’s. It would be remiss of me not to touch on Letterer Ferran Delgado and his contribution to the book, which helps the story flow with ease. Overall The Joker Presents: A Puzzlebox is a thoroughly entertaining first issue in a planned seven-part series. Rosenberg perfectly portrays the Clown Prince of Crime at his diabolical best. And the artwork is a perfect match for this intriguing mystery story. Can you gather the clues and solve the puzzle? If you enjoyed our The Joker Presents: A Puzzlebox then leave a comment or rating below. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE www.bigglasgowcomicpage.com

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Review – Superman: Red Son

Review – Superman: Red Son Written by: Mark Millar Pencils by: Dave Johnson, Andrew Robinson, Walden Wong, Killian Plunkett Letters by: Ken Lopez Colors by: Paul Mounts Release Date: 2003 Introduction Arguably one of the most iconic Superman stories, Superman: Red Son is an Elseworlds story from 2003 that shows what a DC universe would look like if Superman’s rocket landed on a farm in The Soviet Union instead of Kansas. Superman: Red Son was written by Mark Millar, a name you may recognize from Old Man Logan, The Ultimates, Kick Ass, or Civil War. The book was released as a three issue mini-series and has recently been adapted as an animated film. It is one of the most popular and well known Elseworlds stories. Story The plot is pretty straight forward on the surface. A Superman raised in the Cold War Soviet Union instead of Kansas. However, the way the story comes together is what makes it special. Millar’s use of Luthor’s obsession and brilliance to propel the plot is ingenious. The resolution to Luthor’s plot might seem a little convenient but I really feel they earn it in the world. Even the climax, before it devolves into a classic fight, is a brilliant bit of clever writing that understands Superman so clearly. The very end of the book though, avoiding spoilers, really cemented it as something interesting. The way Millar plays with the mythos of Superman in the context of this story caught me off guard in the best way. I love a double entendre almost as much as I love folks being extra clever in obvious ways. Besides playing with the idea of a Superman molded by Soviet ideals instead of American ideals, the book also gives us alternate universe versions of classic DC characters. Superman Red Son proposes the idea that Superman’s arrival to the world was a catalyst for multiple foundational DC events and the way they played out. Outside of geo-political events, it shows massive shifts for Lex Luthor, Batman, Wonder woman, and more. These character twists are fun, although some of them don’t make a ton of sense of you scratch beneath the surface. The Green Lantern and Batman bits are great fan service, but they aren’t as logically strong as the rest of the book.  Review – Superman: Red Son continues below Art The art is, excuse the cliche, iconic. This is meant in regards to the art in the book as well of its use of icons in general. The design of our Red Son is one of the most recognizable secondary designs of Superman. The designs of other recognizable DC characters feel both honest and unique. Instantly recognizable in the lineage of those characters, they still fit in this universe so well. It’s not an Elseworld full of change for changes sake though, with some classic designs maintained. Review – Superman: Red Son continues below The way the art style shifts with the “timeline” of the story is brilliant too. The first issue feels more like Soviet Era comics, while the third feels much more modern. It somehow makes the story feel honest and like we’re viewing an alternate history. Homages and similarities to classic comic designs help feel like you’re seeing an alternate version of the world we know. The use of Soviet iconography and colors makes the story feel authentic and serious but still a viable part of the medium we love. It’s impressive to see DC embrace Soviet iconography for the sake of the story, despite them being a step behind Nazi Germany. Overall Mark Millar has been responsible for some pretty iconic stories in the comics medium. Having a classic American hero raised in a Communist Soviet Union is such a fun contrast and the book takes the opportunity to play with that. The nice part of the book is that it doesn’t turn Superman into a totally different person. At his core, Superman still feels the same just with a different set of cultural values. There’s an authenticity to the character, despite the differences, that lots of creators lose when creating alternate versions. I would argue this is a big part of why this book and version of the character captivated audiences so much. Superman: Red Son is a fantastic cover of one of your favorite songs. It’s a fun Elseworlds story but also a touching Superman story. It’s ultimately a character study, more than it is a superhero romp. While it has logical leaps of convenience and fan service, the core of the book is strong enough to compensate for it. Millar shows an understanding of who Superman is, and despite his Soviet upbringing the character shines through. Luthor and Superman both come across as villain or hero at different moments. The art is flexible and gorgeous, balancing homages with unique imagery. Superman: Red Son is iconic for a reason and it’s a must read for fans of Superman or comics in general. If you enjoyed our Review of Superman: Red Son then leave a comment or leave your own rating below. [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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The Dark Knight Review: Why It Is A 2008 Masterpiece

The Dark Knight Review: Why It Is A 2008 Masterpiece

Searching for a definitive The Dark Knight review to see if Christopher Nolan’s epic still holds the crown? Since its release in 2008, this film hasn’t just remained a fan favorite—it has become the gold standard for the entire genre. While modern hits like The Batman have tried to capture its grit, our The Dark Knight review explores why this crime epic remains untouchable in 2026. The Plot: An Intense Dark Knight Review of Gotham The story follows Batman (Christian Bale), Lieutenant Jim Gordon (Gary Oldman), and District Attorney Harvey Dent (Aaron Eckhart) as they form an alliance to dismantle organized crime in Gotham. However, their efforts are sabotaged by a chaotic new criminal mastermind known as The Joker (Heath Ledger). As we dive deeper into this The Dark Knight review, it’s clear the film is a high-stakes crime thriller. The opening bank heist sets a tone of realism that was unheard of for comic book movies at the time. The Joker doesn’t want money; he wants to prove that under pressure, everyone is as “ugly” as he is. Heath Ledger: The Performance That Changed Everything In any The Dark Knight review, Heath Ledger is the undisputed center of gravity. His Oscar-winning portrayal of the Joker wasn’t just “good acting”—it was a seismic shift in pop culture. Ledger famously isolated himself for weeks to develop the character’s unique, high-pitched “glass-shredding” voice and manic tics. From the “pencil trick” to his chillingly calm interrogation by Batman, Ledger transformed the Joker from a “clown” into a philosophical force of nature. Even in 2026, his performance remains the benchmark that no other villain has quite reached. Christian Bale: From Cult Star to Global Icon While Ledger stole the headlines, we have to look at how Christian Bale used this film to become a global superstar. Before 2008, Bale was respected for cult hits like American Psycho, but The Dark Knight proved he could carry the biggest movie in the world. Bale’s Bruce Wayne provided the emotional weight that allowed Ledger’s Joker to shine. His physical dedication—rebuilding his body after The Machinist—became the blueprint for the modern “superhero transformation.” After this film smashed the $1 billion mark, Bale wasn’t just an actor; he was a box-office titan. The Long Halloween Review Gear Up: Must-Have Gear After Our Dark Knight Review If our The Dark Knight review has you ready to return to Gotham, check out these top-rated items on Amazon: Final Verdict: Wrapping Up Our Dark Knight Review To wrap up this The Dark Knight review, Christopher Nolan didn’t just make a Batman movie; he made a cinematic masterpiece that transcends the genre. It is a haunting exploration of order vs. chaos that remains as relevant today as it was in 2008. Final Score: 10/10

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Review – Justice League (2017)

Review – Justice League (2017) Directed by: Zack Snyder (but really Joss Whedon) Produced by: Charles Roven & Deborah Snyder Written by: Zack Snyder, Joss Whedon and Chris Terrio Starring: Ben Affleck, Henry Cavill, Gal Gadot, Ray Fisher, and Ezra Miller Release Date: November 17th 2017 (UK) Last Friday, a movie dropped that most comic book fans have been hotly anticipating for the last few decades; Zack Snyder’s Justice League. Regardless of what you may think of the Snydercut, it is hard to deny that the fact that it was actually made and put out is a significant turn of events within the movie industry. A lot has already been said about the precedent that it sets for the sway that fan campaigns could have over movies going forward, but that is a whole other conversation for another time. Instead, in this review for Justice League, I want to look at the theatrical cut of the film. Finished off by Joss Whedon after Zack Snyder had to abandon the project due to a personal family tragedy and put out into the world in 2017, the original cut of this film took somewhat of a beating upon release. I remember seeing it at the time and being unimpressed, but also not finding it offensively bad either. I re-watched it recently for this review to help discern the major differences between this cut and the Snydercut and it there is no denying that it is certainly a very different movie. This movie had a lot going against it going in; to start with, there was the previously mentioned replacement of its director mid-production. There was a large amount of pressure put on the film by fans to be as good as Whedon’s other major superhero team up movie; The Avengers. It also acted as the follow up to the critical disappointment that was Dawn of Justice, with the studio scrambling to claw back some of the goodwill from fans and critics through weird marketing choices, in the hope that at the very least, Justice League could at least be a commercial success. Lastly, there is also the fact that comic book fans had been waiting for decades to see the Justice League appear on the big screen, so that alone brings a fair amount of pressure with it. All of this combined meant that Justice League had a lot to live up to. With all of this said, even after seeing the far superior Snydercut of the movie, Justice League is still just an okay movie. It is by no means a great piece of cinema, but its fine. It is certainly not the worst film in the DCEU; I’m not sure whether that says more about Justice League 2017 or the DCEU as a whole, but I’ll leave that for you to ponder. The first half of the 2017 cut is extremely choppy and unfocused and feels more like a grab bag of scenes cut together to resemble a story rather than any sort of coherent story. Then the last half of the movie plays it incredibly safe and plays out exactly how you would predict. There are no surprises or twists and then the credits roll and half heartedly set up a potential sequel, which is fairly laughable knowing what we know now about the utter failure that was Warner Brothers attempting to force the DCEU into becoming a significant part of superhero pop-culture. In terms of reviewing Justice League 2017, there isn’t really much to talk about; which is disappointing. Although Batman V Superman left a great deal to be desired as far as being a decent comic book movie, it at least gave all of us plenty to talk about. The cast are alright, I enjoyed seeing Affleck as Batman as I always do and I love his chemistry with Alfred in both cuts of this movie. Cavill puts in a decent Superman performance if you can get by that extremely dodgy CGI upper lip. Gal Gadot is great as Wonder Woman, Ray Fisher does fine in his greatly reduced role as Cyborg and Jason Momoa’s Aquaman is pretty one-dimensional, because the DCEU’s Aquaman is written to be remarkably one-dimensional in every film he appears in. Ezra Miller is annoying but clearly supposed to be the comic relief in the film. JK Simmons is wasted as Jim Gordon, but it’s nice to see Amy Adams in a reduced role here. I don’t hate Amy Adams, but I have never been a fan of her portrayal as Lois Lane and surprisingly, she actually serves a purpose in this film, as opposed to pondering about with a camera looking surprised. The SFX varies greatly, with some really impressive visual effects and some that look like absolute garbage and could have been handled better. Something else that could have been handled far better was the resurrection of Superman. As a long time comic book fan and knowing the significance of this plot point in the comics, it feels extremely rushed and half-hearted by comparison in this film. Overall, it’s not the worst movie in the world; it’s not even the worst movie in this universe, but really it should have been far better than it is. The Justice League movie should have been so much better than, ‘just okay,’ It’s crazy to think that this film released just a month after Thor: Ragnarok, and managed to be significantly worse than the third sequel to one of the least popular Avengers’ solo films. Justice League should have blown a Thor movie out of the water, both commercially and critically, yet here we are.

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Review – Zack Snyder’s Justice League

Review – Zack Snyder’s Justice League Directed by: Zack Snyder Produced by: Charles Roven & Deborah Snyder Written by: Zack Snyder, Will Beall, and Chris Terrio Starring: Ben Affleck, Henry Cavill, Gal Gadot, Ray Fisher, and Ezra Miller Release Date: March 18, 2021 It’s difficult to talk about Zack Snyder’s Justice League without talking about its older bizarro clone from 2017, simply titled ‘Justice League’ sans author attribution. Likewise, it’s almost impossible to watch the film if you’ve seen the original Frankenstein’s monster of a movie without constantly thinking back to that experience and noticing what’s different without much effort. When it comes down to it, Zack Snyder’s Justice League (which I will henceforth refer to as ZSJL for the mercy of my fingers) is the same skeleton as the 2017 film. The story beats are, at their core, either identical or very similar. However, like a house that’s been remodeled, though the floor plan might be recognizable, everything from the roofing to the baseboards is new and ever so slightly different. Also, someone added a few new rooms. Some of those rooms feel like they should have been there from the start, and some of them are glorified storage cabinets that probably weren’t necessary. But when WB gives you a renovation budget of 70 millions USD, you make the biggest damn house you can. Review – Shazam! And so it goes with the release of the long fabled Snyder Cut, finally unearthed, finished, and unleashed to the masses on HBO Max at a whopping four hours in length. It feels like a strange side effect of the Covid pandemic that’s gripped the world and shut down movie theaters for the past year as of March 2021 along with the long of WB’s burgeoning streaming service, and would almost certainly not exist without that mixture of elements. Yet, here we are, four years after the critically and commercially maligned theatrical draft of the project, ready to watch a product that we were told multiple times over the years was not real, and never would be. The real question now is, does it outshine the 2017 version of the first ever big screen DC superhero team up? Find out in our review of Zack Snyder’s Justice League. STORY For those just joining us, or who skipped or don’t remember the original theatrical version of this movie, the premise goes a little like this: Superman is dead at the hands of a cave troll. Sorry, I mean, Doomsday. Batman has been warned of an enemy of some sort coming to earth by a twitchy Lex Luthor via Jesse Eisenberg, and has told Wonder Woman that they need to find and unite the other super beings in their world to combat this nebulous threat. The threat comes in the form of an invasion by the demonic Steppenwolf from the hell world of Apokolips, searching for three artifacts known as Mother Boxes that will unite and do… something. To stop him, Batman will have to gather the world’s soon-to-be greatest heroes and, inevitably, when that isn’t enough, resurrect the fallen Kryptonian. This all remains more or less true in Zack Snyder’s Justice League. The biggest change in this restored, original vision of Zack Snyder’s Superhero get-together is just a general addition of breathing room. Though we’re familiar with Bruce Wayne, Clark Kent, and Diana Prince from previous films, ZSJL bears the burden of introducing the audience to two new characters almost entirely from scratch. The 2017 cut of Justice League made some significant changes to the presentation of Barry Allen and Victor Stone, and after watching this new cut of the movie it is immediately apparent how much these cuts really hurt the perceived soul of the film. Some might call this new version ‘bloated’, but the increased scope for these two heroes is appreciable. Review – Aquaman Victor Stone, also known as Cyborg, is elevated from a moving, breathing plot point in what might be the biggest set of additions. Whole sub-plots, scenes, and backstory are reintegrated into the movie that make victor a much more well rounded character with an actual arc throughout the movie. Somewhat ironically, the portrayal of Cyborg in the Zack Snyder cut and the fleshing out of his relationship with his father and the world around him makes him far more human. Second to that are the changes made to Barry Allen. Barry only really receives one additional scene in the film, and arguably it’s a scene that could easily be removed without losing much in the plot or character. What really sticks out for Barry is the actual tone and importance of the character. In the 2017 cut, Barry is very much the inexperienced new kid, requiring a pep talk from Bruce Wayne before engaging in the very first major battle of the film. His role in the ultimate climax of the film is essentially played for laughs as he’s shuffled off to the side to rescue a stranded family and play second fiddle to a CGI Henry Cavill carrying an entire building several feet away. Barry is still the same hyperactive, somewhat awkward ball of energy as played by Ezra Miller in this version, but he is noticeably more competent. Requiring neither pep talks, nor pratfalls onto anyone’s chest for giggles, this version of The Flash clearly knows how to use his powers. Thanks to that, he’s granted a much deeper level of agency in this film. Without giving too much away for those who haven’t braved the four hour journey yet, Barry now plays a crucial role in the final third of the movie that is both awesome to watch, and perhaps lays the seeds down for the upcoming Flashpoint movie that is still planned as of 2021. eview – Man Of Steel Finally, third and perhaps most unexpected, is a complete overhaul of Steppenwolf. Steppenwolf in his 2017 incarnation was entirely forgettable except for just how jarringly generic he was as a villain.

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Review – Batman V Superman: Dawn Of Justice

Review – Batman V Superman: Dawn Of Justice Directed by: Zack Snyder Produced by: Charles Roven & Deborah Snyder Written by: David S. Goyer & Chris Terrio Starring: Ben Affleck & Henry Cavill Release Date: March 25th 2016 A lot has happened since this movie first released half a decade ago. We have lived through the explosive fan backlash to the original cut, had an ultimate cut blu-ray release that fixed some of the theatrical cut’s problems, suffered through a watered down, colour-graded sequel from Joss “Brunch,” Whedon, finally surviving a worldwide pandemic and witnessing a monumental online campaign to get to see Zack Snyder’s untainted vision of an epic superhero team-up blockbuster that is mostly free from studio meddling. So really what is left to say? Well in the wake of the Snydercut being released, I revisited the theatrical cut of Batman V Superman: Dawn Of Justice for review and realised that I do still have a lot to say about the film. First off, let me give you some context regarding the complex relationship that I have with this movie. For the last eight years I have been reading and collecting comics to an obsessive level and it is actually predominately because of this movie. I have always been a superhero fan (especially Batman,) and I had read some comics in my youth, but when this movie was announced at San Diego Comic-Con in 2013, (8 years ago!!) I was so hyped that I decided that I had to read the comic that this film was taking inspiration from. So I went to my local A1 Comics and bought The Dark Knight Returns, which underwhelmed me but that’s another story. Since then I have become a huge comic book fan due to this movie. So clearly I have a personal attachment to the film. Which means I went in seriously wanting to love it and what was not to love here? It would have been so difficult to get this wrong. It is Batman fighting Superman on the big screen, how amazing is it that this actually happened? And yet somehow they still managed to royally screw it up… Do you read? You will. And then realise how superior the comic that this film is based on is to the actual movie itself, (and I’m not even a massive fan of the source material.) I revisited 10 Cloverfield Lane this week for review and while that movie isn’t perfect, what makes that film great is exactly what makes BvS subpar. 10CL had a small team of people working on a restrictive budget, so every aspect of the movie was scrutinised and perfected to make up the end product and that attention to detail really paid off. BvS had a huge budget and a massive team of people working on it and I think that is what gives the movie it’s unfocused and sloppy feel. The script is a mess, there are clearly scenes cut, the editing is jarring, not all of the performances were up to scratch and while the imagery and visuals are incredible, the best way to describe this movie is all style and no substance. I like Zack Snyder, I love his Watchmen movie, I like 300 and I enjoyed Man of Steel, but I can’t help but feel that this was his fault. His decision to make years of comic book stories into one two and a half hour movie honestly baffles me. The events of this movie should have taken place over at least three movies. This movie really is all over the place and the pace and tone are random at best. Let’s talk about the best part of the movie, which is quite easily Ben Affleck’s Batman and Jeremy Irons’ Alfred. Seeing the two characters and their chemistry are worth the ticket price of the film alone. This is probably the most faithful to the source material Batman that we have had on the big screen to date, except for one pretty major change. Batman in DoJ is pretty much Punisher in a cowl. During the Batmobile chase he questionably kills some goons. I mean, some of them could have survived… If they had Wolverine’s healing powers I guess? But then there is that badass warehouse scene that we all remember fondly during which, he near enough shoots some guys himself. If you can get over this and see this as an alternate version of Batman you should be able to appreciate Affleck’s performance though, which by the way is amazing, he knocks it out of the park. I would have liked some kind of reference to it, even a scene where he discusses breaking his code with Alfred, just a few lines would have made me get on board with this version of the character a lot quicker. Critics have been calling Henry Cavill’s Superman performance wooden for years now, but I have always felt that is too harsh. He was perfectly serviceable in this movie but he was never going to be praised for his memorable performance either. Gal Gadot as Wonder Woman is a standout, my only complaint is that she isn’t in the movie enough as Wonder Woman. Jesse Eisenberg is the stand out worst performance in the movie. It isn’t necessarily a bad performance, it just does not fit that character at all. He was truly miscast here, if they had cast him as Riddler in the Batman solo movie and he put in this performance I would be praising him like mad. Lex Luthor shouldn’t be crazy on a surface level, he should be a respectable businessman and an intellectual force to be reckoned with and he will go out of his way to ensure that this is what everyone sees him as. It should only ever be the people closest to him that that he allows to see him crack. He certainly shouldn’t be making strange noises and gestures like someone with Tourette’s

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Review – Injustice 2

Review – Injustice 2 Developer: NetherRealm Studios Publisher: Warner Bros. Interactive Entertainment Genre: Fighting Game Director: Ed Boon Release Date: May 11th 2017 Quick disclaimer before I start my review for Injustice 2, I am not a huge online gamer. Whilst playing through the game, I dabbled in a few online fights and played a few co op games with my better half, but for the most part this will be a review of the single player story portion of the game. I was so pleasantly surprised when I played the first Injustice game. I am a big DC fan, but fighting games aren’t one of my preferred genres in gaming, yet this fighting game set in the DC universe blew me away. The story was intriguing, the characters were diverse and it was a unique taste on a beloved universe. Therefore, the sequel had a fair amount to live up to and while it is still a fun fighting game with a multitude of colourful characters, it doesn’t feel anywhere near as special as Gods Among Us did. The setup this time around revolves around Brainiac descending upon the earth in search of Kal-El and Kara, the last two remaining Kryptonians and eliminating them. Since the events of the last game, Batman has been keeping Superman in a special prison that suppresses his powers and the world has remained relatively free of crime, however Brainaic’s arrival changes all this. From here onwards we have our superhero story, which sees epic battles occur and mortal enemies being forced to work together against a common evil. Most importantly, the game is fun. Gameplay feels pretty tight, which is both a positive and a negative when compared to Gods Among Us. The controls feel more solid and purposeful, but also feel more restrictive and less forgiving since the last time. This makes button bashing a void method and forces you to learn intricate button sequences if you want to pull off a decent combo. Thankfully, the super-moves are really fun to watch and make you feel awesome when you manage to successfully pull them off. I was so looking forward to the story mode in this game, I loved the story mode in the first game and was relying on this one to deliver also, unfortunately I found it jarring and hard to swallow, even as a lifelong comic book fan. The story in Gods Among Us was controversial amongst DC fans, as it turned a number of iconic characters on their head, causing them to fight on the opposing side from what we are used to seeing. In that game though, I thought it worked, character motivations were clear and there was context given for the heroes and villains who switched sides. This time around, characters switch sides faster than a tennis ball at Wimbledon and half the time, there is no apparent reason for it. The most jarring moment came when Wonder Woman turned on Kara. In the mission that preceded it, Wonder Woman inhales Scarecrow’s toxin and through a hallucination and it is revealed that her worst fear is turning on her friends, yet in the mission immediately after this sequence, she turns on her friends in reality! With no apparent motive to do so other than she is unconditionally on Superman’s side, making no moral decisions for herself. It came across so awkwardly and felt lazy, it’s as if the writers totally forgot about the last scene that illustrated that the last thing that Wonder Woman wants to do is turn on her friends. I did appreciate the graphics in the game. Netherealm have really stepped up their game since the first Injustice and there are some truly stunning moments throughout Injustice 2 and I don’t just mean in the cut-scenes. The area transitions are gorgeous to look at, the super-moves are very visually impressive and the detailed locations where the fights take place are also effective. The multiple unique environmental hazards present in each environment add an extra layer of unpredictability and opportunity to the fights and they do a good job of helping a player on the back foot start a comeback against their opponent. Facial animations and voice acting across the stable of characters is also solid. Although the game is technically sound and the graphics are good looking, I wasn’t a fan of the character design overall this time around. The last game updated a few character designs, but for the most part followed the traditional style that the characters are portrayed in. This time, a lot of the character’s costumes look goofy and come off looking like toy armour rather than something a superhero would realistically wear. The redesign of the Joker makes no sense. Not only did it look like they were trying too hard to make him look edgy, but in this universe, Joker was killed at the beginning of the first Injustice game and he didn’t look like that when he died. In this game he appears to Harley through one of Scarecrow’s hallucinations and looks similar to the Jared Leto version of the character from Suicide Squad, but why? As far as we know, he has never looked like that in this universe during the time he was alive and if you are going to redesign him, don’t base it on Leto’s Joker, (AKA the worst version of the character.) The co-op is as much fun as you would expect and certain matchups are more interesting than others. As with the first Injustice, pulling off combos and super-moves on someone that is physically sitting next to you is a lot more satisfying than doing it to some AI or an online player thousands of miles away. There is nothing quite like the couch co-op experience when it comes to a fighting game. Injustice 2 is a lot of fun to play in a group as well, setting up a tournament and throwing in real life forfeits also makes

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Review - Doomsday Clock

Review – Doomsday Clock

SUMMARY Doomsday Clock is a 12 issue comic series from DC Comics (oh my god I just realised DC stands for Doomsday Clock in this context, don’t tell me I’m wrong.) featuring an all-star cast of your favourite DC characters such as Batman, Joker, Superman and Lex Luthor, but what’s that in the sky? Is it a bird? Is it a plane? No, it’s the Watchmen! Crashing into the unfamiliar yet familiar territory of Gotham City. Once initial pleasantries are made between both sides, the race is on to beat the clock and save this world from itself and in turn save everyone.   DOOMSDAY CLOCK ART It’s only when you see both worlds and characters of The Watchmen and Batman & Superman that you see the similarities in their dark and gritty yet colourful and classic design. The pencil art by Gary Frank and use of colour by Brad Anderson seamlessly synergises with the exciting yet tragic story of a group of superheroes in charge of saving a doomed world. The covers of the collection alone are stunning to look at, each with its own unique and poetic nuances. It’s hard to choose a favourite and that speaks volumes as several of the comics have alternate cover art, I don’t even think Frank and Brad could decide on the best fit for each issue so why not have both?  Covers aside, there are some truly incredible panels of art within these comics. Some are bombastic and badass whereas others are subtle and seductive but like seductive in a how a director lines up a shot perfectly to tell a story and then takes it to the bedroom…to hang up on his wall because it’s ART!    DOOMSDAY CLOCK WRITING Do you know what’s harder to keep track of than a multiverse in comics? A world! Let me explain, a multiverse knows it’s a huge thing so it only gives you the prime details you need to know about. A world however, is small enough that it decides to give you every detail It has about it in the hopes that it’ll be easy to follow because it’s not as big as a multiverse. this series has 3 worlds, time travelling and a multiverse!  Despite the subject matter and level of events going on, Doomsday Clock is surprisingly easy to read. Fully grasping and reciting the subject matter and events however – especially when trying to review it (little meta-humour for you dear reader), is gonna require some quiet reflecting and a déjà vu ridden reread of the series. Even if you do understand what’s happening, the series deserves the reread in order to engross yourself in the foreshadowing throughout. With the use of real-life figures, global news broadcasts and an extensive lore of the worlds provided in everyday formats like newspapers, letters and photographs, you often forget you are reading a work of fiction. With the year we’ve just had, even the outrageous and supernatural events don’t seem to break the illusion. Not to mention this serves as additional immersive context for the reader who perhaps isn’t as familiar with the universe and its characters. As mentioned, the collection features an all-star cast of DC favourites. Seeing those characters interact and pair with each other makes for some interesting developments and fun internal commentaries. Batman and Rorschach trying to out-brood each other is a comic book fans’ vigilante fantasy…vigilantasy if you will! As well as those favourites we also get meta glimpses into the more obscure characters of DCs history such as various incarnations of the Justice League and international superheroes yet to make their mark. The cherry on top is the promise of new fan favourites in the near future and the promise of an ever-expanding story that will kick down the forbidden comic book doors. We recently reviewed the Classic Watchmen book, check it out here OVERALL REVIEW Move over MCU with your Infinity Wars, Endgames and maybe even some of your Wandavision. THIS is the most gripping and mind-blowing collection of comics I have ever read. Doomsday Clock demands a film adaptation whether it be live action or probably for the best, an animated trilogy of films. This is what the DCEU films should be working towards; A truly visceral and ingenious experience with a web of suspense and tragedy that is a thank you series to the diehard fans of DC. Any comic book fan should add this series to their collection as it is a masterclass in effective storytelling and artwork.  Let us know in the comments your thoughts on our review of Doomsday Clock, your favourite DC Characters and what you’d like to see from an adaptation!

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