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Alex Paknadel

BGCP Interviews Alex Paknadel (Marvel, BOOM!, TKO)

BGCP Interview: Inside the Mind of Writer Alex Paknadel Writing for comics is one of the most competitive and creative fields in the entertainment industry. In this special episode of the BGCP podcast, hosts Massimo and Alan are joined by one of the most exciting voices in modern comics: Alex Paknadel. From gritty indie horror to massive Marvel superhero events, Alex has built an impressive bibliography that spans genres and publishers. Whether you are a long-time fan of his work or an aspiring writer looking for industry secrets, this interview is a must-listen. Who is Alex Paknadel? Alex Paknadel has quickly become a powerhouse name in the comic book world. He first burst onto the scene with the critically acclaimed sci-fi series Arcadia (BOOM! Studios), a high-concept story about a digital afterlife that immediately marked him as a writer to watch. Since then, he has penned scripts for some of the biggest properties in pop culture, including Ubisoft’s Assassin’s Creed and the Doctor Who universe. He is also a master of horror and social commentary, as seen in his work on Redfork (TKO Studios) and the giant-robot mystery Giga (Vault Comics). Episode Highlights: What We Discuss In this deep-dive conversation, Massimo and Alan explore the reality of working in the comic book business. Here is what you can expect from the episode: Breaking into the Industry: There is no single path to becoming a professional comic writer. Alex shares his personal journey, offering valuable advice for creators trying to get their foot in the door and get their pitches noticed by editors. The Immortal Hulk Connection: Marvel’s Immortal Hulk is widely regarded as a modern masterpiece. Alex reveals how a conversation with series architect Al Ewing led to Marvel loving his pitch for Immortal Hulk: Time of Monsters. He shares behind-the-scenes details on how that collaboration came to be. Indie vs. “The Big Two”: We discuss the creative differences between working on creator-owned indie titles like Turncoat and Giga versus playing in the sandbox of established universes like Marvel and Assassin’s Creed. Deconstructing Redfork: We take a closer look at Redfork, his dark and atmospheric horror graphic novel from TKO Studios, discussing the inspirations behind the terrifying mining town tale. Listen to the Interview You can catch the full interview right here on the Big Glasgow Comic Page. Don’t forget to check out the links below to pick up Alex’s books and support his work. https://www.youtube.com/watch?v=A_sNDkDSr-s&t=2202s Support the Creator If you enjoyed this interview, we highly recommend checking out Alex Paknadel’s bibliography. You can find his latest releases and collected editions at the links below: Follow Alex on Twitter/X: @AlexPaknadel Buy his books on Amazon: Shop Here Buy his books on ComiXology: Shop Here Want to discuss this episode? Join the BGCP family on our social channels! We are Scotland’s biggest community for geeks, gamers, and comic fans. Join the Discord: Chat with other fans and get exclusive updates. Follow us on Socials: Twitter, Facebook, and Instagram. Link to Next Interview: John Layman

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Review: Earth-One: Wonder Woman Vol 3

Review: Earth-One: Wonder Woman Vol 3 Story: Grant Morrison Att: Yanick Paquette Colours: Nathan Fairbairn Covers: Yanick Paquette, Nathan Fairbairn Released: March 2021 Introduction This concludes the critically acclaimed story arc unique writer Grant Morrison (Doom Patrol, Animal man etc..) crazily brought to Wonder Woman. Gloriously proud, fantastically feminine and here to take down the boring patriocracy with Girl (or should I say Woman power!) After the death of Hippolyta at the hand of Paula Von Gunther, Diane must lead her people against the forces of men both today and a thousand years in the future. So let’s grab our tiara and lasso of truth, put on our knee-high red boots and start the review of Wonder Woman Earth-One’s triumphant final Volume! Jumping between the future and current timelines we find the world is a Paradise, all war eradicated and all genders and sexualities proudly working for the greater good of the world. But watch out! Let’s cut to the past and the evil Maxwell Lord who wants to bring the war to the Amazons using his A.R.E.S. mark 1 suits (corny but subtle clue Mr Morrison!) These mecha-men won’t stand for this and have had enough of women protesting and complaining about harassment. Can Steve break out of prison? Can Diana unite the tribes of Amazon women? Will there be death by Snu-Snu? Why is the queen’s heart still burning? And will I stop asking questions and get on with this review..? All the answers are in this issue….and a few you didn’t even think of If you are going to end on a high why not have Diana riding a giant kangaroo while an army of cold unfeeling menbots descends on the Amazons to stop their very way of life?     Story/Writing As with the previous two volumes, Grant’s vision of Earth One’s Diana is stunning with the story jumping from the pages into your imagination. You find yourself flicking back a few pages in case you missed a text bubble or two. This finally is Diana triumphant, ruling her people and bringing peace, love and equality to the world whether men want it or not!  Men have not bargained on her using the ultimate threat! All women will withhold sex if men do not succumb… Death by no Snu-Snu? I can imagine Grant smiling as he finished this novel and then dedicated it to his sister Leigh. If you are going to write a bonkers battle of the sexes, this is how you do it! I doff my cap to Mr Morrison! Art/Visuals Yanick’s art style is perfect for this we move from fairy wings and female empowerment motifs to the stern, cold world of men where Maxwell Lord sits on a symbolic throne watching and directing the action. The fight sequences are great, sometimes a little confusing with the armies of Amazons and Robots hard to distinguish key characters. But if that is my only complaint it is a small one and I’ve already read it twice now from cover to cover!Some of the images such as the cover are a homage to great works of art depicting strong women and anything that can get kids excited about art is worth it! Overall thoughts This could drift have drifted into a lecture on female empowerment. Instead, Grant and Yanick skillfully handle the current drive to strengthen female characters beyond the bosoms and bodices that the industry is far too guilty of. From me the father of a strong, proud daughter and husband to an even stronger wife there needs to be more of this type of book. My only slight criticism of this is that there still seems to be a small amount of Body Dysmorphia represented here with traditional tight revealing outfits and standard gravity-defying huge chests on most females. So let’s finish this review of Wonder Woman triumphant legacy and allow you to grab your significant other! Buy a copy at your Local Comic Book Shop, brew a tea and cuddle up to the joyous conclusion to one of the freshest titles to come from the Earth-One universe. If you enjoyed our Review of Earth-One: Wonder Woman Vol 3 then comment below or leave your own rating below. Join us on Discord, Instagram, Twitter etc – linktr.ee/BGCPComicCon [yasr_multiset setid=1] [yasr_visitor_multiset setid=1] Buy tickets for BGCP Comic-Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE

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