Dave Bautista

Avengers: Endgame

Avengers: Endgame Review: The Perfect Finale to the Infinity Saga

4th February 2026

  Seven years later, Avengers: Endgame remains the undisputed King of the MCU. From the “Portals” scene to Tony Stark’s final sacrifice, here is why this masterpiece demands to be watched on 4K. ⚠️ Affiliate Disclaimer This article contains affiliate links. As an Amazon Associate, we earn from qualifying purchases. If you buy through these links, we may earn a commission at no extra cost to you. The Verdict at a Glance The Crown Jewel of the MCU It is hard to believe it has been seven years since Avengers: Endgame hit theaters. In 2026, as we navigate the complex “Multiverse Saga” with Incursions and Variants, looking back at Endgame feels like visiting an old friend. This wasn’t just a movie; it was a miracle of logistics. Juggling dozens of A-list stars, wrapping up 22 movies of storytelling, and landing the emotional plane perfectly? That shouldn’t have been possible. Yet, the Russo Brothers did it. Here is why Endgame remains the “Gold Standard” against which all other blockbuster movies are measured. The “Time Heist” is Genius Writing Instead of a standard “punch the bad guy” plot, the movie turns into a love letter to the MCU itself. By sending our heroes back to 2012, 2013, and 2014, the film allows us to see how far these characters have come. Watching the weary, defeated 2023 Tony Stark interact with the hopeful 1970 version of his father is heartbreakingly beautiful. It rewards you for paying attention for the last decade. The Darkest Battle Needs the Best Screen The final act—the “Battle of Earth”—is notoriously dark (visually). The muddy grays and browns of the destroyed Avengers compound can look like a blurry mess on streaming services. However, on physical 4K UHD, it is a different experience. The HDR brings out the glowing sparks of Doctor Strange’s portals, the crackle of Thor’s lightning, and the distinct colors of the Infinity Stones against the gloom. If you haven’t seen it on disc, you haven’t really seen it. “On Your Left” There is no cinematic moment in the last 20 years that matches the “Portals” scene. When Captain America, broken and alone, hears Sam Wilson’s voice… it is pure magic. Even in 2026, this scene induces goosebumps. It is the payoff to every single solo movie that came before it. Seeing Black Panther, Spider-Man, and the Guardians return from the dust is a triumph of long-form storytelling. The Perfect Goodbye for Tony & Cap Endgame understands that endings are necessary. Tony Stark, the man who started as a selfish egoist, makes the ultimate selfless play. Steve Rogers, the man who always sacrificed himself for the greater good, finally takes a moment for himself. Their arcs cross perfectly: one learns to let go, the other learns to live. How to Watch: The “End of an Era” Collection To truly honor this film, you need the best quality possible. Streaming compression ruins the audio dynamic range of the final battle. 🥇 The Essential Disc: Avengers: Endgame (Cinematic Universe Edition 4K) This disc is reference quality for home theaters. The Dolby Atmos track shakes the room when Thanos’s ship, The Sanctuary II, fires on the base. 🥈 The Ultimate Flex: The Infinity Saga Collector’s Box Set If you want to own the entire 22-movie run from Iron Man to Endgame in one beautiful package, this is the holy grail for collectors. 🥉 The Must-Have Prop: The Nano Gauntlet (Electronic) Unlike the golden Infinity Gauntlet, the red-and-silver “Nano Gauntlet” was built by Tony Stark. This high-end replica features articulated fingers and the “Snap” sound effect. It is the centerpiece of any Marvel shelf. Final Thoughts Avengers: Endgame is a masterpiece of blockbusters. It manages to be funny (Professor Hulk), devastating (Black Widow), and triumphant (Cap lifting Mjolnir) all at once. In an era of endless sequels, Endgame dared to provide a conclusion. It is the high-water mark of the Marvel Cinematic Universe, and it demands a permanent spot in your physical media library. Where to watch next: The “Infinity Saga” is over, but the aftermath begins immediately in Spider-Man: Far From Home, which deals with the world mourning Tony Stark.

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Review – Blade Runner: 2049

30th July 2021

Review – Blade Runner: 2049 Directed by: Denis Villeneuve Written by: Hampton Fancher & Michael Green Produced by: Ridley Scott & Yale Badik Starring: Ryan Gosling & Harrison Ford Release Date: October 5th 2017 After recently revisiting the original Blade Runner, I decided to revisit its follow up; Blade Runner: 2049, for review. Revisiting this movie was a blast, as it is probably one the greatest sequels ever produced. First off, this movie is a feast for the eyeballs. I won’t go on about the visuals too much, as I’m sure at this point that you already well aware of how good looking this movie is, all I’ll say is this; the movie deserves to be viewed on the biggest screen possible. What is even better though, is unlike a certain Zack Snyder film, Blade Runner 2049 has more to it than just surface level, pretty visuals. Denis Villeneuve is one of my favourite directors working in Hollywood today. The run of movies he released between 2013 and 2017 was nothing short of astounding, beginning with Prisoners and ending with this film. Additionally, he has achieved the impossible here by managing to pull off a truly fantastic sequel to a 35 year old classic. I love almost every part of this movie. The direction is masterful to watch, with the movie being moved along at a deliberate, purposeful pace, rather than rushing through from action scene to action scene. The sets used in the film are out of this world, some props are really cool to look at and the use of mostly practical backdrops makes a huge difference as opposed to using an abundance of green screen. Rodger Deakins’ cinematography is utterly astonishing, you could honestly screen grab an image from any time stamp in this movie and it would work perfectly as a beautiful desktop background. I also think that the performances are fantastic and everyone does a great job in their respective roles. Although Ford doesn’t appear until the movie’s third act, when he does he is great. Gosling commands his leading man role as we’ve come to expect him to. Robin Wright and Dave Bautista are the other standouts for me in terms of their performances. The more technical elements of the movie work perfectly in tandem with the story being told as well. The special effects are beautifully implemented and the lighting in the movie adds a whole other layer of visual depth as well. The score also works for the tone that the movie was aiming to achieve. Additionally, the script is solid and tightly woven. The only thing I will say is; if you were to go into the film expecting a sci-fi action blockbuster, you will come out disappointed. This is a slow paced, sci-fi noir, detective story. There are a few sparse moments of action and it does feel impactful when it occurs, but it is not the focus of the movie at all. The one small element that bothers me in this movie is Jared Leto’s performance. He never fails to take me out of the movie and is the only cast member who doesn’t feel like a real character within this world. Maybe I’m just being biased, as Jared Leto has always annoyed me in general, but for me he is the one bad part of this near masterpiece. Thankfully he doesn’t get that much screen time, so it could have been worse. Also, the fact that David Bowie was originally cast in that role adds an extra sprinkle of salt in the wound. Overall I love Blade Runner: 2049, but I can see why people find it somewhat divisive. For me though, the vast majority of this movie’s parts are absolutely fantastic and come together to form a journey that you must experience for yourself. [yasr_multiset setid=2] [yasr_visitor_multiset setid=2] If you enjoyed Dan’s review of Blade Runner: 2049, check out what he thought of the original Blade Runner here. Don’t forget to like us on Facebook, Twitter, Instagram, Discord and join our official Facebook Group. Check out our new Podcast and subscribe to the channel on Youtube, Spotify, Apple and Google. Buy tickets for BGCP Comic Con in and around Glasgow Scotland – BUY TICKETS Check out all of our Comic, Movie, Television and Videogame Reviews and News from Glasgow, Scotland, UK and the US, HERE and our Podcasts/Interviews HERE If you want to be part of the BGCP community, Join us on Discord, Twitter, Instagram etc then click HERE

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Review – SPECTRE (2015)

18th June 2021

Review – SPECTRE (2015) Directed by: Sam Mendes Written by: John Logan & Neal Purvis Produced by: Daniel Craig & Barbara Broccoli Starring: Daniel Craig, Cristoph Waltz & Dave Bautista Release Date: October 26th 2015 In anticipation for No Time To Die finally getting released later this year, I recently decided to revisit SPECTRE for review. I actually had more fun re-watching this movie than I expected to and enjoyed it far more than when I first saw it back in 2015. When Casino Royale released back in 2006, it was intended to be a soft reboot of the franchise that showed viewers the events of Bond’s first mission and it strived to rectify some of the silly gadgets etc that were being over-used with Brosnan’s Bond. In my opinion, Casino Royale was a great film, it just wasn’t a Bond film. It did away with all of the silly gimmicks and cheesy one liners and was an introduction to a more grounded version of the iconic character, which made for a great spy thriller but not a great Bond movie. Then Quantum of Solace came out and literally nobody cared, not many people went to see it, it didn’t make much money at the box office and to this day I’ve still not watched the entire movie from start to finish and to be honest, I’m perfectly okay with that. Skyfall was the third Craig Bond movie to be released and it was a triumph. Finally Craig felt like he was actually playing Bond and not just some random hard ass military spy. It even flirted with the idea of gadgets, had a flamboyant supervillain and introduced a young, fresh faced Q, which was a nice touch. The movie ended with Silva killing Judi Dench’s M and Bond killing Silva, Ralph Fiennes was then appointed with the title of M and Naomi Harris was revealed to be the new Moneypenny. So with the last movie pleasing both long time Bond fans and newcomers alike, SPECTRE had a lot to live up to. SPECTRE opens with Bond in Mexico City, during the Day Of The Dead festival. Bond listens in on a meeting of two Mafioso and learns about a mysterious organisation hoping to achieve world domination and their illusive leader known as ‘The Pale King.’ He then blows up the building they are in and ends up in a chopper fight with one of the gangsters, whom he eventually kills. This leads into a stunning opening credits sequence, that really is one of the best I’ve seen, (even though the song is still crap.) This is an awesome intro and probably tops Skyfall’s intro which was also very cool. The rest of the movie is a joy to a long time Bond fan like me. It checks off all of the boxes that make up a classic Bond movie. An awesome Aston Martin car chase – check. A big bad henchman who doesn’t say much but is very hard to kill – check. An effective use of gadgets and cheesy one liners – check. A super-villain that has an epic secret layer that he invites Bond to – check. Bond being strapped to an elaborate device in that secret layer and tortured – check. Now all of this is fairly well executed, but the problem with it is that it throws any of the gritty realism shown in the last three movies right out of the window, which causes this movie to feel as if it is taking place in a separate universe from the last three. This is something that bothered me at the time, but in hindsight I didn’t mind it. Revisiting the film, I was than happy to have a good old fashioned Bond movie back on our screens that isn’t afraid to shy away from the use of gadgets and witty quips. Also, SPECTRE is a movie that actually handles it well, unlike some of the naff late Brosnan movies. On the other hand though, I can totally see why people had issues with this movie at the time of its release, especially if you aren’t a long time Bond fan and prefer Craig’s more realistic turn as Bond. If that is the case then SPECTRE probably isn’t ever going to be enjoyable for you. Now, let’s forget for a minute that this is a 007 movie and just analyse it as a traditional piece of cinema. First off, I’m really glad that they brought Sam Mendes back to direct this one, he is very obviously a passionate Bond fan and I think he has done a great job with both Bond movies that he has made in the past. The script in SPECTRE is also well written, providing the film’s dialogue with a witty and fast paced feel. The tone that the script creates ensures that the audience is kept intrigued, but are never lost as to what is going on. The cinematography in this movie is also great, besides a shaky cam chase sequence during the opening of the movie, I’d actually say that this is a masterfully shot movie. Hoyte Van Hoytema was the principle of photography for this movie and that guy really likes his eye pleasing shots and his use of the rule of thirds, which is especially evident in the funeral scene where Monica Belluci is introduced. There are two Bond girls in this movie, Belluci only really being there for exposition, but Lea Seadoux did a great job with her more fleshed out role. Now, I want to talk about the main villain in the movie, played by the incredible Christoph Waltz. During his screen-time in the movie, he steals every scene he appears in, however that leads me on to a problem I have with the movie. He is introduced near the beginning of the film, – within the first half hour, – then a good hour passes before he is reintroduced. Although what is going

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