Reviews

BGCP Comic Book Reviews

Welcome to the official hub for comic book reviews at BGCP Comic Con. Whether you are a lifelong collector or just getting into the hobby, our dedicated team of geeks and reviewers is here to break down the latest releases, graphic novels, and hidden gems from across the industry.

Honest Comic Book Reviews from Fans, for Fans

The comic industry is massive, and keeping up with weekly pull lists can be overwhelming. That is why we provide in-depth comic book reviews to help you decide which titles are worth your time and money. We cover the biggest superhero showdowns from Marvel and DC Comics, the best creator-owned titles from Image Comics and Dark Horse, and fantastic indie releases from the booming UK comic scene.

We look at everything from the writing and dialogue to the artwork, coloring, and lettering, giving you a comprehensive look at the quality of each issue.

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Browse our latest reviews below and let us know what you're reading this week!

Review – Upgrade (2018)

Review – Upgrade (2018) Directed by: Leigh Whannell Written by: Leigh Whannell Produced by: Blumhouse Productions Starring: Logan Marshall-Green, Michael M. Foster & Betty Gabriel Release Date: August 31st 2018 (UK) Prior to the release of Upgrade, I wondered what Leigh Whannell could do out with the Horror genre. He is perhaps best known for writing the first 3 Saw movies, (AKA the good ones,) and the Insidious trilogy. I think it is fair to say that he has proved himself as a titan in that genre at this point. However, I always wondered what it would be like to see him expand to another style. In a similar way that we saw James Wan do in the last decade. Well this is it. Upgrade is a Sci-Fi movie that doesn’t follow the most unique concept in the genre, but does it in such a fresh and fun way that it works incredibly well. Upgrade also does a really good job at making you feel some genuine emotions of sadness and pity, something that I really didn’t expect to get from a movie like this. When it comes to the action and violence in the movie, Upgrade embraces it’s B-movie inspiration and gives us some awesome grisly practical effects along with some cool action choreography to go with it. There are some elements to the plot that may seem bizarre to those not familiar with the more campy side of this genre. The movie also does slightly feel like a video game at times. However, I don’t feel that this is to the movie’s detriment and instead, actually adds to the fun ride that the film is taking you on. I also like the way that the movie ends. Although the reveal of who the big bad was going to be is seen coming from a mile away, what happens afterward was really surprising and pretty bold and risky. It seems like the film is going one direction. A direction that would have been a really poor, cliché ending for a movie like this. Then it goes in totally the opposite direction. Expectations are subverted and the film ends on a genuinely unexpected note. Whether you like the ending or not, the guts that it took to pull it off deserves some praise. Overall, Upgrade is a really fun watch. It has its high octane action sequences as advertised in the trailer. However, it also has some surprisingly tender, heartfelt moments to go along with all of the stunts and gore. It is definitely worth a watch if you are a sci-fi fan looking for a thrilling, bloody good time. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of Upgrade, check out what he thought of Venom here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Love Death + Robots

Review – Love, Death & Robots (Season 1)

Review – Love, Death & Robots (Season 1) Directed by: Tim Miller & Others Written by: Tim Miller & Others Produced by: Tim Miller & David Fincher Starring: Samira Wiley & Nolan North Release Date: March 15th 2019 I decided to go back and review Love Death & Robots in the wake of the release of the trailer for the second season. L,D&R is an animated anthology series from David Fincher and Tim Miller, made up of 18 short films, with each one being utilizing a completely different animation style, ranging from stylistic 2D to hyper realistic 3D. I felt compelled to watch this series, not only as a fan of Fincher’s and Miller’s previous respective works, but as an aspiring animator myself. My favourite thing about this series is how brief each episode is. Even if there is a story that you aren’t enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, – if they are well received, – they could maybe go on to be developed into a longer more fleshed out feature length movie. The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled “Lucky 13.” It is based around a spaceship owned by a pilot played by Samira Wiley, who gives a phenomenal performance throughout the short film. If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that the second series is as creative and entertaining as the first and I am looking forward to anything else that comes in the future from this creative team. If you enjoyed Dan’s review for Love, Death & Robots S1, check out the trailer for Season 2 here! Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Hardcore Henry (2016)

Review – Hardcore Henry Directed By: Ilya Naishuller Written by: Ilya Naishuller Produced by: Ilya Naishuller & Sharlto Copley Starring: Sharlto Copley & Tim Roth Release Date: April 8th 2016 (UK) The original trailer for Hardcore Henry is one of the most intriguing trailer I have seen in the last 10 years. I was already excited to see this movie and then the reviews were released and they just made me want to see it even more. Revisiting the film, my hype levels weren’t quite as high, but Hardcore Henry still managed to exceed my expectations a second time around. I mean, this film was never going to win any Oscars, but if what you are looking for is a non-stop thrill ride full of over-the-top action, then wade right in. There are no holds barred here, this is proper action done in a unique way. The method of shooting isn’t perfect as it uses a great deal of shaky cam. So much so that it ends up obscuring some of the fast paced fight scenes and stunt choreography, which is a shame as the stunts are really spectacular and they only ramp up as the movie progresses. I loved Sharlto Copley in District 9, but he hasn’t wowed me too much since then, until I saw his performance in this movie. This performance really shows how diverse he is and there is a certain musical number involving him that is definitely one of the highlights of the movie, but I won’t spoil it here. In fact I can’t really say anything about his character without spoiling him other than his name is Jimmy and he is awesome. The villain in this movie is ripped straight out of a cheesy video game, but he is kind of so bad that he’s good. He looks like the Targaryan brother from Game Of Thrones, he sounds like someone doing a bad John Malkovich impression and he has telekinesis powers to boot. His powers are never explained, but he is basically a jedi without a lightsabre from an 80’s electronic music video. Actually, comparing this movie to a video game is probably the most accurate way to describe it. Think a modern sci fi game that plays like classic Doom and you aren’t far off, which in my opinion is one of the most epic concepts ever conceived. However the concept is only the starting blocks of a project like this one, the execution has to be great as well to stop the movie from only ever being remembered as a throwaway neat idea. Thankfully the execution is effective here both figuratively and literally. This is one of they movies where you feel like a kid again while you watch it and it is glorious to experience from start to finish. The special effects are actually pretty good for what is presumably a pretty low budget film. They are over the top and fantastically ridiculous, but they add to the madness of the piece and they are a feast for the eyes. The soundtrack is pretty spot on too. It perfectly melds with the insane, fast paced, badass tone that the filmmakers were aiming for and helps to keep that high octane feel going for the duration of the flick. Hardcore Henry is not a perfect movie by any stretch, but for what it is it delivers in a big way. It is highly entertaining and whether you enjoy this style of movie or not, it is hard to take your eyes off of the screen for the hour and a half that it is on for, this movie is going to grip you and take you for a high-stakes mental ride whether you like it or not. If you are into over the top action and ridiculous stunts and set pieces, then I could not recommend this movie more. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of Hardcore Henry, check out his review of Nobody here, which was also directed by Ilya Naishuller. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Nobody

Review – Nobody Directed By: Ilya Naishuller Written by: Derek Kolstad Produced by: Tobey Maguire & David Leitch Starring: Bob Odenkirk, Christopher Lloyd & RZA Release Date: June 9th 2021 (UK) If you’ve seen the trailers for Nobody, then you already know exactly the type of movie that you are in for. That is not a slight against the movie, it is just to say that there are no great twists here or subversion of audience expectations. The question in looking at Nobody for review is; does it fulfil its purpose and deliver on that intention? Thankfully, the answer is hell yes, it does! If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can! Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60. Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes. The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral. As much as Hutch Mansell is a badass killing machine, he is also pretty rusty having not done it for years and this is really felt in every hit that we see him take. His fighting style is far from the fluid, ninja-like style of John Wick and closer to a brawler or a bare-knuckle boxer. I liked seeing that and appreciated that it wasn’t like he just flicked a switch in order to go from washed up dad back to total badass. The rest of the cast in the movie were also great. It was nice to see Christopher Lloyd also showing some serious badassery in his old age and I also enjoyed the brief appearances made by RZA and Colin Salmon. The film is also well shot by Pawel Pogorzelski. The cinematography choices combined with the nice use of lighting made for some really good looking shots. I also really enjoyed the soundtrack in the film and felt that each song choice really complimented the scene that it was used in, without feeling forced or distracting. Lastly, I don’t think there was any question that the director of Hardcore Henry knows how to shoot action, but just in case there was, Ilya Naishuller really shows that he is able to direct complex, fast moving action and stunt-work in Nobody. The action is all captured beautifully and really allows everyone on camera to show exactly what they are capable of doing within an intense fight scene. Overall, my thoughts after watching Nobody for review is that it’s a phenomenal geriaction dadsploitation movie. If you are fan of Better Call Saul, John Wick, or just action movies in general then you should check this one out. I had a brilliant time with it and even ended up watching it twice in one weekend because I enjoyed it so much. It does what it says on the tin and is hugely entertaining throughout. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of Nobody, check out what he thinks of The Raid: Redemption here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Darkhawk: Heart of the Hawk #1

Review – Darkhawk: Heart of the Hawk #1 Story by Dan Abnett, Kyle Higgins, Danny Fingeroth Art by Le Beau Underwood, Andrea Di Vito, Juanan Ramirez, Mike Manley Colours by Chris Sotomayor, Sebastian Cheng, Erick Arciniega Letters by Travis Lanham Cover by Inhyuk Lee Publisher: Marvel Comics Release Date: 14th April 2021 Introduction 2021 marks the 30th anniversary of Darkhawk’s 1991 debut in Darkhawk 1, a title that ran for 50 issues while the character himself had stints alongside the New Warriors, Avengers, and Guardians of the Galaxy. This is a tribute issue and a hope of things to come! From early 90s action to post-Annihilation plot and finally closing the arc. The issue is way too short, to be honest, but let’s head back to the 90s, find our alien amulet and transmute into DARKHAWK! Stories/Writing Giving us a past, present and future(ish) look at the 90s character that defied the odds and joins Marvel’s teams. During the issue, Chris Powell (Darkhawk) taps into the DATASONG of the amulet and the three stories flow from this lament. The first story, titled “Cry of the City,” is handled by the original Darkhawk creative team of writer Danny Fingeroth and artist Mike Manley, with colours by Chris Sotomayor. It follows Darkhawk as he follows criminal mastermind Phillipe Bazin, before facing off against Savage Steel. Written by the original team of Fingeroth and Manley it plays to the fans! In the second “Long Way From Home,” Powell is wandering a random planet and stumbles into an alien bar. In ten short pages, we get a neat, tidy standalone story showing off Darkhawk in a story with familiar alien baddies . It sits the most comfortable of the three stories and writer Dan Abnett teams up with Andrea Di Vito to draw these pages The final very short five-page story “Last Flight” is a short sombre finale and prelude in one. Finished wearing the amulet, Powell fills the Datasong with his memories to hope the next wearer learns from his mistakes. It’s both a moving and sad chapter to a fan favourite character. Writer Kyle Higgins and artist Juanan Ramírez fill the space with both hopelessness and hope at the same time. Artwork The three vignettes are designed well and fans will recognise the first splash page from issue 1 as a tribute to the style and writing of early 90s comics. De Vito and Ramírez though show their talent in the final 15 pages of the comic. It’s beautiful, desolate and action-packed with modern imagery and panelling. It’s amazing to show this action next to this more realistic artwork and shows you just how far comics have come in 30 short years! We are now as far from the 90s as the 90s was from the late 50s and early 60s artwork! Overall Thoughts This is a quick 12-minute read but worth it as it hints at things to come for both Marvel and Darkhawk. For fans of the hero, it’s a must-buy, but and for others, it’s a good sedge way into a character that fans love but many mainstream fans may not have heard of. If all else fails many will buy it for the stunning Lee cover that collectors will snap up and seal into CGC plastic for eternity! If you enjoyed our Review of Darkhawk: Heart of the Hawk #1 then leave a comment or rating below. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE [yasr_multiset setid=1] [yasr_visitor_multiset setid=1]

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Is Thor: The Dark World the MCU’s Lowest Point? A Retrospective Review

Is Thor: The Dark World the MCU’s Lowest Point? A Retrospective Review

Is Thor: The Dark World worth watching in your MCU marathon? We review the flawed sequel, analyzing its forgettable villain, tonal issues, and why it is often ranked as the worst Marvel movie. The Verdict at a Glance Introduction: The MCU’s Identity Crisis In the grand tapestry of the Marvel Cinematic Universe (MCU), Thor: The Dark World (2013) occupies a difficult spot. Sandwiched between the Shakespearean drama of the first Thor and the psychedelic comedy of Thor: Ragnarok, this sequel struggles to find its footing. While it was a financial success, critical and fan reception has soured over the years. Is it simply a skippable chapter, or is it a fundamental misstep in Marvel history? This review breaks down why the God of Thunder’s second solo outing is widely considered the franchise’s “black sheep.” The Plot: A Generic Fantasy Slog The story picks up post-Avengers, with Thor (Chris Hemsworth) bringing order to the Nine Realms. However, an ancient enemy returns: Malekith (Christopher Eccleston) and his Dark Elves, who seek a weapon known as the Aether (the Reality Stone) to plunge the universe into eternal darkness. When Jane Foster (Natalie Portman) accidentally absorbs the Aether, she becomes a target, forcing Thor to bring her to Asgard and eventually team up with his treacherous brother, Loki (Tom Hiddleston). Where It Went Wrong Malekith: The “Who?” of Marvel Villains The film’s fatal flaw is its antagonist. Christopher Eccleston is a fantastic actor, yet he is buried under prosthetics and given zero character depth. Malekith has no relatable motivation—he simply wants to destroy the universe because he likes the dark. In an era of complex villains like Thanos or Killmonger, Malekith is shockingly one-dimensional and entirely forgettable. A Tonal Mess The Dark World tries too hard to be “Game of Thrones” in space. It abandons the fish-out-of-water charm of the first movie but lacks the bold, colorful humor that Taika Waititi would later bring to the franchise. The result is a movie that feels gray, dreary, and overly serious without the emotional weight to back it up. The Wasted Talents of Natalie Portman Jane Foster is reduced to a plot device. Rather than an active participant, she spends the majority of the film as a living vessel for the MacGuffin (The Aether), fainting or being carried from room to room. It is no surprise that Portman took a long hiatus from the MCU after this entry; the script gave her nothing to do. Boring Exposition Much of the dialogue consists of characters explaining fantasy pseudoscience to one another. The pacing drags significantly in the second act, making the 1 hour and 52-minute runtime feel much longer. The Saving Graces It isn’t all bad. Here is what keeps the movie watchable: Final Thoughts: Essential Viewing Only for Completionists Thor: The Dark World is a film that checks boxes rather than telling a compelling story. It introduces an Infinity Stone (The Aether), but fails to make us care about the journey. If you are doing a full MCU rewatch, you might feel obligated to sit through it. However, if you are looking for entertainment value, this is easily the most skippable entry in the Infinity Saga. It is a harsh reminder that even Marvel Studios isn’t invincible. Pros: Tom Hiddleston’s Loki; High production value; Important for Avengers: Endgame context. Cons: Forgettable villain; Dull color palette; Weak script; Wasted supporting cast. Where to Buy & Watch If you need to complete your collection or want to see the introduction of the Reality Stone, you can purchase the film below.

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Review – X-Men: Apocalypse (2016)

Review – X-Men: Apocalypse Directed by: Bryan Singer Produced by: Bryan Singer & Stan Lee Written by: Bryan Singer & Simon Kinberg Starring: James McAvoy, Michael Fassbender & Oscar Isaac Release Date: May 18th 2016 I remember when this movie first released and received very mixed reactions from both critics and fans. At the time, I fell on the more positive side of the fence and actually kind of enjoyed this movie for what it was when I saw it for the first time in the cinema. It is amazing how things change… I revisited X-Men: Apocalypse for review last night and found it very difficult to get through. The year is 1983, 10 years after the last X-Men movie, Days Of Future Past; as in the kind of 10 years where no one ages a day. We know that it is 1983 because some of the young mutants go and see Return Of The Jedi in the cinema. The hairstyles and fashion statements are suitably 80’s, which is actually a very appropriate motif to choose as it adds a more comic book feel to the movie and forces it to stick to a brighter colour palette than some of the previous X men outings. Another positive is the return of Quicksilver, who has another grandiose slow motion scene in the film, but unfortunately it is not as well choreographed as the one in DOFP and somewhat falls flat in comparison. The design of Apocalypse in this movie is something that I just could not get behind. There were points where it took me out of the movie entirely and although Oscar Isaac is a great actor and he does his best with this portrayal of the ancient mutant even he can’t make this film palatable. The other major downside to his character is that he is significantly nerfed in terms of his powers here. He does feel mildly powerful at points, but never overwhelmingly so and when the final confrontation does take place, it feels like he is holding back. This could be explained in a contrived manner by saying that he doesn’t want to kill mutants, because they are all his children, but if the success of his plan depends on it then he shouldn’t even hesitate, he should just wipe all the X-Men out in an instant like we know that he can. The tone is another issue I have with the movie, it is extremely inconsistent throughout and never reaches the level of threat or peril that it is aiming for. However, this isn’t the fault of the cast or the performances they give. MacAvoy and Fassbender stand out here as you would expect, their relationship also remains one of the most interesting parts of the plot. Isaacs’ performance is also suitably threatening and sinister, the only thing lacking in his character other than the odd design choice, is how short he is next to the other mutants. He doesn’t have to be huge like in the comics and cartoons, but making him a little bit more physically imposing with clever camera tricks would have went a long way in adding to the character. Jennifer Lawrence is fine here as usual, even if it does seem like she doesn’t want to be there in certain scenes. Young Cyclops and Jean Grey are perfectly serviceable, although Sophie Turner’s American accent does come and go in certain scenes. Even Peters does his best as Quicksilver and the actress who plays Storm here is also pretty convincing, as is the young English actor who plays Angel. Nightcrawler is also a welcome addition to the roster as I feel that he has been criminally underused since the second X-Men movie and his power set is definitely one of the most interesting in all of the X-Men movies, also the actor playing him here does a good job throughout the film. The special effects are noticeably shabby throughout the film, especially when you remember that this movie came out in the same year as Captain America: Civil War. This was also the last X-Men movie directed by Bryan Singer and knowing what we know now, good riddance. The direction in this movie certainly isn’t anything to write home about anyway and the cinematography is also pretty lazy and by-the-numbers. Overall, upon re-watching X-Men: Apocalypse for review, it has not aged well at all. I don’t often say that about movies that are only five years old, but here we are. If you remember this one being okay back when you first saw it in the cinema, then please don’t do what I did and revisit it because you will only be disappointed. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] Check out Dan’s review of Captain America: Civil War here. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – Teen Titans Academy #1

Review – Teen Titans Academy #1 Writer: Tim Sheridan Penciller: Rafa Sandoval Inker: Jordi Tarragona Colorist: Alejandro Sanchez INTRODUCTION: Six of the original Teen Titans team members have reunited in order to teach a new generation of teens at the Roy Harper Titans Academy! Nightwing, Starfire, Raven, Cyborg, Beast Boy, and Donna Troy are sharing their skills that they learned while growing up as Titans to show new superpowered teens how to be heroes. But with the lingering mystery of who is parading around as Red X, Nightwing and the rest of the team are uncertain how to approach this specific topic. STORY: Throughout this first issue, the six original Titans introduce themselves as teachers and show the students what their time at the Academy will be like. As they welcome in a wide variety of super powered kids, we learn about the abilities and draw to the large cast of new characters being brought up by the original heroes. Characters like tech-genius Gorilla Gregg and the EMP powered hotshot named Brick stick out as fun new ideas while others like cylindrical shapeshifter named “Tooby” will assumedly be more fleshed out as future issues release. The most shocking inclusion however, is that of previously established DC alter-ego to Shazam, the young Billy Batson. Batson is the only previously known character of these new Titans and he is barely in the issue, but his inclusion is very shocking. Issue one encapsulates the first day of school feeling by showing the new kids moving in and getting introduction lectures from Titans as friendships and cliques begin to form. The intrigue to this story mainly comes in 2 different forms. The first of which is seeing the original Teen Titans members interact and embark on a new journey of teaching new kids that were in the same spot as them years ago. The second is that of seeing all these new characters being introduced and getting to learn more about their powers and personalities. These two things are mainly tied together by the intrigue of the mysterious Red X. This character is one deeply rooted in the Titans past while at the same time very ominously a large part of these new Titans’ future. Throughout the book, we see a lot of charming moments of the original Titans together again. As a big Titans fan, seeing them come together in teaching/leadership positions is a real treat. Also, seeing the current Teen Titans team as upperclassmen being out in the field is really cool. It gives fans of these new characters something to look forward to as they go through their enrollment and honors the older teens that have served as superheroes before the school was made. Out of thew set of characters, the main focus seems to be on the hotheaded ginger named Brick. Brick seems to have energy blast related power that includes electromagnetic pulses, but comes across as one of the much more powerful kids. He seems to have quickly grabbed the attention of Donna Troy who is greatly interested in his capabilities and seems to specifically have a fascination with the Red X. As the first day winds down, we see this Red X discussion come to its’ head as someone gifts Nightwing the original Red X mask that he wore years ago during his birthday celebration, warranting a speech. And the loss of this mask later on is what leaves this issue off on a dramatic note. ART: The artwork throughout is very good overall, as the powers displayed and action within are done very dynamically. I will say that Brick does look very similarly to another student that shows up late, the only difference being their hair color. I don’t think these two are supposed to be related, so the similarity may prove to be more confusing as the series continues. Characters like Stitch and Gorilla Gregg are drawn very well in a more detailed way that their characters warrant without looking out of place in the rest of the artwork. Some of the artwork within is good enough to warrant them being made into a poster, such as Nightwing’s birthday party and the upperclassmen fighting as Teen Titans. Overall, I’m looking forward to seeing this art style benefit the series as we get more issues. IN CONCLUSION: There are a few nitpicks I do have with this issue. Some small things that don’t come anywhere near ruining the issue, but still come across as very strange. The first of these things is Starfire’s eyes. This is something I didn’t notice on the first read through, but once I looked into her eyes I could never unsee it. Her eyes are completely white and comes across as blank windows into her soul. It comes across as a mistake that was forgotten rather than a stylistic choice. There are other artistically unique depictions within that make sense as artistic differences such as Nightwing’s unusual thickness as well as Cyborg’s fully silver depiction, but this specific Starfire change is borderline unsettling. Starfire also seems to be strangely into the Red X mask, alluding that she is attracted to it and its allure when having a personal conversation with Nightwing. Lastly, it’s kind of strange for Donna to exclaim to her student that she is gonna “kick his $#&”, which makes me a bit curious as to how Sheridan is going to handle the female characters of this series. I know these are small things, but I couldn’t go without at least bringing them up. Issue #1 of Teen Titans Academy does a very good job overall at setting up storylines and intrigue for the future of the series. It is clear that the allure of Red X is the main hook of the book’s narrative currently. And as long as the new teens and their dynamics with other heroes are better developed and established before this Red X storyline comes to an end, this series should do well at

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Review - Captain America: Civil War

Review – Captain America: Civil War

10 years later, Captain America: Civil War is still the smartest movie Marvel ever made. From the debut of Spider-Man to the rise of Thaddeus Ross, here is why you need to re-watch the Avengers’ breakup in 4K. ⚠️ Affiliate Disclaimer This article contains affiliate links. As an Amazon Associate, I earn from qualifying purchases. If you buy through these links, we may earn a commission at no extra cost to you. The Verdict at a Glance The “Empire Strikes Back” of the MCU In 2026, we are living in the aftermath of the Sokovia Accords. With President Thaddeus Ross (Harrison Ford) now transforming into the Red Hulk in Captain America: Brave New World, the events of Civil War have never been more relevant. Released in 2016, this wasn’t just “Captain America 3″—it was “Avengers 2.5.” It took the fun, quippy tone of the franchise and shattered it. It dared to ask: What if the good guys are dangerous? Here is why Civil War remains the gold standard for superhero storytelling. The Villain Who Actually Won Thanos might have erased half the universe, but he eventually lost. Baron Zemo (Daniel Brühl) is the only villain who truly won. He didn’t have a magic rock or a laser beam. He had a grainy VHS tape and patience. By revealing the truth about Tony Stark’s parents, he fractured the Avengers so badly that they lost to Thanos in Infinity War. Watching his quiet, cerebral manipulation today is chilling. The Airport Battle: The Ultimate Comic Book Splash Page We have seen bigger battles since (like Endgame), but we have never seen one this creative. The 17-minute sequence at Leipzig/Halle Airport is a miracle of choreography. It balances 12 heroes perfectly. Ant-Man turning Giant? Spider-Man webbing up Falcon? Hawkeye firing Ant-Man on an arrow? It is pure joy. In 4K HDR, the colors of the costumes against the grey concrete look incredibly sharp. The Debuts of Titans It is easy to forget that this one movie introduced Spider-Man (Tom Holland) AND Black Panther (Chadwick Boseman) to the MCU. T’Challa arrives fully formed: regal, dangerous, and driven by vengeance. His chase scene (running faster than cars) is still one of the best practical stunts in the series. And Peter Parker? His clumsy, chatty introduction remains the best version of the character we’ve seen. The Emotional Finale Most superhero movies end with a sky beam. This one ends with a fistfight in a bunker. The final brawl between Steve, Bucky, and Tony isn’t about saving the world; it’s about betrayal. When Tony screams, “He killed my mom,” you feel it. It is arguably the best acting Robert Downey Jr. ever did in the suit. How to Watch: The Definitive Editions To appreciate the details—like the texture of Black Panther’s vibranium suit or the scuff marks on Cap’s shield—you need the physical disc. ? The Best Experience: Captain America: Civil War (4K Ultra HD) The 4K transfer is a significant upgrade over streaming. The airport scene (shot on IMAX cameras) fills the screen, and the Dolby Atmos audio track makes the clash of Vibranium vs. Repulsors sound terrifyingly real. ? The Source Material: “Civil War” by Mark Millar The movie is very different from the comic, but the original 2006 book is a classic. It features the Fantastic Four and X-Men (who weren’t in the movie) and a much darker ending. ? The “Choose Your Side” Merch Are you Team Cap or Team Iron Man? This movie divided the fanbase, and the merchandise lets you pick a side. Final Thoughts Captain America: Civil War is a masterpiece of tension. It proves that you don’t need an alien invasion to create high stakes—you just need characters you care about trying to kill each other. If you are watching Thunderbolts* or Captain America: Brave New World in 2026, you must revisit this film. It is the origin story for the modern MCU’s political chaos. Where to watch next: The fallout of this movie splits the timeline.

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